On the disadvantages and uncertain future of China's films from The Hero's Promise.
The past year 2005 was the birthday of China film 100. Looking back on the past 100 years, China films left many classic and unforgettable screen images. From Dingjun Mountain to Ruan, from heroic sons and daughters to tourists on the iceberg, many classic and touching scenes have touched the hearts of hundreds of millions of people.
In recent years, from hero to infinity, there is a strange smell. Is it miasma or rage? It's hard to know. However, in terms of production techniques, in addition to special effects, it largely imitated Lai Wu. The brilliance of China movies in recent 10 years is also the brilliance of Kung Fu movies, but this brilliance can only impress western audiences, because Kung Fu is a mysterious East for foreigners with blue eyes. How to appreciate is beautiful? But China people don't understand Kung Fu so well, so the reason why they abuse heroes and promise at home is very simple.
To put it simply, apart from the huge investment, big-name stars and stuntmen thought that there was nothing to impress people after watching it. The most extreme thing is to make fun of China people. For example, the protagonist told a well-known story in history, Jing Ke stabbed Qin. But the hero silently tells everyone that Jing Ke didn't stab Qin. Why not? I don't know if this is a movie or a turn-over of the past monarch because of the momentum of the king of Qin. The scene was spectacular, but there was no one inside. The story was so simple that a joke was played at the end, which made a Hugo. I don't know whether the film is to celebrate our despicable neighbor or to get back at Bushido again. Extremely vulgar, it can be called infinity.
On the other hand, we have to admire Korean movies in recent years. They don't worship foreign things but really admire them. Korean dramas touch everyone's heart with touching stories and expose the ugliness of society and human nature with truth. And our movies are still lingering in the shadow of "chauvinism" and "high, big and all-round", and they are still deceiving Chinese people in gorgeous coats, just like 1000.
Movies, an endless topic. What is positive? What is negativity? Our cultural workers and radio, film and television workers should think carefully and clearly understand the role of film in the advancing China society. Instead of blindly following the trend, they only know how to win money by deceiving the audience, ignoring the film as a cultural carrier, and more often as a good tool to spread culture and maintain tradition, rather than a machine to make money. A few people become rich and famous.