The Last Emperor, the best film in the 60th (87th) Oscar, was jointly produced by Italian Yanko Film Company, British Daoao Film Company and China Film Co-production Company, with a length of 2 18 minutes. The film expresses Puyi's life in flashback, and tells the story of 60 years in 3 hours and 38 minutes. After the film was released in the west. Immediately set off a "China fever". 1988, the 60th Academy Awards was announced, and the last emperor won the best film in one fell swoop. 9 awards for best director, best adapted script, best costume, best composition, best editing, best sound effect, best photography and best artist. Why did Italian director Bernardo Botao Ruzi film the life of the last Chinese emperor Puyi? In 1987, a reporter from French premiere magazine asked Bertau Luqi this question, and he gave a positive answer, "This is a fascinating story", "... Puyi has become history, and he symbolizes an idea that an individual can be completely changed through education. Bertau Luqi also bluntly said in an interview on the same day: "If I didn't have this sympathy for Puyi, I wouldn't have made this film. I even like those disgusting characters. I need to love all the characters in front of the camera. Even if they are bad, I try to make them have some kind of tragedy, thus producing a sense of nobility. ..... These characters are disgusting, but they are also part of the world. I don't forgive him, but they are also the playthings of the God of Destiny, reflecting the aggressiveness of human beings. Therefore, anyone is just a victim of history. " Bertau Luqi, as an artist, said these words with his own conscience and sincerity. Although they can't help us fully understand Puyi, an outstanding political figure in China, they at least give us some enlightenment, and Puyi's life is undoubtedly tragic. Although the Puyi glimpsed by Botao Luqi from the artistic angle is far from the real Puyi in reality, Puyi's life is closely linked with the turbulent fate of China. After Puyi's transformation from a political puppet, the people who witnessed his transformation are now regarded as "ghosts" and driven out of human status, which is a mockery of human destiny by history. The background information of the last emperor mainly comes from "My First Half Life" written by Puyi before his death and the historical materials of the archives of the Qing Palace in the Forbidden City. The whole film crew is a creative group: China 150, Italian 100, British 20, and 30 translators.