Garcí a Má rquez, as a pioneer of magical realism in Latin America, deserved the Nobel Prize ceremony in 1982 and won the honor of Nobel Prize in Literature. His representative works include Litter (published in 1955), The Colonel Who Didn't Write to Him (196 1), One Hundred Years of Solitude (1967), A Murder Made Public in advance (/kloc Marquez's works are famous for their unique artistic quality, which are not only praised by writers and critics, but also deeply loved by readers. The eclectic wonderful imagination and Dong Jian's social realm in ancient and modern times are all integrated in his works, which can be expressed through his excellent narration. This thesis intends to use the concept, structure and classification of the French narrator Gé rard Genette's narrative theory book Narrative Discourse New Narrative Discourse, and at the same time, draw lessons from the relevant theories of domestic narratology experts such as Hu Yamin, Shen Dan and Luo Gang, and combine the comments of domestic and foreign experts on Marquez to examine the narrative characteristics of Marquez's works with narratology theory. The introduction first briefly introduces the present situation of Marquez's novel creation and research, then introduces the related concepts of narratology theory and the composition of the narrative research framework involved in this paper, and finally states the research purpose, significance and research methods of this paper. As we all know, Marquez's unique narrative style has aroused the amazement and concern of critics and readers all over the world. His main works unfold plots, depict characters, deepen themes and convey understanding of reality in a unique narrative way. Based on the basic concept of narratology, this paper designs each chapter of this paper into three levels: narrative time, narrative angle and narrative structure, and analyzes the characteristics and deep meaning of the works from these three parts. The first chapter analyzes the narrative time, discusses and analyzes the use of time sequence, time interval and frequency in Marquez's novels, and empirically tests the scientificity of the above three parts in the text. The second chapter discusses the narrative angle of Marquez's novels from three aspects: narrative level, narrator and perspective, observes the hierarchical structure and authenticity of these three works, and understands the multi-angle narrative art of Marquez's novels. The third chapter discusses the narrative structure of Marquez's novels. Mainly from the surface structure, deep structure and meaning structure to further analyze the connotation of the novel. The conclusion part summarizes the characteristics of Marquez's narrative art. Marquez's bold experiment and reform of novel narrative strategy not only created his unique novel narrative art, but also realized the perfect unity of modernist writing techniques and realistic themes, and also reflected his conscious combination of stylistic awareness and spiritual demands, which became a beacon to lead the times.