High mountains and flowing water:
During the Warring States Period, there was a story of Qin Le about high mountains and flowing water, so it was also said that "high mountains and flowing water" was written by Boya. The music score was first seen in The Secret Music of the Ming Dynasty (written by Zhu Quan at 1425). The solution of this score is: "Mountain Flowing Water is two songs, but there is only one. The first ambition is to care about mountains and rivers, saying that benevolent people are Leshan. The ambition of the future is to care about running water, which means that the wise are happy with water. The Tang dynasty is divided into two songs, regardless of section. The highest mountain is divided into four sections and eight sections of flowing water. " For more than 2,000 years, two famous guqin songs, Mountain and Running Water, together with the story of Boya guqin meeting a bosom friend, have been widely circulated among the people.
Three lanes of plum blossom:
Three tricks of plum blossom, an ancient song of China. Also known as plum blossom primer and jade princess primer. The music score was first seen in the Ming Dynasty's "Magic Secret Score". The reason why "Three Lane of Plum Blossom" is called "Three Lane of Plum Blossom" is that it plays the main theme with a pan-sound, and the same tune is repeated three times in different emblem positions. There is a 1 explanation in volume 30 and volume 33 of Yuefu Poetry, which mentions the technique of "playing the flute, playing high and playing the flute". The musical structure of "agriculture, countryside and farmers" in today's Qin music may be the remains of this performance form.
Sunset flute and drum:
Speaking of moonlit night on the riverside, I believe many people know this famous folk music ensemble. Its melody, rich in Jiangnan silk and bamboo music characteristics, is euphemistic and beautiful; The rhythm is smooth and changeable, and it is very poetic and picturesque in the East. Moonlit Night on the Spring River has always been loved by the masses. It has been adapted into solos and ensembles of various Chinese and western musical instruments, and it has also been used as lyrics in drama. It is the most well-known traditional music in China. But do you know that "Moonlit Night on a Spring River" was originally adapted from "Sunset Flute and Drum" by Wen Qu, a famous traditional pipa player?
Sunset flute and drum are also called Xunyang Pipa and Xunyang jathyapple. The Sunset Flute and Drum is one of the representative works of pipa player Wen Qu. This song was circulated in Jiangnan area in the18th century at the latest.
The Sunset Flute and Drum is a lyrical and freehand Wen Qu. Music was originally divided into 10 segments, namely: 1. Sunset flute and drum; Second, stamens are scattered and return air; Third, the mountain is near the moon; Fourth, the sunset is near the water; Fifth, the sound of maple autumn; Sixth, Chivalrous Chihiro; Seven, Xiao Sheng red forest; Eight, Linjiang night; Nine, the fishing boat sings late; Ten, the shadow returns to the boat.
Autumn Moon in Han Palace: Autumn Moon in Han Palace used to be the pipa of Chongming School. Now there are many kinds of Le Shu, which have evolved from one musical instrument to different ones, and have been recreated through their own artistic means, creating different musical images. This is a common situation in the circulation of folk instrumental music. The popular forms of Autumn Moon in Han Palace are erhu, pipa, Zheng Qu and Jiangnan Sizhu. It mainly shows the sad mood of ancient ladies-in-waiting and a helpless and lonely life artistic conception.
Chun Xue: "Chun Xue" shows the beautiful scenery of early spring when winter goes and spring comes, the earth recovers and everything flourishes. The melody is fresh and smooth, and the rhythm is relaxed and lively. It is divided into seven sections: 1, No.2, Lotus in the Wind 3, A Moon 4, Jade Edition Meditation 5, The Sound of Iron Strategy Board 6, The Sound of Taoist Piano 7. The subtitle of heming in Gaodong was written by Li Fangyuan, which has little to do with the music content.
The seven paragraphs of the whole song can be divided into four parts: beginning, inheritance, rotation and combination, which is a variation with cyclical factors.
Beginning: (1) "Dominate". At the beginning of the song, there is a variation of "Eight Bantou" with the length of 17 beat, which reappears in the last three parts of the radical cycle. The original eight-disc melody is polished by techniques such as "separating customs" and "adding flowers", and the playing techniques such as "half-round", "clip-on" and "push-pull" are used to make the sound effect unique and interesting, and the melody of the flowers is full of vitality.
Undertaking: (2) Lotus in the wind, (3) A bright moon. These two eight forbidden variants, after reappearing the eight bantou, rose twice in melody and moved in the high-pitched area, expressing their enthusiasm.
Turn: (4) Jade version of Zen, (5) The sound of iron policy board, and (6) The sound of Taoist piano, all of which have many unfolding factors. The first is the division and inversion of music structure, and new beats and strong division rhythms appear. The second is to use the fingering of "minutes", "boards" and "overtones" to make the music sometimes light and smooth, and sometimes vigorous and powerful. In particular, the piano sound of Daoyuan highlights overtones in the whole paragraph, just like "pouring pearls of all sizes into a plate of jade", which is sparkling and full of vitality.
Department: (7) Gao Dong He Ming. It is a dynamic reproduction of the headquarters, and it is enlarged at the tail. It adopts a slow and fast speed and a powerful sweeping technique, and the music atmosphere is extremely warm.
Yuqiao Q&A:
Music expresses contempt for those who pursue fame and fortune through the pleasure of firewood. The music adopts the way of dialogue between fishermen and firewood workers, with the rising tone indicating questions and the falling tone indicating answers. The melody is elegant and unique, which shows the leisure of the fisherman. As Qin Xue Jin Chu said, "Yuqiao Q&A" is meaningful and free-spirited, but the majestic mountains, magnificent water, tinkling axes and lingering songs are looming in your fingers. The question-and-answer session is reminiscent of mountains and forests. "The existing spectrum first appeared in the Ming Dynasty.
"Eighteen Beats of Hu Cut": There was chaos in the late Han Dynasty, and it was a bonfire year after year. Captured by the Hungarian Empire and exiled to the Great Wall, he later married Zuo and gave birth to two children. She spent twelve spring and autumn years outside the Great Wall, but she missed her hometown all the time. Cao Cao pacified the Central Plains, made peace with Xiongnu, and sent evil messengers to redeem Moon Hee with a large sum of money, so he wrote the famous long poem "Eighteen Beats of Hu Jia", describing her life's misfortunes. Qin Ge has editions such as Big Hu Jia, Little Hu Jia and Eighteen Beats of Hu Jia. Although the tunes are different, they all reflect the extremely contradictory and painful feelings that Cai Wen missed his hometown and could not bear to be separated. Music euphemistically mourns and tears the liver and intestines.
Guangling San:
According to Cao Qin, during the Warring States Period, Nie Zheng's father cast a sword for korean king and was killed because he postponed the date. Nie Zheng is determined to avenge his father. He went to the mountain to learn piano for ten years, and became a stunt, which made him famous in Korea. Korean king called him to the palace to play, and Nie Zheng finally realized his long-cherished wish to assassinate korean king. He died disfigured. Later generations wrote a piano piece based on this story, which was impassioned and magnificent. The existing piano music was first seen in The Magic Secret.
Pingsha Goose:
In the Ming Dynasty, this song was called Wild Goose in Pingsha. The music score was first published in the collection of authentic ancient piano scores. The melody of Pingsha Wild Goose is melodious and smooth, which describes the eyes of wild geese hovering in the air through their voices. "Piano Music of Astronomical Pavilion" wrote: "Take it as an example. Autumn is crisp, calm, cloudy and Cheng Wanli, and the sky is flying. Borrow the swan's eyes. So is the person who writes a reader's mind. " The Wild Goose in Pingsha appeared late, but it is one of the most popular works in the past 300 years, and nearly 100 piano scores have been published. The reason why it is widely spread is that its melody is smooth and beautiful, but also because its expression is novel and unique, which is easy for the audience to understand.
House of flying daggers:
This is a big pipa with a historical theme. There is no definite theory about the age of music creation. These materials can be traced back to the Tang Dynasty. In Bai Juyi's famous long poem Pipa Trip (772-846), it can be found that the author Bai Juyi once heard the pipa music describing the fierce fighting scenes.
The existing music score of this song was first seen in Pipa Travel edited by Hua Yu 18 18. The music describes the decisive battle in the Chu-Han War in 202 BC. The Han army ambushed the Chu army on all sides, Xiang Yu committed suicide in Wujiang River, and Liu Bang won. At the end of Ming Dynasty and the beginning of Qing Dynasty, it was recorded in the Biography of Pipa in Tang Dynasty that the pipa player once played a song of Chu and Han Dynasty: "The decisive battle between the two armies moved the world and the roof collapsed. Xu took a closer look, and there were golden drums, crossbows, war horses and war horses ... which made the listener excited first, then afraid and unable to cry. Too touching. " "House of Flying Daggers" is widely circulated and is one of the representative works of traditional pipa music.