Wang Zhaoqian (1928 ——) Anqing first-class Huangmei Opera Research Institute. Male, Han nationality, from Linyi, Shandong. Former director of Huangmei Opera Research Institute. He is currently a member of China Musicians Association, Chinese Dramatists Association, Director-General of Huangmei Opera Research Association, Director of China Opera Society and Director of Chinese Opera Music Society. Vice President of China Nuo Opera Research Association, member of International Traditional Music Society.

1947, when he was studying in the Music Department of Normal College of Guizhou University, he was blacklisted by the secret service because he participated in the student movement, so he went to Dabie Mountain to participate in the revolution. He used the gap between marching and fighting to find local people and record their folk songs and Huangmei tunes. The purpose is to let the military art troupe sing songs and plays that the local people can understand, and inadvertently began the reform and research of Huangmei Opera. 1949, shortly after the liberation of Anqing, Huangmei tune Wang Gui and Li Xiangxiang was edited and performed. This is the first innovation in content and form of Huangmei tune under the leadership of the Party on the eve of the founding of the People's Republic of China. /kloc-completed the first draft of Huangmei Opera in 0/952, which was immediately mimeographed by Anqing Cultural Center and Provincial Military Region, and then published by Anhui People's Publishing House. This is the first monograph on Huangmei Opera music theory, which laid the foundation of Huangmei Opera music and theory. In the same year, Anqing Huangmei Opera Troupe was invited to perform in Shanghai. He arranged and adapted traditional vocals such as "Beating Pig Grass", "Lantern Festival" and "Lu Yu" to provide music for the modern drama "New Things and New Bureau" and "Liujingzi". Since then, Huangmei Opera has a performance soundtrack, as well as music design and composition. The performance had an impact on Shanghai. Promoted the development of Huangmei Opera. Since then, he has composed music for many Huangmei operas, such as Yuan and Zhao Hezhi. Among them, the music design of "Dou E Yuan Soul V" made a valuable exploration for the development of Huangmei Opera. He is also an excellent screenwriter, who has written, directed and adapted many plays, such as Female, Hong, Yuan, Zhao, Red Light, Golden Sands Boxing, Hot Blood Online and The Forbidden City. In particular, the mother of the drama Female Ma Xu, Double Rescue, is a handwritten outline of an orphan drama given to him by Zuo Sihe, a folk art in Dabie Mountain, and its ideological content is not positive. He explored the positive side of his mother-in-law, sorted out the original works, added three scenes of scholar's mansion, bridal chamber and golden hall, and jumped out of the mother-in-law mode in conception, making the sorted works one of the classics of Huangmei opera. He is also an outstanding theoretical researcher, and has written many papers, such as Nuo and China's Nuo Belief, Nuo Vulgarity and Drama, and the Evolution of the Fairy Meeting Story in Yong Dong. There are eight monographs, including Singing Collection of Wuning Tea-picking Opera and Nuo God Meeting in Taihe Village, Liu Jie Township, Guichi City, Anhui Province. There is Nuo Opera, a living fossil of China Opera. And in cooperation with Ban Youshu, the Qingyang Drama Catalogue was revised.