[1] Li Qingzhao (1084 March 13 ~ 165438 May 055 12), a poetess in the Song Dynasty (Southern Song Dynasty), was born in Zhang Qiu, Jinan (now Jinan, Shandong). Born on the fifth day of February in Yuanfeng, the seventh year of Shinto religion (1084 March 13), he died on the tenth day of April in Shaoxing, the 25th year of Gaozong (1kloc-0/55 May 12). She was born in a scholarly family. Early life is easy. Her father, Li, has a rich collection of books and has laid a literary foundation in a good family environment since childhood. After their marriage, Zhao Mingcheng and her husband devoted themselves to the collection and arrangement of epigraphy and calligraphy, and engaged in academic research. Like-minded, happy life. Nomads from the Central Plains, living in the south, Zhao Mingcheng died of illness, and Li Qingzhao was alone. Experienced the prosperity and danger in the late Northern Song Dynasty and the turmoil in the early Southern Song Dynasty. Li Qingzhao was a rare talented woman in ancient China. She is good at calligraphy and painting, and is familiar with epigraphy, especially poetry. Her ci works are unique and spread through the ages, and are known as "a unique poet". Her ci can be divided into early stage and late stage. In the early stage, write more about your leisure life, describe your love life and natural scenery, and use beautiful rhymes. Such as "a plum cut, red lotus root fragrance, residual jade autumn color" and so on. Later, I lamented my life experience, recalled my hometown and felt sad. Such as "slow voice, looking for". Her personality is as awe-inspiring as her works. She has both women's Shu Xian and men's fortitude; There are both the cynicism of ordinary people and lofty patriotic feelings. She is not only talented and knowledgeable, but also has lofty ideals and heroic ambitions. She has made many achievements in the field of literature. Among her contemporaries, her poetry, prose and ci theory are outstanding. However, she worked the hardest, achieved the highest success and had the greatest influence on the creation of ci. Her ci has reached the pinnacle in art and is unique in the field of ci, forming her own unique artistic style-"Yi 'an Style". She does not pursue beautiful algae decoration, but extracts expressive "eight tones of common language", expresses her keen feelings about things around her by line drawing, depicts delicate psychological activities, expresses rich and varied emotional experiences, and shapes vivid artistic images. In her poems, sincere feelings and perfect forms are integrated. She developed the graceful school of "endless words and endless feelings" to the peak, thus winning the position of the "elder" of the graceful poet and becoming one of the representatives of the graceful poet. At the same time, the bold style of her poems made her unique in the Song Dynasty, which had a great influence on Xin Qiji, Lu You and later poets. Her outstanding artistic achievements won high praise from later scholars. Later generations thought that her ci "not only looked down on women, but wanted to overwhelm men", and was called "the greatest poetess in the Song Dynasty and the greatest poetess in the history of China literature". Li Qingzhao has works such as Collected Works of Yi 'an Jushi and Yi 'an Ci, but their circulation is not long. The existing collections of poems and essays were compiled by later generations, including Shuyu Ci 1 volume and Shuyu Collection (5 volumes). Representative works include Slow Voice, Pruning Plums, Dream, Summer Poems, Drunk Flowers, Wulingchun and so on. [2]
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Li Qingzhao was born in a scholar-bureaucrat family who loved literature and art. His father, Li, was born in Jinan and was a scholar. He is a student of Su Shi, and officials even mentioned prisons and rites departments. He has a rich collection of books and is good at literature and ci works. There is a stone tablet carved on the south of the north wall of Dongzhai of Qufu Confucius Temple, which reads: "Give a certain punishment, learn from Li, worship Ning (1 102) on the 28th day of the first month, lead a brown, cross the river, meet, March far away and worship the forest." My mother is the granddaughter of the top scholar, and she is very cultured. Li Qingzhao's life experience can be divided into two periods: before and after the Song Dynasty moved south.
earlier stage
Due to the influence of his family, especially his father Li, Li Qingzhao was an excellent poet when he was young. Li Qingzhao's growth is also inseparable from her natural environment. Li Qingzhao's childhood portrait Li Qingzhao (6) (12) spent most of his time in the picturesque and outstanding hometown of Licheng. When she was about five or six years old, because her father Li entered Beijing as an official, she also moved to the capital (now Kaifeng City, Henan Province) with her parents. She grew up in Tokyo. At that time, the ruling class in the Northern Song Dynasty enjoyed themselves, and Tokyo was still very prosperous on the surface. Li Qingzhao, as an aristocratic family of the scholar-bureaucrat class, could not go out of the house like a man because of the imprisonment of feudal ethics. Contact the whole society. But after all, she was born in the city, not as withdrawn as the women of rural landlords. She can not only go boating and play in the depths of the lotus, but also follow her family to the streets of Tokyo to watch fancy lanterns and bustling street scenes, which have cultivated her temperament. Enriched her spiritual life. Li Qingzhao's love for nature and her ability to describe nature show that she was educated in her hometown of Shandong. And her "recklessness" in love description shows the influence of urban social atmosphere and literary atmosphere on her. Li Qingzhao and her husband Zhao Mingcheng.
[3] At the age of eighteen, Li Qingzhao married Zhao Mingcheng. After the marriage, Qingzhao and her husband hit it off as if they were inseparable. "Couples are good at winning friends." After marriage, Li Qingzhao and her former student Zhao Mingcheng studied epigraphy and calligraphy together and lived a happy and beautiful life. Zhao Fu was a famous politician at that time. After marriage, she devoted herself to the further study of literature and art and the collection and research of epigraphy. She and Zhao Mingcheng encouraged each other to create ci, and their techniques became more and more mature. One year on the Double Ninth Festival, Li Qingzhao wrote the famous "Drunken Flowers" and gave it to her husband who was an official outside: "The fog is thick and the clouds are always sad, and the brain sells golden beasts. Double Ninth Festival, lying in bed, in the middle of the night, the cold on my body has just been soaked. Dongli drinks until dusk, and faint chrysanthemum fragrance overflows his sleeves. Mo Tao does not forget me, the curtain rolls west wind, and people are thinner than yellow flowers. " The loneliness of the autumn boudoir and the melancholy of the boudoir are vividly on the paper. According to the record of the Cape Ring Record, Zhao Mingcheng was amazed and unwilling to give in after receiving it, so he closed the door and forgot to eat and sleep, and wrote fifty poems for three days and three nights. He incorporated this poem by Li Qingzhao into it and asked his friend Lu Defu to comment on it. Lu Defu played it over and over again and said, "Only three sentences are excellent." Zhao asked which three sentences it was, and Lu said, "It's not charming. The curtain rolls west, and people are thinner than yellow flowers." However, the good times did not last long, and the struggle between the old and new parties in North Korea intensified. A pair of mandarin ducks are separated alive, and Zhao Li faces each other across the river, suffering from lovesickness.
later stage
In A.D. 1 127, Northern Nuzhen (Jin) conquered Bianjing, and Qin Zong was captured and fled to the south. Li Qingzhao and his wife also fled to Jiangnan with the refugees. Wandering in a different place, the loss of the stone calligraphy and painting collected for many years brought her a deep blow and great pain. Later, the Jin people moved south, and the Southern Song Dynasty was corrupt and incompetent, destroying the Great Wall. In the same year, Zhao Mingcheng was appointed as the health magistrate. In a rebellion in the city, Zhao Mingcheng fled the city, which made Li Qingzhao disheartened. In the second year, on my way to Jiangxi, I wrote the famous "Summer Jueju" when I went to Wujiang, praising Xiang Yu's satire. Zhao Mingcheng was ashamed and depressed, and later died on his way to Huzhou as governor. When Li Qingzhao was lonely, Zhang Ruzhou (one of Zhang Ruzhou) took the opportunity to defraud Li Qingzhao of her money and showed her kindness in every way. Li Qingzhao was very helpless at that time and married Zhang Ruzhou against the secular trend. After marriage, both of them found themselves cheated. Zhang Ruzhou found that Li Qingzhao was not as rich as she thought, and Li Qingzhao also found Zhang Ruzhou's insincerity, and even later punched her. Later, Li Qingzhao discovered that Zhang Ruzhou's official position came from accepting bribes and sued Zhang Ruzhou. In the social environment at that time, the wife reported her husband, and even if the husband was found guilty, the wife would be imprisoned. After Li Qingzhao went to prison, her family bribed the jailer. She stayed in prison for nine days and was released. This marriage, which lasted less than 100 days, ended. Li Qingzhao, who witnessed the destruction of the country, was "bitter, poor and indomitable". In her later years of "searching and being cold and clear", she tried her best to compile "The Story of the Stone" and completed her husband's unfinished business. Nomads from the rampage aroused her strong patriotic feelings, and she actively advocated the Northern Expedition to recover the Central Plains. However, the decadent and incompetent Southern Song Dynasty made Li Qingzhao's hope come to nothing. Li Qingzhao also wrote a bold and unrestrained "Summer quatrains" in the early days of Nandu: "Life is a hero, and death is a ghost hero. I still miss Xiang Yu and refuse to cross Jiangdong. " He used Xiang Yu's unyielding death to satirize Hui Zong's father and son's loss of power and humiliation, and expressed his indignation at the Song Dynasty. After leaving her hometown for many years, her broken heart was vilified and rendered worse by the literati because of remarriage. She was helpless, helpless, poor, wandering around, and finally died alone in Jiangnan. [2]
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Ideological content
Li Qingzhao is good at poetry, and even better at ci. Li Qingzhao's ci is known as "Yi 'an Ci" and "Shuyu Ci", which is named after its number and collection. Yi 'an Collection and Shuyu Collection were recorded by Song people long ago. Up to now, there are about 45 ci-poems, and more than 10 are in doubt. Her "Yu Shu Ci" is both heroic and strange. She not only has profound literary accomplishment, but also has bold creative spirit. Generally speaking, due to the changes of living in the Northern Song Dynasty and the Southern Song Dynasty, her creative content showed different characteristics in the early and late stages. Early stage: it truly reflects her boudoir life, thoughts and feelings, and the theme focuses on writing about natural scenery and parting lovesickness. Later stage: mainly expressing nostalgia and nostalgia when injured. Li Qingzhao's early poems truly reflected her boudoir life, thoughts and feelings, and expressed her deep sadness, loneliness and melancholy in her lonely life. The theme focused on writing about natural scenery and parting lovesickness. For example, two songs, such as Dream, are lively and beautiful, and the language is innovative. I remember playing the flute on the Phoenix Terrace, a plum blossom, and a drunken flower. By describing my lonely life, I expressed my deep affection for my husband and my love for her, which was graceful and graceful. [Butterfly Hua Lian] "Seeing Sisters Off at Changle Pavilion at Night" is about nostalgia for female companions, and the feelings are extremely sincere. Although most of her poems describe lonely life and express melancholy feelings, she can often see her love for nature and frankly reveal her pursuit of a better love life. This is written by a woman writer, which is much more valuable than Forever in My Heart written by the first-person narrator. Wang Zhuo said: "Li Qingzhao" can make long and short sentences, which are full of twists and turns, light and sharp, and full of gestures. Lu Xiang's language is dissolute and his writing is casual. Since ancient times, the family of the gentry, those who can have children, have never been so careless "("Monchi of monks ",Volume II). This criticism just shows that the original intention of Li Qingzhao's ci is objectively against feudal norms. Li Qingzhao's poems after crossing the south are also very different from those in the previous period. The political risks and various tragic experiences in her personal life after the destruction of the country made her spirit very painful, so her early ci became beautiful and bright, but full of sad and low voices, mainly showing her homesickness and nostalgia when she was injured. During her exile, she often missed her hometown in the Central Plains, such as "Where is my hometown? Forget it, unless I'm drunk, written by Bodhisattva Xia, and Dreaming of Chang 'an in vain and Recognizing Chang 'an Road, written by butterfly lovers, all reveal her deep nostalgia for the lost north. She misses her past life more, such as the famous slow word "Ode to Yule" and recalls the past events of Luo Jing's "Zhongzhou heyday"; [Turning to the man Ting's "Cao Fang Pond" recalls the "acceptance speech" of that year. They all compared the good life in the past with the bleak and haggard today, and pinned their thoughts on the motherland. In her poems, she fully expressed her deep sadness in her lonely life. For example, Wu Lingchun expressed her uncontrollable and unspeakable sadness by writing the feeling that "things are human beings who are wrong and do everything they can" and "the voice is slow" by writing the situation of "searching and searching". Another example is the sadness of "The ends of the earth are far away this year, and the temples are full of flowers" in Qingpingle, and the sadness in "The Lonely Goose" is based on the broken country and miserable life, so her participle is an artistic summary of the suffering and personal unfortunate fate of that era. In her early years, Li Qingzhao also wrote an essay "On Ci" and put forward the word "other schools", which was an important theory of Ci in the Song Dynasty and also became the theoretical basis of her creation of Ci. She wrote Shu Yu Ci, and Li Qingzhao's ci style is graceful and restrained, which is called "graceful ci school". In Shen Qian's Miscellaneous Notes on Ci and Hua, Li Qingzhao and Li Houzhu were mentioned together: "It is true that Li Houzhu is a man and Li Yian is a woman. "Yi 'an Ci is unique in the Song Dynasty Ci Garden, which is called Yi 'an Style. The name "Yi 'an Style" began in the Song Dynasty. The title of Hou Yin's Eye-catching is: Xiao Yi Antioch. Xin Qiji's "Ugly Slave Close" title: "Boshan Road is easy to be safe." Ci has its own system, which shows that it has formed a distinct personality. [2]
Artistic feature
First, dumping sincere feelings is the bone of words, and the feelings of words are really expensive. Before Li Qingzhao, most graceful ci poets wrote about all kinds of amorous feelings and deep feelings with men, and Li Qingzhao was the first person who took women as the standard, wrote about self-love, sadness and joy, and wrote about the great changes in his home country and achieved unprecedented success. His early love stories, such as Plum Branches and Plums, Blowing a Flute on the Phoenix Terrace, are full of emotion and nonsense, and their natural frankness can best reflect the pure and delicate spirituality of women, which is unmatched by the love stories written by male writers in previous dynasties. Later, he wrote sad and disorderly words, such as Wuling Spring, Slow Voice, Song of Eternal Sorrow, Lonely Goose and so on. Every word is full of blood and tears, and the voice is choked, sad and shocking, which can't be carried by "a lot of sadness". "A thousand tears" and "bitterness" are sad songs that combine the changes of home and country and the vicissitudes of the times, from affectionate poets and rooted in real life feelings. They are the portrayal of Li Qingzhao's bumpy life, tragic life and disaster times. Second, the language of "Shuyu Ci" in Yejia dialect has a distinct personality. Liu Yong is a pioneer in introducing words into the market. His writing is popular and clear, but he is good at expressing himself, occasionally involving butterfly silence. Zhou Bangyan refined slang into elegance and used exquisite words. Li Qingzhao created a literary language characterized by naturalness and truthfulness. As the saying goes, "Use vulgar language to create fresh ideas" (Jin Su written by Peng). This language is an impact on the elegant ci style in the late Northern Song Dynasty. For example, "I'm afraid to leave my arms, so how much do I want to say" ("Remembering Xiao Feng at the Burning Wind Station"). As if inadvertently, blurt out, but carefully appreciate, but the meaning is multi-layered, very fine. Relatives are far apart and have a thousand words to say; Breaking up is fixed and there are many concerns. What's the use of saying it? Hate is hard to say goodbye, but it is hard to say and stings people. I'd rather bear it myself than increase the burden on the walkers. These heavy thoughts and subtle mentality are all expressed in everyday language and contain infinite significance. For example, "Suddenly sunny, suddenly rainy, suddenly windy", "How can it be dark when you are looking out the window?" Handy, on the basis of colloquialism and popularization, a large number of vivid and vivid sentimental words are added, which do not tend to be dull, loose and weak, because it is the result of ingenuity and refinement on the basis of spoken language. Therefore, the pen is refined and elegant, and new photos of language, work and meaning are arranged.
Such as "snow is clear and jade is thin", "smoke is dark and rain is dark", "waves turn red", "Liu Yanmei cheeks", "red is rare and fragrant" and "cloud platform and moon land", which are simple, fresh, subtle and vivid, and are precisely "the strangest rise that seems ordinary, easy to do but difficult to do". Third, make good use of line drawing to wash jade characters, but use more poems of predecessors and be good at creating moving artistic conception with line drawing. Yi 'an's sketch is different from Liu Yong's "smooth" and beautiful and rich classics, but "blurting out proverbs and moving the realm". For example, "Drunken Flowers" writes dignified thinking: "The curtain rolls west wind, and people are thinner than yellow flowers." "Yong Yu Le" writes loneliness and loss: "It is better to listen to people laughing under the curtain." They are all written in plain language with deep feelings, scenes, characters and backgrounds. In front of the stage, I spent my heart on Iraqis, thinking of the image of lovesickness, closing the curtains, feeling lonely and bitter, showing my mental journey of swallowing endless sadness, which is vivid and unforgettable. The sketch of Shuyu Ci is muddy, subtle and graceful, without a trace of simplicity. "hickory" snapped: "sunny, rainy, windy!" Although the astronomical phenomena are described in spoken language, it inevitably reminds people of the changes of the world and the turmoil of love, and its profound meaning is endless. Fourth, pay attention to the beauty of rhythm. Li Qingzhao attaches great importance to the rhythm of words. The so-called lyrics are divided into five tones and six rhymes, and her creation practices her own theory. This is determined by the characteristics of words as musical poems. Shu Yu's ci pays attention to the combination of sound and emotion, likes to use double rhyme, and pays attention to the beauty of rhyme in choosing words. Xia Zeng cited his "Sound Slow" as an example, in which the pronunciation of tongue is 15 and the pronunciation of teeth is 42, especially the few words. "The overlapping of teeth sounds in the cross should be intended to use the tone of Ding Ning, a rodent, to write his own melancholy mood, which is clear to read and has obvious timbre beauty, which fully shows the characteristics of the movement" (The Art of Li Qingzhao's Ci, Zhang Your Ear Collection praised "How can you keep the window dark?" He said: ... black words are not allowed to be taken by the second person. "The first sentence of" Sound Slow "has a reduplication of 14, which has been praised as a swan song by poets of all ages. Zhang said, "This is the sword dancer. He is not incompetent in this dynasty. He has never had fourteen overlapping words. Xu Fan's Ci Yuan Cong Tan described the beauty of its acoustics as "like pouring pearls, big and small, into a plate of jade". Li Qingzhao is good at measuring people's temperament in popular language. It is extremely difficult to train people in plain language, which is wonderful, harmonious and fascinating. Therefore, Wanshu rhymes: "Its words are strange and horizontal, so it may be melodious, so it is outstanding through the ages. " [4]
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word
Ding Jiageng, a famous calligrapher, wrote three poems by Li Qingzhao in lowercase letters.
[5] Pruning, lotus root fragrant jade moistening autumn is still unfinished, and the small mountain spring is green. I remember that Lin and Dolly are cold, and many things are grinding near the wind, and the flowers will be deep, like a dream. It rained last night, like a dream. I often remember the sunset in the pavilion, and my voice is slow. I am looking for it. Bodhisattva Xia, the wind is soft, the day is still early in spring, the five winds outside the wave sand curtain are reduced, the lips are crimson and lonely, the lips are crimson and broken, the Xumo cup in Huanxi sand is deep amber, the yard window is deep in spring, and the Huanxi sand is indifferent to spring and cold. Broken Yunbi, adding words to pick mulberry seeds, who planted banana trees in front of the window, spread Huanxi sand, rubbed gold, spread Huanxi sand, sick, Xiaoxiao' an, Wulingchun, wind, dust, fragrant flowers, drunken flowers, smoke clouds, worried for a day, Nanqu, all over the sky, hate the waves on the lake. Rou, Yu Lou Chun, Red Crisp Will Break Qiong Yao, Linjiang Fairy, Courtyard, How Deep, and Linjiang Fairy, Mei.
[6] Death, warm sun, sunny weather, early frost, death, tears wet Luo Yi, death, thinking about calling relatives, the pride of the fisherman, the pride of the fisherman, knowing the spring and believing in the snow, breaking magnolia, selling flowers, partridges and double ginkgo.
poetic sentiment
Jinshilu
[7] Poems on Zhongxing Monument in Wuxi, Wujiang River (also known as "Xia Jueju"), "The Spring Post of Di Ting", "Diaoyutai" and the poems of Han Xiao, a famous official.
writing
Preface to Jinshi, On Ci, Preface to Beating a Horse, and Qin Chongli, a Bachelor of Hanlin [8]
Edit the historical evaluation of this paragraph.
1. Yang Shen's Ci in the Ming Dynasty: "Song people's Ci is also called the crown, which makes it the best in clothes, but when fighting with Huang Jiu, it is not the best in the boudoir. "2." There are hundreds of generations of rivers, and the waves are surging, scouring the heroes of the ages; In the Millennium, a daughter flower bloomed. "Describe the Li Qingzhao. 3. Ruan read "Talking about Turtle in Poetry" and later set up "Beauty Gate": "Recently, women can write such words, and there are many beautiful sentences. The small print says,' Last night, the rain dispersed and the wind blew suddenly, so you didn't need to drink when you slept soundly. Ask the shutter man, Haitang is still there. You know what? You know what? It should be green, fat, red and thin. Green fat red thin, this statement is very new. 4. Later generations thought that her ci "not only looked down on women, but wanted to overwhelm a man", and was called "the greatest poetess in the Song Dynasty and the greatest poetess in the history of China literature". Li Houzhu among men and Li Yian among women are very popular. The former is too white, so it is called Li San. (It's a pity that Shen Qu) 6. Zhao Qing is a woman, and the word case is an anecdotal Liu Zhou. Although there are not many articles, they must be treasured, and they are a large number of poets. ("Siku Summary") 7. Yi Lee's ci is unique and impressive. They originated in Huaihai and Sheng Da, and the casting language is more creative, which is unfamiliar to women. ("Bai Yuzhai Ci") 8. Yi 'an's good sentences, such as Plums and Plums, begin with seven words: "The lotus root is fragrant, and the jade is dead", which is exquisite and really out of touch. 9. When talking about Li Qingzhao's Preface to the Records of the Stone, Chen Jingyun said: "His writing is full of twists and turns, and his pen and ink are undiminished. There is a woman in Zhonglang who can pass on her career. Uncle Wen called it. " 10. Wang Zhuo, a poet in the Song Dynasty, said: "Writing long and short sentences can make people feel lazy, light and sharp, full of pen strokes and unrestrained. Since ancient times, all women in the gentry's house have been literate, and they have never seen such indifference. " ("Bi Ji Man Zhi", Volume II) even said that she was "exaggerated and fearless". [9]
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Li Qingzhao Memorial Hall
[10] Li Qingzhao Memorial Hall and Yi 'an's former residence are located by the Academy Spring in Baotuquan Park, Jinan. They were built in 1959 and expanded on a large scale in 1999. Today, they cover an area of more than 4,000 square meters, which is a typical imitation of the Song Dynasty architecture. There are beautiful cornices, rich and varied mansions hanging on mountains, jagged cloisters, lush flowers and trees in the courtyard, flying pavilions and waterfalls, and different exhibition rooms, which show the great achievements and rich lives of a generation of poets from different levels such as pictures, texts, images, books and paintings. Jinan Li Qingzhao Memorial Hall is the largest, richest and most well-preserved memorial hall (hall) in China. The gatehouse in the front yard of Li Qingzhao Memorial Hall is a four-poster mansion with cornices and domes, double ridges and wings, and a plaque on the forehead, which reads "Li Qingzhao Memorial Hall" and Guo Moruo inscribed it on 1959. On the front and back of the screen of the gatehouse, Guo Moruo wrote "a generation of poets" and "praising the future" respectively. Sitting in the main hall, facing south, the blue tiles rise and the eaves rest on the mountain. The plaque "Tang Shuyu" is inscribed by Guo Moruo, and there is a couplet inscribed by Guo Moruo in front of the door: "The former residence of Baotu Spring on the Daming Lake is in the depths of weeping Yang, and the collection of jade and stone records has the legacy of the ancestors." This pair of couplets is a high summary of the poetess's life experience and works. The hall displays the statue of Li Qingzhao, as well as later works, poems and inscriptions. The plaster statue standing on the front was carved by the famous sculptor Wang Zhaoshan and others. The small exhibition room on the left is a detailed map of Li Qingzhao's life and whereabouts. The right exhibition room shows the works and photos of Li Qingzhao's annual meeting. There is "Diecui Xuan" on the east side of the main hall, "Xiting" at the south end of the west side, and "Huhu Spring" next to the pavilion. On the east wall, there are more than 30 poems of Li Qingzhao inscribed by famous contemporary calligraphers. Walking along the winding corridor from the east, or crossing a bamboo forest from the west, is the "Jing Zhi Tang" in the backyard of Li Qingzhao Memorial Hall, which was originally the name of Zhao Mingcheng's mansion when he lived in Laizhou, meaning "Quiet Psychologist". Its center is opposite to the central axis of the front yard building, with mountains and mansions hanging on the front, and couplets inscribed by Guo Moruo on both sides with pillars.
[1 1] Chinese People's Political Consultative Conference, honorary chairman of China Calligraphers Association, and professor of Beijing Normal University, Mr. Qi Gong's book "There is a beautiful rhyme in Charlotte Gardens, Jinan Spring, Home Country Dreams" has two exhibition halls, which display four groups of "scholarly family", "poetry embroidery", "like-minded" and "living in Jiangnan" vividly. The west courtyard of the memorial hall is the former residence of Yi 'an. The former residence consists of flying hall, cloister, square pavilion and stone bridge. Walking into the high-hanging plaque gate of "Yi 'an Old Residence", you can see the rockeries in the courtyard, the pavilions stand tall, the waterfalls hang straight, the bridges flow, the strange stones are exquisite, and the pine and bamboo set each other off, which is very elegant. The main hall has a high cornice, simple and elegant. The plaque on the door "You Zhu Tang" was originally the name of Li Qingzhao's father's mansion when he lived in Bianjing, which meant that bamboo was "well unearthed and Lingyun modest". There are several pages of leisure and good dreams in the couplet inscription of Ouyang Zhongshi, a famous calligrapher, hanging on both sides. Yu Shu's words are a collection of national hatred and sorrow for many years. "All kinds of cultural relics are placed in the showcase of the hall, including the Qing Dynasty version of" Jin Shi Lu "and various bronze mirrors of past dynasties. Li Qingzhao's freehand brushwork hung in the pavilion, and Li Qingzhao wrote couplets on both sides of the portrait. "There are good poems on the pillow and good scenery in front of the door. "The walls of the exhibition hall are all works by contemporary painters praising Li Qingzhao's poems. The whole building is quaint and quiet, which has both commemorative significance and ornamental value. [ 12]
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work
Li Qingzhao's Collection of Shu Yu Notes by Wang Yanti 1962 Shandong People's Publishing House First Edition/CLOC-0/963 Li Qingzhao's Collection compiled by People's Literature Publishing House 198 1 Li Qingzhao's Review of Wang Yanti Shaanxi People's Publishing House 1982 Xu Jiangsu Ancient Books Publishing House/KLOC Xu Beiwen, editor-in-chief of Jinan Publishing House 1990 Notes on Li Qingzhao's Collected Works. Shanghai Ancient Books Publishing House 2002 Li Qingzhao Data Set. Bin Jie, Sun Zhongen and Rong Xianbin, First-class Flowers-Boutique by Zhonghua Book Company in 2005.
research paper
Li Qingzhao: Life is just a gorgeous flower. Wei Qi Harbin Publishing House met Li Qingzhao on the street corner on 20 10. Culture and Art Press 20 10 Li Qingzhao, Zhao Huiwen and Wu Capital Normal University Press 20 10 Li Qingzhao's Ci and Love.
Lecture room
Lecture on "Li Qingzhao": Kang Zhenyi, Scholarly and Talented Woman II, Adaptability III, Mixed Happiness and Worry IV, Renewed Storm V, National Disaster VI, Worse Seven, Displacement VIII, Remarriage and Marriage IX, Sunset Years X, a pronoun [14].