Model essay on literary prose 1 Reflection on Fu Lei's spirit from Fu Lei's letter.
Abstract: A Letter from Fu Lei is a collection of letters written by a father to his children. It is not an ordinary letter, but a sincere attitude about being a man, about literature and art, about pursuing dreams and realizing ideals. The sincere feelings, rich knowledge, profound philosophy and fluent writing in the letter make Fu Lei's letters ideological, literary and artistic, and have high appreciation value. Letters from Home contains many philosophies of life and humanistic feelings, which gives people profound enlightenment and infinite reflection, thus effectively expressing Mr. Fu Lei's thoughts and spirit, as well as his unique outlook on life and art. In other words, Fu Lei's letters from home are the most concentrated embodiment of Fu Lei's personality charm. The author will analyze Fu Lei's spirit with the help of his unique outlook on life and art reflected in his letters.
Keywords: Fu Lei's letter; Fu Lei spirit; Outlook on life; Artistic view
I. Introduction
Mr. and Mrs. Fu Lei have been dead for more than 40 years, and Fu Lei's translated works have 15 volumes, with as many as 5 million words. No matter in quantity, skill or level, Fu Lei's generation of translation masters deserves it. The author is stupid, thinking that Mr. Fu left the most precious wealth to future generations, and "Letters from Fu Lei" is obligatory. Lou Shiyi said this when talking about Fu Lei's letter. This is the best reading for art apprentices, and it is also a painstaking teaching article full of father's love. ? Did Yang Jianlong mention this in Fu Lei's letter? From 1953, when Fu Cong went abroad, to 1966, Mr. and Mrs. Fu Lei committed suicide. Fu Lei has been writing to his son with a loving heart, talking about life, talking about art, being a man, following art, persuading, inculcating, understanding and observing nuances. ? Ye Yonglie, a famous documentary writer, wrote in his book Fu Lei and Fu Cong. His translated works reveal the thoughts of foreign writers, not his own. Only "Letters from Fu Lei", he never thought that his letters would be compiled into a "Letters from Fu Lei" in the future, and there would be more than one million copies printed, which would be loved by so many readers. ? Fu Lei's family letter, with its unique way of dealing with people, real emotional input and profound music discussion in the forest of art, makes this family letter shine brilliantly. In the past, which father sent such infinite and meticulous care and education to his children with such exquisite brushstrokes? Teacher Fu's true feelings and insights really touched the heartstrings of people's gradual indifference, which made people feel, reflect and yearn for it. Fu Lei's spirit embodied in him is a great wealth, inspiring young people who seek happiness from generation to generation. Mr. Xu Jun summarized Fu Lei's spirit as "Fu Lei's translation study". Enthusiasm, seriousness, persistence, ideal? This may be Fu Lei's working attitude in translation. The author uses letters from home to interpret Fu Lei's spirit through the hidden essence behind the words, that is, kindness, sincerity, optimism, firmness and humanity. This powerful spirit inspires the author deeply, and inspires him to reflect deeply and think deeply.
Second, Fu Lei's letter: reflection on Fu Lei's outlook on life
How to be a man is the most important thing for Fu Lei to educate his children. He regards being a man as the foundation of his career. Between the lines of the letter from home, Fu Lei's inculcation is revealed. Everyone is a little lazy. If your laziness and prejudice can't be bound by morality, how can you realize the creed we taught you? Be a man first, then an artist, then a musician, and finally a pianist. I always think that people are the most important, whether it is learning or art, we should put one? People? Develop hard and learn to be a man before you get married; Otherwise, no matter how clever that kind of home is, it will not make much contribution to mankind. ?
? Sincerity is the first key to art, knowing means knowing, and not knowing means not knowing. Sincerity? Don't understand? Is it more sincere? Do you understand? It also makes people feel comfortable. I hate nothing more than self-righteousness and self-forgiveness. With sincerity, there will be humility. With humility, you will be willing to give up yourself to understand others, and you will put down your hypocritical self-esteem to understand yourself. ? Fu Lei opposes self-deception and advocates? Knowing is knowing, and not knowing is not knowing? An open-minded attitude towards learning. When talking about a meeting between Fu Cong and Mr. Jie, he wrote to his son. I agree with you to continue your class with Mr. Jie. Don't wrestle with camels. It is better to have a knowledgeable teacher to guide you than to explore by yourself, although he has some different views from you. But you are still young, your contact with music literature is really limited, and your knowledge of music theory and music style is almost zero. You need to be more open-minded and listen to the opinions of your elders, especially a person with high knowledge. ? Fu Lei praised his son after a successful performance. I am more happy and gratified that no amount of flattery and praise has made you lose your self-knowledge, and the applause, hugs and praises of celebrities have not reduced your humility to art! ? He hoped that his son would be modest, prudent, positive and not afraid of setbacks, failures and blows. As long as you can be strong, I will rest assured for a lifetime! The size and level of our achievements are beyond our control, half by manpower and half by talent, but as long as we are strong, we are not afraid of failure, setbacks and blows, whether in personnel, life, technology or study. From now on, you can fight alone. ? When talking about failures and mistakes, he said: Try not to pay attention to gains and losses, success or failure, just be yourself and be worthy of your heart. People's lives are ups and downs between high tide and low tide, but only mediocre people live like stagnant water; As long as the climax doesn't make you nervous and the low tide doesn't make you decadent, there is no problem. Too strong sunshine will scorch the grains; Too much rain will flood the crops. We just want a psychological balance so that we won't get hurt. One can only dare to face up to reality, face up to mistakes, analyze rationally and understand thoroughly; Will not be eroded by memories. ? Looking back on reality, we can't help but sigh that Fu Lei's spirit has far-reaching influence. If today's us, especially the younger generation, can truly understand the spirit of Fu Lei, a higher level of harmony will be just around the corner!
In Fu Lei's letters, the concept of human beings shines brightly. In addition to teaching his son is the most important thing in life, he often cares about his son's physical and mental health, which can be seen everywhere in family letters. For example, when he was about to study abroad, Mr. Fu wrote? However, regarding emotional problems, I still want to solemnly warn: I must exercise restraint in any case, focus on the future and focus on health. Make good use of the time outside, not only to work, but also to rest and write letters. ? Before many competitions in Fu Cong, Fu Lei would teach his son patiently. A few months before the competition, you must protect your physical and mental health well in order to have plenty of energy to compete. As the saying goes? Raise troops for a thousand days? ,? Raise? That makes sense. ? When talking about Fu Cong's piano practice, Fu Lei told his son: But you must take care of yourself. Don't be exhausted by playing for half an hour. From now on, you should take good care of yourself, don't be too tired, have enough rest and always be full of energy. For example, the closer to the date of the World Games, the healthier the body and mind, and the full spirit is more important than anything else. ? In contrast, how many parents, especially those in the city, can take care of their children's spiritual growth like Fu Lei? How many people can sacrifice a little time to take care of their children's emotional problems and how many people can keep up? Humanism? Care about children's physical and mental health? How many things can a complicated social system make our parents do? Humanism? And then what? Is this a system problem? Or is it a humanistic issue? What we understand better is that these problems are difficult to distinguish clearly for a while, but this does not affect our profound reflection on the outlook on life.
3. Letter from Fu Lei: Reflection on Fu Lei's artistic view.
Fu Lei's letters not only show Fu Lei's concern for his son in dealing with people and physical and mental health, but also reveal his insights and wisdom in music and painting. Speaking of artistic realm, he shared with his son: Music mainly uses your brain to distinguish your vague feelings (feelings for every piece, chapter and paragraph) and figure out what your feelings are; When you understand, your realm is very clear, and then your technology will follow. ? When talking about music and skills, he also warned his son: Now I am convinced that this is an evil influence, and it is craftsmen, not artists, who have been playing tricks. A person can't jump out of this level, nor can he dream of art all his life! Art is the purpose, and skill is the means: a person who always pays attention to the means will inevitably forget his own purpose. ? The author believes that these two points are equally applicable to the field of translation. If the translator can clearly distinguish the meaning of the original text (the meaning of every word, sentence and chapter), then the realm of translation will be superb and the translation skills will be perfect. On the other hand, if a translator only studies translation skills all day, he is at most a translator rather than a translator. People who only pay attention to translation means but not translation realm will inevitably deviate from or forget the purpose of translation.
Fu Lei's letters contain profound thoughts and philosophies, which deeply inspire the world. When Fu Cong felt that his career was not optimistic, he encouraged his son: You said that you are always in contradiction and happiness, but I believe that artists will not progress, evolve and go deep without contradiction. Contradiction is the evidence of vitality. At present, all you feel is the contradiction between skill and ideal. You will have more contradictions in the future: the contradiction between form and content, and many unexpected contradictions in your heart, all of which are waiting for you in the future. Don't worry, solving a contradiction is a step forward! Contradictions can't be solved, so art has no end and no perfect day! Only in this way, we need to pursue and practice day and night for life; Otherwise, everyone is the master of Xidi, and being a man is too tired. ? Fu Lei's contradictory viewpoint and positive attitude still have great artistic value today, or in today's most competitive society, this contradictory viewpoint and optimistic and positive attitude are worth learning and learning from.
Four. conclusion
Fu Lei mentioned the purpose of writing to his son in his letter at home: writing a long letter to you is not empty nagging, not inexplicable gossip, but has several functions. First, I really take you as an opponent to discuss art and music; Second, I really want to inspire the feelings of some young people, so that my father can get some fresh nutrients, and I can also indirectly spread them to other young people; Third, it is not only your writing that exercises you through communication, especially your thoughts. Fourth, I want to remind you all the time and make a face? A faithful mirror? , no matter in life, in the details of life, in artistic accomplishment, in playing posture. Father just wants to be your shadow, not only to help you and protect you anytime and anywhere, but also not to make you tired of this shadow. ? Here, we can get a glimpse of the philosophy, wisdom and sincere feelings of Fu Lei's letters. Mr. Ye Yonglie said in his paper:? The significance of Fu Lei's letter goes far beyond the scope of Fu Lei's family. Philosophers can study Fu Lei's thoughts, philosophy and methods from his letters. Educators can explore the law of talent training and the influence of family on success from Fu Lei's letters. Writers can learn the brushwork of prose from Fu Lei's letters. Artists can learn the nutrition of music and art from Fu Lei's letters. Historians can analyze the souls of China intellectuals in 1950s and 1960s from Fu Lei's letters. Readers can regard Fu Lei's letter as an excellent reading material for teenagers' ideological cultivation and a vivid teaching material for patriotism education. ? I want to share with you, especially our young people, the great educational and guiding significance of letters from home in all aspects of real life. As the author mentioned above, Fu Lei's letters from home taught our son the wisdom, sincerity and modesty of dealing with people, which are worth learning from. The optimistic and strong attitude of educating our son from family letters that he is not afraid of difficulties and setbacks and dares to face is worth remembering. The exposition of artistic realm in family books is worth learning from our translators who are engaged in translation. Letter from home? Humanism? Ideas such as thoughts and contradictory views deserve our deep thinking and reflection.
References:
[1] Lou Shiyi. A letter from Fu Lei? Reading letters from home reminds me of Fu Lei [M]. Beijing: Sanlian Bookstore, 1998.
[2] Yang Jianlong. Personal discourse in a specific historical context ―― Comment on Fu Lei's letters [J]. Journal of Shanghai Normal University (Philosophy and Social Sciences Edition), 2003(6).
[3] Ye Yonglie. Fu Lei and Fu Cong ―― Interpretation of Fu Lei's letters [M]. Nanning: Guangxi People's Publishing House, 2004.
[4] Fu Lei. Letter from Fu Lei [M]. Beijing: Sanlian Bookstore, 1998.
[5] Fu Lei. Letter from Fu Lei [M]. Beijing: Sanlian Bookstore, 1984.
On the Female Images in Blessing (2).
Abstract: Lu Xun was the greatest writer, thinker and revolutionary in China in the 20th century. He created three female images in Blessing: enslaved and oppressed women; Spokesman of feudal ethics; Intentional and unintentional accomplices. Expressed the author's criticism of feudal ethics.
Keywords: blessing; Female image; Feudal ethics
Lu Xun was the greatest writer, thinker and revolutionary in China in the 20th century. He analyzed various problems existing in China society from a unique perspective. In the feudal society of China for thousands of years, the status of women has always been the lowest and the most oppressed, right? Iron house? The weakest group in the world. As early as 19 18, Lu Xun wrote the famous My View of Virtue, which profoundly criticized the damage of feudal culture to women and expressed his concern for feudal ethics. Eating people? Essential resentment. Blessing can be regarded as a model work in this respect. The female images in Blessing can be divided into three categories.
First, the enslaved and oppressed woman-Sister Xianglin
Sister Xianglin is the representative of working women in old China. She is hardworking, kind and persevering. But it is such a person who not only failed to win the minimum rights of being a man in the old society, but became the object of being trampled, persecuted and despised, and was eventually swallowed up by feudal ethics. In order to escape the fate of remarriage, Sister Xianglin fled to Luzhen to help Master Lu's family. She worked all day and had no worries about food and clothing, but she was so satisfied that? There is a smile on the edge of the quarrel, and the face is white and fat. ? As long as she stays firmly among slaves for a while, she will feel great satisfaction and happiness. However, the patriarchal clan system and feudal ethics will not let her go, and her life will be hit one after another: her mother-in-law tied her to the mountain and sold her, her husband He Laoliu died of typhoid fever, her son Amao was eaten by wolves, and her house was taken away by her uncle. She is homeless again. When she remarried and widowed and returned to Luzhen again, she became an alien in people's eyes and became a? Not clean? Some people, eventually rejected by everyone, fell to the streets on a snowy night blessed by every family and died. Who is she so far? Want to be a slave and not do it? ("writing under the lamp").
In Xianglinsao's short life, she didn't give in to fate, but made all kinds of resistance: in order to avoid being sold by her mother-in-law, she fled to Luzhen; What happened after you remarried? Out of line? ; In the face of people's ridicule, insults and injuries, give silent protests; In order to achieve spiritual equality and avoid the fate of the underworld being sawed in half, he donated all his money to the land temple; Doubt the existence of the soul before death and so on. But these revolts with a strong feudal color were all suffered? Good women don't marry two husbands? ,? Starving to death is a small matter, but dishonor is a big matter? The result of feudal ideology poisoning. She? Out of line? Resist, to defend yourself? Chastity? ; Is her donation threshold redemption? Sin? . What she desperately resisted actually became what she desperately defended. She fought to save slaves and struggled in the mire of feudal ethics and superstition. The more she resisted, the deeper she was poisoned by feudal ethics. Her resistance was very tragic. Feudal ethics has been deeply rooted in people's hearts, and the tragedy of Xianglinsao, who lives in the rural areas of China where feudal forces dominate, is inevitable. Sister Xianglin's tragedy is the tragedy of an era.
Second, the spokesmen of feudal ethics-mother-in-law and four aunts
Judging from the plot of the novel, Xianglinsao's tragic fate originated from her mother-in-law. The author explained the characteristics of her mother-in-law through the mouth of granny Wei. Although that woman looks like a mountain man, she is very leisurely in communication and very capable in speaking. ? In order to get her youngest son married, the calculating mother-in-law openly tied up Xianglinsao who fled to Luzhen like an animal and sold her to a ravine. Feudal times required women? Three obedience and four virtues? Absolute obedience to parents, the fate of a woman's life is pinned on men. In her mother-in-law's house, Xianglinsao had no children to follow after Xianglinsao's death, and her mother-in-law, as a feudal parent, could betray at will; In the ravine, He Laoliu died of illness, and her son was eaten by a wolf. Sister Xianglin had to be driven out by her uncle and became a homeless person. This feudal thought is so ingrained that even Master Lu, who thinks that Sister Xianglin's kidnapping has damaged his dignity, said with relief after being angry. Damn it! However?
Shen Si is the wife of a big family. She looks gentle and kind, but in fact she is also a selfish, stubborn and cruel defender of feudal ethics and the murderer of Xianglinsao. It was she who completely defeated Xianglinsao in spirit and drove Xianglinsao to the wall with the sword of feudal ethics. Four aunts' attitude towards Xianglinsao can be said to have gone through three stages: chanting-dissatisfaction-sweeping the door. The root of all these changes lies in whether Sister Xianglin can contribute to her. She talks about Xianglinsao because Xianglinsao works all day; She was dissatisfied with Xianglinsao because Xianglinsao's spirit became very poor after suffering the loss of her husband and children. She often forgets things and always talks about them. She hated it from the bottom of her heart? Not clean? Sister Xianglin refused to let her touch the ritual vessels during the sacrifice, and mentally sentenced her to death. Although Sister Xianglin donated a threshold for thousands of people to ride with her hard-earned hard-earned money, hoping that she could regain the right to be a human being, what did Aunt Xianglin say? Sister Xianglin, forget it! I'll set it. Sister Xianglin, forget it! I'll get it. ? Completely broke her hopes. Xianglinsao, who was afraid of becoming an alien, finally became an alien in people's eyes. She was swept out of the house by her fourth aunt and died in the snowy street on New Year's Eve, which was blessed by everyone. By shaping this image, the author digs out the social roots of Xianglinsao's tragedy from a deeper level.
Third, intentional and unintentional accomplices ―― Liu Ma, Wei's wife and old woman.
Liu Ma appeared at the climax of the novel ―― when Sister Xianglin came to Luzhen for the second time. As for Liu Ma, she was deeply poisoned by feudal ethics, which in turn harmed people. She should have sympathy and tolerance for Xianglinsao, who is also in the exploited class, but she acted as the executioner intentionally or unintentionally. She stared at the shameful scar on Xianglinsao's forehead with bright little eyes with malicious intent, making fun of Xianglinsao's willingness to do it herself despite her great strength, and those who threatened to duel with two damn idiots after her death, so King Yamaraja had to saw her in half. And then what? Kind? Make suggestions for Sister Xianglin ―― use your hard-earned money to donate a threshold to the Land Temple to atone for the crime of this life, and then make your conversation with Sister Xianglin public, so that people can get new materials to make fun of Sister Xianglin. Liu Ma's image makes people realize that society is intolerant of Xianglinsao from a deeper and broader perspective. It is a historical necessity that Sister Xianglin perished in such a sinister environment.
Wei's old woman and grandmother are the few characters in the novel. But through the faint pen and ink, we can still get a glimpse of their inner world. Grandma Wei is a sleek and sophisticated person in have it both ways. She makes money as an introducer. At first, she appeared as a warm-hearted person, enthusiastically helped the lonely and helpless Xianglinsao, and tried her best to introduce Xianglinsao to Master Lu's house as a helper. Instead, she joined the ranks of kidnapping and selling Xianglinsao with her mother-in-law. This woman, who doesn't even have the basic concept of right and wrong, is like a duck to water and enjoys her own benefits. Instead of feeling sorry and angry about Xianglinsao's unfortunate experience, she enviously said that he was lucky, his son was fat and his mother was fat. She was swallowed up by money and feudal ethics, and at the same time helped feudal ethics devour other kind people. Old women and others delight in other people's sufferings. She asked Sister Xianglin to repeat her tragic story and uncover the scar that Sister Xianglin had been bleeding. She was sympathetic at first, shed a few tears in the corner of her eyes, sighed a few times in her mouth, then became indifferent and finally disgusted. These numb spectators chew the pain of others with relish and become the fuel of Xianglinsao's tragic fate.
Fadeev once said: Lu Xun is a famous short story writer. He is good at expressing an idea concisely in some images, showing a great event in a plot and a typical example in some other characters. ? Although the three types of female images created by the author in Blessing are different in status and status, they are all deeply poisoned by feudal ethics. In How Do I Start a Novel, Lu Xun said: Speaking of? Why? Write a novel. I still have the one more than ten years ago? Enlightenment? Think it must be? For life? In order to improve this life. I hate calling novels? Idle books? And will? Art for art's sake? As justice? Leisure? New nickname. Therefore, my materials are mostly taken from the unfortunate people in the morbid society, aiming to expose the suffering of the disease and attract the attention of treatment. ? This is also the significance of these female images in Blessing.
References:
[1] Lu Xun. Hesitate [M] People's Literature Publishing House, 1973.
[2] Lu Xun. Shout [M]. People's Literature Publishing House, 1973.
[3] Lu Xun. Southern accent and northern mobilization [M]. People's Literature Publishing House, 2006.
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