Different tracks of sound development of Chinese national bands

1, due to the differences between Chinese and western aesthetic consciousness, shows the track of the formation and development of bands and acoustics.

It's different. Western bands started with a harmonious and stable voice, and then developed into a orchestration style with individual timbre separation.

Lattice, and then reached the evolution of diversified orchestration style in the 20th century. Our national band started with percussion, and then

Turned to plucked music, and finally entered the evolution process dominated by wind music and strings.

[Keywords:] the formation and development of orchestration sound of western Guan Hai national band

China's national bands have developed to this day, no matter in the creation of works.

The improvement of writing and playing skills or the reform of musical instruments can be described.

Enter a period of great prosperity. The efforts of the people of China,

The praise of the world has brought China's music to an unprecedented height. from

At present, China includes Chinese from Hongkong, Macau, Taiwan Province and other parts of the world.

As far as Chinese national bands are concerned, most of them are in the form of national orchestral music.

Lord. This symphony orchestra gave a note to China music.

A strong stream of fresh blood makes it scattered among the small people.

B-band has embarked on the road of collectivization and symphony. Half a century.

Over the years, he has almost become the representative of China band and the protagonist of national band.

At one time, the development of national bands was modeled. In terms of diversification

Today, the development of national bands is diverse and diversified.

The rationality and logic of national bands at a deeper level are re-studied.

Its presentation has attracted the attention of many experts.

To study the above problems, I want to know about the modeling of Chinese and western bands first.

It is necessary to make a comparative analysis of the ins and outs of success and their respective development.

Want it. From these comparisons, we can see that because China and the West,

The differences between cultural background and aesthetic consciousness are as follows

Band and sound characteristics are completely different. This is different from the west.

The development law of foreign bands and their own acoustic characteristics can

It provides the need for the further study of national bands.

Foundation.

This paper is the formation and application of western orchestral orchestration.

National band and the development and change of acoustics.

Method to discuss.

First, western orchestral orchestration

The formation and development of

/kloc-Before 0/6th century, European music was just budding in performance.

Bade state. At that time, there were no bands in the modern sense and no matches.

When it comes to musical instruments, there is no choice in timbre. In the choice of musical instruments

It is also quite accidental that people play musical instruments as long as they can find them.

Can be used to play. Although sometimes composers give simplicity.

Assignment of musical instruments and components, but these assigned components are available.

Any other musical instrument can be substituted.

By the end of 16 and the beginning of 17,

No matter in the form of music expression, the configuration of the band and the choice of timbre

There has been obvious development in all aspects. Coe and other great composers.

Riley, Vivaldi, Mora, Bach and Handel are all interested in this period.

The development of orchestra and orchestration technology has played a great role.

Composers of this period obviously noticed pure timbre instruments.

The integrated role played in the ensemble. Therefore, they are in many

In musical instruments, choose a band based on string band. Lu Gandel

(Water Music) and (Fireworks Music), Bach's (Brandenburg University

Concerto) and four (band suites) are all in this band form.

By writing.

By the end of18th century, European music had changed from function and

The sound system replaced the original polyphonic counterpoint method. Composition of harmony

Mostly composed of three or four sounds. Pursuing sound stability and harmony.

Effect, and apply this rule to the arrangement, thus forming.

The principle of steady and moderate orchestration in classical period. In order to satisfy this sound

In order to meet this demand, people have created various matching methods. In the vertical direction

As far as texture is concerned, composers often describe a piece of music with the same or similar words.

The timbre is configured. When the lead singer and accompaniment parts need timbre

When separated, the accompaniment part is often the same or similar to the harmony and timbre.

The sound zone is smooth.

In the horizontal timbre processing, classical composers also show

The principle of considerable balance. As in the introductory paragraph, it is usually close to

Configure according to a single timbre. So is its "timbre rhythm"

Relatively slow and steady.

However, by the late romanticism, impressionism and the 20th century.

At first, due to the change of aesthetic concept, people paid attention to the orchestration of classical music school.

The law has always been rebellious. In timbre, people began to pay attention to single use.

A timbre and those timbres with strong personality. Ruzai impression

In the school orchestration, composers often use woodwind instruments as themes.

Most importantly, even if you want to use mixed timbre, you often have distinctive timbre.

Overlap (such as the overlapping technique of woodwind and B string, etc.). ). textually

In fact, it pays more attention to the independence of horizontal line, factor and factor.

There is no longer a sense of estrangement between them. live in harmony with

In fact, due to the appearance of bold and parallel melodies, the melody has the shape of a "band".