The whole poem vividly describes the love tragedy between Xuanzong of Tang Dynasty and Yang Guifei. Poets use historical figures and legends to create stories of dispatched people, and reproduce the truth of real life through artistic images, which has infected readers for thousands of years.
The theme of this poem is "Song of Eternal Sorrow". The first part, starting with "Emperor China, lust may shake the beauty of an empire", describes how Xuanzong was greedy before the Anshi Rebellion, and finally got Yang. Because of Yang's love, chickens and dogs ascended to heaven. And repeatedly rendered Xuanzong's indulgence, debauchery, and disregard for state affairs, which led to the Anshi rebellion of "until the drums were beaten, Yuyang was blown up and the world shook." This is the basis of tragedy and the internal cause of "long hatred".
"No one in the army will move" is the second part, which specifically describes that after the Anshi Rebellion, Xuanzong fled to Xishu in panic, causing the "Sixth Army" in Malaysia to demand the recall of the imperial concubine who had brought disaster to the country and people. This is the key plot of the story. After Yang returned to Yin, Xuanzong was lonely and sad, and acacia became a disease. The poem depicts Xuanzong's "Song of Eternal Sorrow" in a sour and touching style, which makes people cry.
In the third part of "The Taoist priest who lives in a heavenly abode", Xuanzong, with the help of the Taoist priest, found the trace of Yang in the illusory Penglai Fairy Mountain. Yang's Pear Blossom with Rain reappears in the fairyland. Through lyrical and material-holding messages, he reiterates his previous vows and expresses his willingness to be a "lovebird" and a "lover", further enhancing the theme of "Song of Eternal Sorrow". Finally, the theme of "the length of heaven and earth is sometimes exhausted, and this endless sorrow is endless" deepens and adds the weight of "long hatred".
The whole poem is sentimental, and the book hates endlessly. The words are sad and touching, and the tone is melodious. It is a masterpiece of past dynasties and is often read and updated.
This makes Yi Ding and Fang Chao think that this poem is a lyric work by Bai Juyi through historical figures. The article said that when the poet was young, he fell in love with Xiang Ling, a girl from an ordinary family. However, due to family values and fashion, he failed to get married formally. When breaking up, the poet wrote, "Don't cry, sneak away; Silent, dark acacia; Except for two hearts, no one knows ... there is no end to each other. " The article points out that Song of Eternal Sorrow was written a few months before the author got married, and the poet suffered because he lost the possibility of meeting Xiangling. For this reason, Ding and Fang believe that Song of Eternal Sorrow is not a record and evaluation of history. "We hope to fly in the sky. Two birds grow together on the ground with a new wing. The two branches of a tree ... the earth lives forever, and the sky lives forever; One day, both will end, and this endless sorrow will continue forever. "This is the poet's expression of his pain and feelings through the tragedy of his ex-wife. ".
From the perspective of "expressing ambition with poetry" and "expressing emotion with poetry", Ding Hefang's statement is not unreasonable. However, as far as the historical truth and social significance reflected by the works and their influence for thousands of years are concerned, it can not be said to be a historical record or an evaluation of historical events. As far as Bai's own love tragedy experience is concerned, observing and analyzing Li Yang's love tragedy will undoubtedly help his poems to be delicate, sincere and sincere, and be endowed with infinite artistic charm.