Comparative art is a new dimension of art research, and it is also the difference between Chinese and foreign art exchanges under the background of reform and opening up.
The new discipline developed under the deepening conditions is a theoretical form of reflection on artistic communication and an art of communication.
The trend has guiding significance and leading role. Especially in the wave of reform and opening up, western modern art keeps pouring in.
Entering the country, the open cultural atmosphere and the prosperity of comparative literature, comparative aesthetics and comparative culturology in China
Since then, it has brought an opportunity for the development of comparative art in China. At the end of the 20th century, with the economic globalization and cultural diversification.
Rapid progress, frequent and extensive exchanges and dialogues have promoted the study of artistic exchanges between China and foreign countries.
During this period, great progress has been made in the research field of vision, reference materials and the selection of frontier points.
And the depth of the argument. A large number of research papers on the influence of western art emerged and formed in Ming and Qing Dynasties.
Multi-angle, multi-level research pattern, both macro-oriented, such as Zheng Peikai's "Painting and China in the Late Ming and Early Qing Dynasties"
China's Thought and Culture —— Comment on (the momentum is shocking) and Yuan's Chinese Painting in Change —— About
The Influence of Western Painting's Descendants on China's Painting in Ming and Qing Dynasties, Mo's Missionary Research and the Spread of Western Painting to the East in Recent Years.
Comments, etc. There are also specific problems, such as Pan's "Pioneer of Western-French Chinese Painting-Memorial Lang"
The design of Chen Chang wine bag was awarded the "2005 World Packaging Star" award by the World Packaging Organization (wPO) in Brazil in June 2005.
"From (Tao), the 300th anniversary of sharping's birth
Original essence "to"
In terms of works, wang pu's Beauty at Home and Abroad.
The History of Art Communication was published in 1998. The book is divided into ancient times.
Contemporary and modern art exchanges between China and foreign countries.
The scope expanded to the 1990s, trying to completely
Grasp the context of Chinese and foreign artistic relations. Chen Zhentu's "Near"
A comparative study of the history of painting exchange between China and Japan is
The first book discusses the artistic relationship between China and Japan in modern times.
Through the background of the times, modern painting exchanges between China and Japan
Painters' Groups in China and Modern Japanese Painting History
"Japanese Shadow" in the Study of Science and Painting Theory
A Study on the History of Japanese Modern China Painting
The detailed textual research of Guo et al. strongly proves that
"Japanese Mode" in the Development of Modern Painting in China.
In the current research of Chinese and foreign art exchanges, for
The research on the external influence of western art is far beyond China.
As far as the research results are concerned,
The research on the influence of China's fine arts on Europe only occupies China.
One sixth of the research is influenced by western art.
About, the research on the influence of China and Europe is far more than the research on the eastern languages.
Research on the artistic relations between countries in the inner circle. This is from
The angle reflects the influence of western centralism. Sun peiliang
In "China Painting and Iranian Gongbi Painting" (in "West"
Journal of Southern Normal University (No.3, 1984)
Said: "China's painting has never been introduced to the West."
A sentence that people have mentioned. Some authors don't even want to
It is acknowledged that China's paintings are very important to most parts of Xinjiang.
What's the impact? The root cause is subjective prejudice.
Outside, but also lies in the lack of literature (but not the end
None), lack of archaeological data. '
Due to the lack of medical literature, such research was carried out in the 20th century.
The proportion of research on art exchange between China and foreign countries in Hebei is very small.
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This situation is not only related to western sinology in this field.
Achievements are disproportionate and different from those in history.
The contribution of China culture to Europe and the world is different.
"(Yan said18th century China culture in western Europe.
Communication and Response of ",published by China Academy of Fine Arts.
Press, l, 2002, p. 3). today
Benefiting from frequent cultural exchanges between China and foreign countries, some researchers say