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On the Beauty of China's Ancient Poetry
The Beauty of China's Ancient Poetry

Stylistic aesthetic significance of Cold Night and Jiang Feng's Sleeping. Hanshan Temple outside Gusu City, passenger ships are ringing at midnight. In Zhang Ji's a night-mooring near maple bridge, on such a quiet and peaceful night, a classic picture appeared: on an autumn night, a lonely wanderer was moored in Qiao Feng, outside Suzhou, and the beautiful scenery of Jiangnan water town in the autumn night attracted the wanderer who was tired of traveling. Birds are singing in the trees, the frost in autumn night is suffused with the chill of soaking bones and muscles, and the boundless night sky is filled with frost. He stayed up all night. In the silent night, he suddenly heard the distant bell. Jiang Feng strikes a light, wanderers greet the cold night, and their worries are still endless ... A simple seven-character poem can make people think, which is the aesthetic value of literature. Meaningful forms dominate the works and can arouse people's aesthetic feelings, so all kinds of art forms have relatively opposite aesthetic values, and the relatively independent formal beauty in this literary work is most obvious in poetry. The Chinese nation has a splendid history of 5,000 years and has created a unique Chinese civilization that we are proud of. In this civilization, China's ancient literature is undoubtedly very distinctive and representative. It should be logical to draw the conclusion that "China ancient literature is aesthetic literature" from the cadence and forceful poetic form, from the emotional expression of singing and sighing, generosity and sadness, and from the distinctive national aesthetic taste such as "verve" and "artistic conception". Fan Zhongyan's Su curtain covers the "blue sky, yellow flower pond". The autumn wind is full of waves, and the waves are cold and smoky. The mountains reflect the sunset water, and the grass is ruthless, even outside the sunset. " A few simple words render a sadness of parting, showing a sad sorrow and infinite sorrow; Su Shi's "operator" "when the moon is short, people are quiet at first. Who saw you alone? Vague and lonely. " It reminds people of a lonely evening, cold wind blowing gently, biting cold; Li Bai's "Dream of the sky and sing farewell", "Clouds are dark with rain, water is faint, the god of thunder and lightning, and autumn colors are ruined", a romantic and heroic feeling comes to my face, which makes people memorable; Zhang's "Moonlit Night on the Spring River" "I dreamed of falling flowers last night, but the poor spring did not return. In spring, the river flows away, and the pond falls to the west. " Beautiful and moving spring scenery, a heartbeat throbbing, one after another ... Poetry has many forms of expression and different aesthetic pursuits. Judging from the poems written by different poets, different emphasis and expression methods have their own unique aesthetic lofty and category, so their aesthetic pursuit is at the bottom of the paper. For thousands of years, under the background of the development of traditional culture in China, poetry has its own special spoken world. Different from western literary theory, it has a strict speculative system and clear conceptual connotation. It often uses simple language description to express abstract pictures, or reproduces an environment or atmosphere for you to understand the meaning. But here, we can find this colorful world full of images everywhere. This kind of "beauty" is mellow but not boring, implicit but not explicit, comprehensive but not fragmentary, which confirms the proposition of "the beauty of China's ancient poems".