If we substitute the lens of a movie to read novels, the first thing we see is the streets of Xicheng in midsummer, without much noise. Dogs take shelter from the wind in the shade, the old crow rests in the tree, the boss selling sour plum soup holds a copper lamp to attract customers, the driver goes on the road silently, and the hoarse voice of the fat boy selling steamed buns attracts our attention. His thin eyes and crooked mouth shouted in front of the shop. We saw a cold "new drawer" on the shabby table next to him.
"Like a ball being thrown on the wall and turned upside down, he suddenly flew across the road." Lu Xun's pen changed, bringing our focus plane to a new scene. New figures of patrolmen and white vest prisoners appeared quietly, and the quiet afternoon was gradually broken by noise. The patrolman and the white vest stood for half a circle, all of them were spectators, and the sound made by the crowd disturbed the summer sleep. The burning sun hit their backs, and with the bald old man and the fat man with red nose, the circle became more and more full.
As the camera zoomed in, we saw the bald old man bent down to study the words on the prisoner's white vest standing opposite him, reading the vague words while watching. As soon as the camera zoomed in, we saw that the prisoner in the white vest was also studying the bald old man bent over, looking at his shiny head. In the slow motion, the fat boy was also studying the shiny head of the bald old man. At this moment, an old lady with a baby in her arms is trying to squeeze into the circle. The bald old man felt the thrust from the rear and quickly stood up to grab the seat.
Zooming in, we can see that the drivers are no longer in a hurry, and there is no hawking in front of the steamed stuffed bun shop, and the crowd is in a circle.
"It's like a ball thrown on the wall, the other way around." The focal plane has undergone another transformation. "A primary school student rushed up, with a small white cloth cap on his head in one hand, and went straight into the crowd." When he tried to get to the third and fourth floors, he met a naked, sweaty broad back. He turned right, continued to drill, looked for light in countless butt piers, and finally a ray of light came in. A butt tilted to the right, suddenly came a "what", mercerization disappeared. Pupils emerged from the policeman's knife, which gave off cold light.
"What, what's the matter ..." A worker asked like a bald old man, but he didn't get the expected answer. The bald old man stared at him for a while, and the others followed him for a while. He felt that someone had committed a crime, climbed awkwardly into his face, and then slipped away quietly, leaving a back for the camera. Then a eldest son filled his vacancy, and a new plot of the film appeared.
At the end of the film, the fat child cocked his head and peddled "hot" cold steamed bread. The driver began to worry again, and the eldest son and bald head left. The old lady carried the child under the eaves, glanced at the gradually dispersed circle, and the lively crowd gradually disappeared. ...
Showing the public is to show the prisoner in front of everyone, and showing the public in Lu Xun's works is like showing the prisoner in front of everyone. Their faces, as well as their behavior of pushing and squeezing you, are so ridiculous in front of the white vest. Lu Xun suddenly flew to the other side of the road with "like a ball thrown hard on the wall and reversed" Sentences such as "like a ball thrown on the wall, reversed" attract readers' curiosity, promote the development of the plot, connect the development of the plot, strengthen the visual sense and sense of seeing when reading novels, and vividly show public scenes to readers.
Through the dynamic description of the crowd who joined in the fun, for example, "He was cramped like a crime, and finally he slowly retreated and slipped out." Rich characters, Liao Liao's description depicts the embarrassment and shyness of workers when they were stared at for a while, showing the development of psychological details.
By describing the actions of various characters, the article enriches the characters' images, strengthens readers' understanding of the characters, and strengthens the vision of novel reading. For example, when describing primary school students drilling into the crowd, it is described that "primary school students rushed up, holding a small white cloth hat on their heads with one hand and drilling straight into the crowd." "He knew he was at a loss, so he had to go straight along his waistband. Fortunately, he saw an empty place with light in his hair. This sentence shows a child's behavior of wanting to join in the fun, and the word "drill" expresses the child's short and thin body. When facing the crowd, he can only use his body to clear the way in the crowd to find a position. The detailed description of characters' movements enhances the picture sense of reading. As if the reader is the child, the scene of drilling around in the crowd appears in front of you.
Through several dialogues, the article shows all kinds of embarrassing situations in the process of public display. For example, the sentence "I'm so happy, fuck you ..." by a fat child who doesn't watch the steamed stuffed bun shop and is played by adults shows the vulgarity of ordinary people and pushes the plot to the end. The child in the old lady's arms said to the white vest, "Ah, ah, look! How beautiful! ..... "Thought-provoking, whether it is a good-looking prisoner or a good-looking group of people who join in the fun, it is a farce to show off.
When reading Show to the Public, we can follow Lu Xun's words in our minds, as if we were bystanders in the book, watching things happen and end. The display technique of this novel can not only deepen the profundity of reading, but also strengthen the picture sense of reading, so that readers can experience a farce in which the author "shows the public" with a pen and guide their thinking.