After watching the hard course of culture, 1 "The son of a certain family, who went out to travel around the world, was hated by many parties because of his open pace and strong popularity. From time to time, vicious news comes to your door. What kind of pure land of mind exists in the dark society? A cultural journey has gone through the bitterness of life, just like the prodigal son in the notes, "scarred all the way, but healthy physically and mentally." "
It's been some time since I first read this book. Now I open this book again, and I am deeply impressed by Mr. Yu's serious, deep and broad brushwork. I can't wait to open the chapter "Mogao Grottoes" and feel the Buddhist grottoes that include Indian civilization and Greek civilization. The seemingly unremarkable grottoes are the glory of the two great civilizations.
History is always solemn, maintaining the soul development and source of strength of a nation. When we look for the footprints left by culture from history, we should understand that this is doomed to be a bitter and happy contest, and in this contest, it is doomed to be a bitter and happy victory. This arduous journey is undoubtedly a serious, boring or even boring job, but I dare not slack off at all. Whether it is hidden between mountains and rivers or in deserted villages, it will eventually be eroded by modern civilization. However, is it really brilliant that we are constantly being eroded?
History is sighing, telling the sadness and profundity of an ancient nation. I only hope that those who are ahead of the times and care about our spiritual direction in advance will listen to the footsteps in this valley, and maybe we will know where to go tomorrow.
Reflection on the Cultural Journey 2 "The continuous sand mountain in the sunset is an unparalleled beauty in the world. Light and shadow flow and separate on the straightest line.
Farewell to my hometown in Liu Yin, the general glared at me and hunted military flags in the north wind. With a puff of smoke, another puff of smoke drifted away. "
Ah! It was a scenic spot in the desert, the battlefield filled with smoke in front of Yangguan, which smoked my dancing thoughts and my heart full of blood for a time.
The desert is extremely mysterious and shocking!
It is not only a monument, but also a spirit. This is the spirit of fighting against Hu Rong and guarding the border. That is a kind of courage, that is a kind of loneliness, and that is even more magnificent. That belongs to the spirit of the desert. The desert advocates courage, and only brave people can be respected. Only brave people deserve to live here. This is the eternal principle of desert since ancient times.
The endless sand dunes actually contain clear and graceful springs.
She is lonely, but she has created a world, which is as clear as ever without being polluted by the outside world. Every stone, every green tree, every small fish ... is telling the changes of time, the unspeakable loneliness. The old nun, her face, was mercilessly portrayed by the years with stiff wrinkles. But it is a spirit, a spirit of blending Buddhism with nature.
Snow, warmth and desolation.
Reflection on Cultural Journey 3, as an essay on the investigation and reflection of domestic and foreign cultures, popularized my scenic spots and historical knowledge anyway.
"The cultural journey is bitter, and it is a journey of complaining in this thousand-year lament". The author is deeply touched by China and history of manchu's sigh and the pursuit of the origin of national culture.
As a "busy man" who hasn't been to many scenic spots, the culture of 5,000 years has a long history, and all kinds of scenic spots and historical sites have never been seen with my own eyes. So I have always loved watching documentaries about my cultural relics in the Forbidden City, and I admire every craftsman in them. Everyone is working hard for the cultural civilization he admires. Or inherit, or develop, or innovate.
Culture awakens civilization, which floats in every corner of the world. No matter whether culture is advanced or not, civilization is constantly changing, developing and innovating. Every civilization has a history of responsive cultural development, and human beings are immortal and civilizations are sustainable. I really want to have a hard trip around the world. However, I have no money. How about a wonderful excerpt or
Looking forward to the peak and height, the peak is only a narrow foothold. Can't rush, can't go straight, just enjoy the pleasure of looking down for a while. How can you stop and sit for a long time? Nothing in the world is difficult for one who sets his mind to it. I feel unprecedented loneliness and fear.
The truly warm beauty in the world is clinging to the earth and lurking in the deep valley. The height of reigning over everything will only constitute self-mockery in the end.
After watching the hard journey of culture, I have always been eager to be a free traveler. Like Mr. Yu, I put the exploration of culture into a simple bag, walk on foot, enjoy it slowly, look for the sonorous sound of vast history and vast culture, and browse the beautiful and quiet scenery in my heart. This feeling must be very cool. After reading Teacher Yu's Cultural Journey, I will build a small bridge for my soul, the quietness of people and the leisure of mountains and rivers. You will be intoxicated with it, as if listening to distant and vast memories along the footprints of scenic spots. Is the mood the brightness of the scenery? . I like the feeling on the road. It's definitely worth it to treasure such a book. ...
I began to understand that the "cultural journey" originated from a text I learned in junior high school, The Letter Guest, which was my first contact with Teacher Yu. When I started reading these letters, I just regarded them as a fictional novel. Although I am full of admiration, touching and even a little helpless for the characters in the story, it is not true after all, so that when I saw this article selected from Cultural Journey, I was a little surprised by the title. It seems that this novel should not appear in such a heavy book. However, when I really touched this book, I realized how ridiculous I felt at the beginning. In this book, along with the author's footsteps, we appreciate not only amazing places of interest, but also the helplessness behind historical vicissitudes. ...
Reflection on the Cultural Journey 5 This is still an article about Li Bing through Dujiangyan and "official standard" through Li Bing. I have discussed it in the comments on Liu Hou's Ci, but this time he injected professional science and technology into the "official standard" instead of inscriptions and poems. The greatness of Dujiangyan is embodied in the spirit of Li Bing, and the author hopes that such people can have endless descendants.
Yu Wen is used to exaggerating his position and showing his affectation and grandstanding in landscape worship, but of course he doesn't really want to kneel in front of landscape cultural relics. He's just making a false gesture. His focus is still to use this emotional agitation to eliminate rational cold thinking and let readers agree with him and follow his point of view. In this paper, the worship of "capable officials" is the same as that of "honest officials", and it is an understanding of the thought of "rule by man". We should know that "being honest and able to be an official" alone can't help China get rid of the historical cycle brought by "rule by man", but this rational cognition has been exhausted under the grand theme deliberately created by the author and the populist atmosphere of flattering the people.
Yu said in the article: "Here, I suddenly have some optimism about the history of China.". Although I don't know whether this is true or not, you can feel this sweet and greasy superficial view of "music" in the whole "cultural journey", but the title of the book runs through the word "bitterness". What is pretending? What is melodramatic? Look at that.
Thoughts on the Cultural Journey 6 "The Cultural Journey" is the masterpiece of the famous scholar Yu, measuring China culture with footprints and understanding the philosophy of life with the soul. Yu played an outstanding "tour guide" in the book, which attracted many eyes of every era and entered a deep and cold cultural space, where history is connected with modernity and full of hope for the future. He painted a pair of innocent and curious eyes with a deep, deep color, asking them to shine with bright expectations, and also making their faces frosty, cold, deeply responsible and heavy. This is the biggest feeling that Mr. Yu gave me in this work.
This hard journey is a bit long and tiring. * * * contains 37 travel essays, almost all of which are about the scenic spots in the south and northwest, the places where ancient literati or celebrities lived and lingered, as well as the customs of these places, such as Mogao Grottoes, Dujiangyan, White-haired Suzhou, lonely Tianzhu Mountain, Shanghainese, wine cemeteries and so on. From the numerous tourist attractions in China to the barren Yangguan, from the desert to the water town, from the northwest to the south of the Yangtze River, from historical sites to literati, there is no place that is not a bright spot in the history of China.
I've heard about this book for a long time, but I haven't read it carefully. This time, I used this summer vacation to study hard. Following my husband's words, I traveled all over China and wandered in the long river of history.
From the yellow sand rolling desert frontier fortress to the beautiful and clear Jiangnan town, the author described every place vividly, and also made me feel the long-standing man-made culture in China, and every place exudes his unique charm. From the Taoist pagoda and snow in Yangguan, I saw the rise and fall of the Yellow River civilization and wrote the profound desolation of history. The description at the beginning of "Jiangnan Town" makes me seem to see a small bridge flowing water. The Rain Pavilion shows me the hardships of China literati. And "The Weight of Thirty Years" made me feel a little warmth and the beauty of teacher-student love.
Yu Xiansheng said in his book: "Scholars seem destined to be associated with the travel of ascetic monks." I think this may be the reason why this book is called "Cultural Journey". When reading this book, I deeply felt the profound cultural background and writing skills of the composition. In his works, the Mogao Grottoes, Dujiangyan and Library are so different. In his works, the past history is like a sad picture. "Passion for history will always increase the load of life, and the vicissitudes of history will lead to a sense of life." This is the author's feeling, everyone's. Life is also a history for ourselves. When we walk a long way and stop to look back at the footprints we have traveled, there will always be regrets of one kind or another, and we are also looking for the true meaning of this life in this regret.
Closing this book quietly seems to have an impulse to travel all over the mountains and rivers. Read thousands of books, take Wan Li Road, and also want to find historical footprints between mountains and rivers.
Reading "Cultural Journey" 8 "Demoted Official Culture" is really a heavy stroke in China culture. When the official career and career were promoted, no particularly excellent articles were born. Only after being relegated, they "had to be intimate with mountains and rivers." With a natural feeling of grief and indignation, literary talent actually flew. "Things have changed, and even the court thinks that this person is good and has restored his reputation." It can be seen that the writing style and lyricism of relegated officials do not hide the utilitarian heart of looking forward to the Lord's reference and reuse. After being demoted, I have no choice but to write something, which just proves that the "literary works" of the demoted official are written with different meanings and purposes, so the "literary works" created really conform to his "personality"-they are all hypocritical. Then, if China's "extremely eye-catching" culture is done by cultural officials, we don't know whether the demoted officials in China are too talented or the self-evaluation of China's literary creation is "too talented".
However, literature is only framed in this article. What is important is the "fame" effect of "the place is spread by people, the people are spread by places, and the two sides help each other, all of which are famous". Degraded officials turn to dust, and the landscape pavilion is still such a landscape pavilion. What do you care about literature? What is important is that the "fame" earned by the article is the inexhaustible tangible benefit. Literature not only "helped" the official career of relegated officials, but also "helped" the reputation of tourist attractions, which can probably go down in history and remain immortal. I have read Yu's Help and half of China's classical literature.
After watching the cultural tour, 9 Shayuan is Shaming Mountain and Hidden Spring is Crescent Spring. Because of its crescent shape, it is called the first spring in the desert. The article tells the author's mental journey and feelings of climbing sand mountain and looking for crescent spring.
The sentence "The endless sand mountain in the sunset is an unparalleled beauty in the world" is a sigh when I climbed to the top of the mountain. Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide. Isn't it beautiful? Isn't it beautiful that the desert is lonely and the long river sets the yen? Why does an ordinary weed become so beautiful in the photographer's pen? Why does a withered flower become so brilliant in the artist's pen? This reminds me of a sentence: there is no shortage of beauty in the world, what is lacking is the eyes that find beauty. "Gao Shuzhen's pit dad classroom, Zhang Lili, the most beautiful female teacher, is the most beautiful mother to support life. Don't you think they are beautiful?
Beauty, not greatness, is actually around.
"Even the God of Nature is coarse and coarse, and he is too lazy to fine-tune it, which makes the world suffer greatly." Isn't Crescent Moon Spring such a product? The Yellow River has been passed down through the ages with its surging momentum, and the Yangtze River is famous for its stretch of Wan Li. It makes me think, what about Crescent Moon Spring? Give calm to floating noise, clarity to fanaticism, normality to high dance, and light to rough madness. "This passage is really appropriate for Yu's book. The clothes are wet and the apricot blossoms are raining, and the face is not cold. Snow comes in late spring, which means the flowers in the courtyard are flying. The ancients praised the beauty, calmness and truth of the four seasons in their way. Maybe it will happen again. When you get home, hot food is already on the table, and someone is taking care of you when you are sick. ...
After watching the cultural tour, I still feel confused; I still want to try to return to the author's state of mind; I am still not good enough. Fortunately, I persisted.
As written in the book, wherever the author goes, he always traces back to the footprints left by historical figures here or what cultural changes he has experienced. I always look for these unfamiliar scenic spots and people on the internet, eager to find the starting point of the author's feelings from these materials, though. A little knowledge of the background will inevitably lead to mixed feelings and even ambiguity about the author's point of view, but it will eventually return to calm. Let history judge, I am not qualified. Therefore, at the end of reading, I even felt inferior, so that people are the smallest existence between heaven and earth. I think, when the author faces these "silent" historical sites, he will also feel inferior!
I would like to believe that the old man in history is not speechless. Every scene carefully scrubbed by him and every human landscape carefully cared for by him are vivid. What is lacking is someone who carefully interprets him, and what is lacking is someone who returns to him. Just like today, developers who fight for the hometown of historical figures may not even know the life of this person; In order to express their excitement about seeing the scenery, someone scribbled a sentence, "If there is such an opportunity, I want to visit historical sites, return to history, return to nature, return to calm, and slowly touch my heartstrings.
Reflection on the Cultural Journey 1 1 Thanks to the "great" reading class, I finally finished the cultural journey. At first reading, I always felt that even though Mr. Yu thought writing a book was "a kind of hard work for him", as a reader, I was relaxed and chic in my heart when I studied between the lines he wrote, and there was no "historical indifference" or "rational severity".
The Jiangnan town immersed in the indifferent stability and nature is "hidden in the city"; Wandering in Tianzhu Mountain, a quiet sacred place that many great poets and writers miss; Enjoy the quiet backyard of China culture. Just look at the gentle scenery, but that's all.
However, when he was liberated from almost mechanical study, he went to the bookstore and brought back his "cultural journey".
When I picked it up again and read those articles that were originally easy to lead people out, I couldn't help falling into those slightly heavy history and endless thinking.
I walked through Dunhuang and entered the Mogao Grottoes. "Looking at the Mogao Grottoes is not a specimen that has been dead for many years, but a life that has lived for more than a thousand years." Here, it is completely "melted by the torrent of history." There happens to be a Taoist king in this holy place where pilgrims are numerous. From then on, the Chinese nation was humiliated, but it was Taoist Wang who made the Mogao Grottoes culture shine. How sad it is that there are so many cultures in China, but this cultural treasure house is neglected!
Rereading "Cultural Journey", I feel so much that I can't elaborate on them one by one. I just: read "Cultural Journey" and baptize my soul; Looking for a thousand-year-old culture and understanding ancient and modern times.
A philosopher once said: Apart from the stars in the sky, what we fear is only the inner consciousness of human beings. A wandering traveler traveled all over China and wrote a thought-provoking sentiment with his own conscience. There are many kinds of life, where the heart is, the flowers are there.
The "Daota" at the beginning of the article betrayed his conscience as an "unknown generation" and reflected the pain of this ancient nation. Dunhuang, which should be the proudest civilization in China, is more brilliant than the Great Wall and has more connotation than the Palace. In the end, it is China's wound. Wang Daochang is just a clown in front of his body in this tragedy. And the master of this country, the loss of indulgence culture is the root of all evil. For such a big China, there are more than a few volumes of scriptures! I heard that foreign books are very expensive, and the price of textbooks is not low. Many international students will buy second-hand textbooks online in advance, even so, they will look for the next buyer online after they use them up. The importance attached to books abroad can be seen.
Perhaps people's conscience will be disturbed by glitz, but there is such a thousand-year-old city, loyal to its own conscience, quietly watching the secular disturbance. This is white-haired Suzhou. The author vividly shows the leisurely and graceful Jiangnan culture with the beautiful and soft bridge and flowing water as the background. When I was young, reciting "Hanshan Temple outside Gusu City, the bell rang to the passenger ship at midnight" seemed to really pave a historical picture for us. Suzhou is very quiet. Just like a graceful cardamom girl, some of them are just soft words of Wu Nong, but they can't make a big article, but they can have a rest with you in a lush garden. However, history is unfair to it, and it seems to get old overnight. Today's Suzhou is not just a white-haired old man. But in countless alleys and courtyards, there are countless thousands of years of heavy souls hidden. It is these souls that keep the core of Suzhou's charm.
Reflections on the Cultural Journey 13 Reading thousands of books and Walking on Wan Li Road The cultural journey is such a good book. When reading this book, I was immersed in the vast historical principles, and various black and white pictures emerged in front of me, shining in the text.
The book is very thick, and it is quite a sense of accomplishment after you get it. I read heaven and earth and visit China with words. There is an article in it that impressed me deeply. It tells the story of a criminal in the Qing Dynasty. His ignorance prompted him to exchange China cultural relics for some cows. Priceless treasure is only worth a few cows. I want to stop here. I want to stop him, but I can't go back. How terrible ignorance is! It can change the fate of a country. Besides, if he is patriotic, even a little, he will refuse.
"Cultural Journey" gave me a trip to China, learned about the greatness of a country, felt the amorous feelings of a country, and learned how to look at everything from different angles. In this way, even the ruins can radiate brilliance. We should always keep a pair of eyes that are good at discovering and make an ordinary day wonderful. Think about always living a tasteless life. Since reading the cultural tour, I have learned to observe the world carefully with my own eyes and found that every day is different, so my life is happy.
Cultural Journey has benefited me a lot. I hope you can read it.
The newspaper said that my writing is simple and chic, but it's not the case at all. This is a kind of hard work that makes me very uncomfortable. When I started writing, I felt old. Whether it is the Spring and Autumn Period or the great joy and sorrow, we will eventually close our eyes, calm our hearts and return to the indifference of history and the severity of reason. "This is the preface of Professor Yu in" Cultural Journey ".
No wonder you have to read this book slowly and carefully. Many people really want to see the thoughts in it. I still remember his "stormy days", alone, no! A family bears the fate of sticking to a library, and Fan Qin left a library for the vast China, which has been preserved until now. There are other bibliophiles and books, but in several generations, the dust of history buried them. However, what did Fan Tianyi Pavilion stay on, persistence and firmness, or "willpower beyond passion, hobby, talent and even time"? Where is this willpower at the moment? He once rudely contradicted Guo Xun, a powerful and powerful person, and was sent to prison by the staff involved in the lawsuit. He seems to have no pity for anything, honest and honest, and his career has failed. In the end, even Quan Yan couldn't help him. "A successful bibliophile is at least a person with a strong personality," Yu Yu Qiu concluded there.
Seeing this, we should reflect. If we were book collectors in those days, would we be like Fan Qin? I don't think so. Fan Qin's persistence, at first glance, is unreasonable. Let's get started. It's hard! We are teachers, educating students, and we must have willpower, but how many can we really do it? Who stood up in the face of setbacks? Living, for what? Isn't that what we should think about?
What kind of trip is the cultural tour after reading 15? Why do you have to use the word "bitter"?
Yes, every culture has a strong sense of history and is the product of history. How can it be a pity that there are so few things left to remember?
Culture itself is not an easy word. Being in the ocean of culture always makes people feel old. The more monuments there are, the more people stop, and the more ideas collide, communicate and merge with each other. How can we not be sad if we rely on the past, and how can we avoid sadness and tragedy if we collide?
The construction of thought itself is a complicated and boring process, and not everyone can respond enthusiastically. Literary creation is not a simple pile of words, and the formation of culture is not a simple addition. This is a process of integration, including personal bitterness, national honor and disgrace, and national rise and fall.
Mr. nan huaijin said, "A country and a nation are not afraid of national subjugation. The most terrible thing is that a country, a nation's own fundamental culture has perished, and it will be beyond redemption and never turn over. "
The culture of our country has lasted for more than 3,000 years, and it has also experienced hardships, which has made today's splendid Chinese civilization.
Yu Lao's prose is beautiful. When writing about human landscape, it's like enjoying a landscape painting. When writing treasures such as Dunhuang Mogao Grottoes, it is more painful to be amazed and proud. Writing about Dujiangyan is like finding a treasure, just like the jewels scattered in China by the ancient civilization of China.