Thunderstorm has a poetic beauty, not only because of its beautiful wording, but also because many paragraphs are repeatedly recited by people. After reading "Thunderstorm", it is better to write an article "Feeling of Watching Thunderstorm" to commemorate it! Are you looking for and preparing to write an 800-word Argumentative Paper on Thunderstorm Reading? I have collected relevant information below for your reference!
800-word Argumentation after Reading Thunderstorm 1
If Lu Xun's Scream is the pioneering work of China's modern novels, and Guo Moruo's Goddess represents the glory of new poetry, then Cao Yu's Thunderstorm can be said to be the first mature and beautiful harvest of China's drama creation.
Thunderstorm shows a great tragedy of life and is a cruel trick of fate on people. Autocratic, hypocritical parents, enthusiastic, simple young people, charming women who are crazy about love, constantly chauffeured who hate evil but don't know it, and secrets of family and life experience all broke out in a thunderstorm night. Guilty people and innocent people go to destruction together. Cao Yu vented his pent-up resentment and vilified China's family and society in an extremely stormy way.
The dramatic conflict in Thunderstorm has the symptoms of summer thunderstorm. At first, it was gloomy and hot, with dark clouds, and then there was faint thunder and mysterious lightning, which incited the increasingly tense air. Suddenly, everything between heaven and earth stopped, and the wind was still, very quiet. Just when people just realized this strangeness, they didn't worry. There was another thunder, lightning and thunder, and the storm was raging, and the universe was angry. To achieve this dramatic effect depends entirely on the playwright's influence on the "dangerous" relationship between the characters in the play. For example, his drought-striken fields are cheating and guilt to his father, remorse and fear to Yi Fan, apology to Zhou Chong, hope to cheer up to Sifeng and fate to Shi Ping. Thunderstorm is really a brilliant work, which is perfect in dramatic art. Thunderstorm has successfully shaped the characters in the play. If there are no unforgettable characters in a play, then no matter how fierce the plot conflict is, it is only a temporary excitement.
The characters in Thunderstorm are plump and complicated. That is, like Zhou Puyuan, Cao Yu attributed him to hypocrisy, but he still had to distinguish a little sincerity for him. For Zhou Chong, Cao Yu also carefully distinguished between simplicity and stupidity, and let the hammer of reality awaken his dreams again and again.
Of course, the most unique and dazzling character in Thunderstorm is Fan Yi. She is the most thunderstorm figure. Her enthusiasm is an eternal fire. God punished her for growing dry in the sand, and her beautiful heart was suffocated by the environment and became surly. She has a strong heart, she is full of repressed Yin Zhi's strength, she is not a so-called "lovely" woman, she is spicy and sharp, she has her "magic power" and her charm.
Thunderstorm has a poetic beauty. This is not only because of the beauty of the words, but also because of the poetry of the characters in the play, or it can be said that all this, including stage tips and role analysis, is a metaphysical temperament and taste that rises after being summarized.
800-word Argumentation after Reading Thunderstorm II
I reread Thunderstorm, and I still have feelings for them. They are the earliest figures conceived by Cao Yu, Zhou He.
Zhou fanyi. She is crazy, people keep saying that she is crazy, Zhou Puyuan, Zhou Ping, readers, and finally she is really crazy. As a wife, she is unfaithful to her husband; As a stepmother, she committed adultery with her son. She is hot, she is sharp, she is charming and she is brave. She ignored the so-called "golden rule", broke the shackles of morality and violated human relations. Who forced her to do this? Is it the old house of the dead Zhou family? Is it tyrannical and despotic Zhou Puyuan? Is it the smell of young men and seductive love? Maybe she was just born at the wrong age.
Cao Yu is a bit like the old Mr. Cao who wrote A Dream of Red Mansions. He has a hopeless home. A home full of opium smoke; There is a disabled brother's home. If Shi Taigong had not been humiliated by castration, there might have been no such thing as "the historian sings a swan song, leaving Sao without rhyme". I think it may be such a family that raised a May 4th youth, a drama master, a woman named Fan Yi and a thunderstorm.
Society suppresses women's sexual love, autocratic men dominate women, and capitalists exploit workers ... This era has caused a thunderstorm-like explosion of characters, including a woman named Zhou and a man named Cao Yu.
Fan Yi's son, Zhou Chong, somehow doesn't have her touching magic. He is perhaps the most dramatic character in Thunderstorm. He's not like Fan Yi. He's just a kid, a little silly. I've also seen human thunderstorms. From then until now, I have been amazed at master Cao Yu's mastery of drama. He skillfully condensed the decades-old grievances of a big family into four scenes and two scenes a day. The concentrated place and time show not thinness, but deformed love, courage to break through the bondage, indifference to human feelings, firm belief in the world and pain of fate. Around the eight characters, I see the whole society. At the same time, I also vividly saw the characteristics of drama as a literary theme. As a classic, this play is really worth reading by every literary lover.
I saw a sinful society, a dangerous dark society. But this is also more of a feeling of the world, not just in a certain historical period, which is why I still have understanding rather than sympathy when I look at it in this era. The family and society he represents give me a feeling that there is no way out. His drought-striken fields, Sifeng, Zhou Chong and Fan Yi always seem to want to escape from all this. They want to leave, get rid of and conquer. However, their pain has no way out, and they struggle repeatedly, and even death becomes the only relief. Yes, that society, that life didn't give them freedom, and all the hopes were like a faint fog, which could not really be reached. They can't stand it on the way to explore the truth. I think it's just a helpless beauty. 1977, when Cao Yu wrote the postscript for his works, he said, "Today, there must be many shortcomings and fallacies." Then he talked about not writing proletarian figures and not pointing out the direction of the revolution. I beg to differ, but there must be some pain that transcends the times and classes.
800-word Argumentation after Reading Thunderstorm 3
"Bang", a thunderstorm fell from the sky, shocking people, reminiscent of Thunderstorm, a shocking work. Cao Yu left us precious spiritual wealth and read it with gratitude.
Four-act plot, climax ups and downs, ups and downs.
In the first scene, the dialogue between Sifenghe and Zhou is particularly wonderful. Gui Lu, who is greedy for money and despises personal feelings, quarreled with her daughter for only a few tens of dollars and persecuted Sifeng. If he doesn't give money, he will talk to his husband, which shows how far his pursuit of money is. The author has successfully created a vivid character image like Grandet in the East. Although Zhou and I are husband and wife, they have no feelings. Fan Yi has been taking medicine for many years, and she is tired of it. But Zhou Puyuan forced her to drink it, just to build the most complete and orderly family. The author successfully created the image of an oppressor and an oppressed person.
In the second act, Zhou Puyuan meets Lu Shiping. Zhou Puyuan met Lu Shiping at home. At first, he didn't know he was Shi Ping. He just asked about Shi Ping. Later, when he learned through dialogue that it was Lu Shiping standing in front of him, his attitude changed immediately. He asked, "What are you doing here?" Later, I tried to send her away with money, but Shi Ping tore up the check. The author successfully created a tragic image of an abandoned person.
The third act mainly tells the conflict between Gui Lu and Lu Dahai in Gui Lu's home.
The fourth game, the most wonderful one. Sifeng and Zhou Ping wanted to go together, but Shi Ping didn't agree when she knew the truth. Under their entreaties, Shi Ping put her hands together and prayed that if God wanted to punish such unethical behavior, he would punish himself and let them go. Zhou rushed out and let out a cry because of his crazy conversation. Finally, Zhou Puyuan told the truth, his drought-striken fields stayed there, Sifeng rushed out, followed by Zhou Chong. With two screams, both of them were electrocuted and his drought-striken fields shot themselves.
The tragic ending gives people a shock and infinite imagination. The original beautiful love developed to the final death, only this decadent old system can be blamed. What caused all this was the people who came out of this old system. People's hearts are stained with interests, and they only have money in their hearts, regardless of the lives of others, such as Gui Lu and Zhou Puyuan in the article. It is precisely because of this that tragic and four phoenixes, crazy Zhou and naive were born.
Cao Yu's book reveals the historical fate that the old system will perish, and expresses deep sympathy for those who have been insulted and damaged. Some people say that the author pursues the dramatic realm of "great integration", which contains the essence of human drama. It is the fusion of Shakespeare, Ibsen, Chekhov and O 'Neill, and the fusion of oriental literature and the west.
We remember Thunderstorm, and we can't forget its great author. We should study with gratitude, but also read thousands of books with gratitude and thank these great authors.
800-word Argumentation after Reading Thunderstorm 4
Thunderstorm, cloud-to-cloud collision, in which everyone is injured. But remember, after a thunderstorm, it will be fine.
Thirty years ago, he was a young master and she was a servant girl. They are in love. But the opposition of the Zhou family separated them from their two children. With the grief of being abandoned, she left her eldest son and her youngest son to live alone and chose a river as the final destination of her fate. However, the story is only the beginning here, and she was saved by good people. Finally, she married an inferior person, a housekeeper, and gave birth to a daughter. He lived in a big house, married a young lady and gave birth to a son. Originally thought to be two parallel lines, this life is irrelevant, but fate, fate has let them meet and collide. His name is Zhou Pu Shu, and her name is Lu Shiping. He collided with her thirty years ago.
Thirty years later, I am also a master, a maid and in love. It is also the opposition of the family. However, this opposition is not as simple as it was 30 years ago. The stepmother's objection is no longer from the mother's point of view, and the younger brother's objection is no longer from the younger brother's point of view. The entanglement of four people cut off the happiness of two people, but this is only a prelude, and the real cut-off is yet to come. When Shi Pinglu stepped into Zhou's gate again as the mother of a maid, a thunderstorm really began. The memories of several people exposed the truth, leaving him and her with only cruel and cold reality. He is the son of Zhou Pu Shu and Lu Shiping, and she is the daughter of Lu Shiping and Gui Lu. They are half brothers and sisters. This collision between him and her is more painful than thirty years ago.
No one is right or wrong in this collision. This is destiny. It was fate that brought them together. No matter how hard they struggle, they can't escape fate. The result of blind dispute is that the loach tumbles into a coma in the emotional fire pit, trying to save himself by heart, but no matter how he struggles and cries, he is always trapped in the trap of fate.
Looking at this collision, we will feel distressed that Sifeng and Zhou Chong became the victims of this thunderstorm, that Zhou Ping committed suicide in unbearable pain, and that Pu Shu looked at the helplessness of Lu Shiping with dementia and Fan Yi with madness in the last week. Under the background of feudal society, the relationship between cutting and chaos was completely ignited in just one day. Who hit who first? No one answered. The real answer was hidden in the social darkness at that time. If there was no feudal concept at that time, the Zhou family would not have opposed Zhou Pu Shu's improper love, there would have been no sincere but wrong love with Sifeng, and there would have been no collision and thunderstorm.
After the heartache, the thunderstorm has passed, and the rest, in addition to the past misery and unbearable, should also see the sunshine and a blue sky. The whole world is clear and transparent, and a new cycle has begun. After all, people's lives go on. Those who died before the arrival of new life, they sounded the test brick for later generations. When something new collides with something old, there will inevitably be sacrifices, but such sacrifices will remain in people's memories. Although such parting is painful, it is also great. If there is no thunder and lightning of thunderstorm, how can people cherish the sunny day afterwards?
If fate gives you a thunderstorm, please smile and don't complain. Maybe you will collapse in the deafening thunder, and your heart will be cold when the rain falls on your shoulders, but you must remember that it will be sunny after a thunderstorm. At that time, all the heart injuries that were wet before will be cured, because in your new life, you have survived the collision and the thunderstorm that will hurt everyone. After that difficult transition, the spring flowers on the other side are waiting for you.
800-word Argumentation after Reading Thunderstorm 5
The first contact with thunderstorm was in high school, which was mentioned in the textbook. At that time, I still couldn't get some insights from listening to the teacher. (lz 13) I really remembered it after reading the one on the right recently. Cao Yu once said: "I lost my mother since I was a child, and my heart is very lonely." This sentence let me know that his life is not smooth sailing. This also makes me more convinced that it is these painful experiences that make him produce great works, and the desire he tells comes from the suffering he suffered in life.
Zhou Puyuan, as the focus of the central contradiction in the play, is undoubtedly the most intense emotional conflict. Zhou Puyuan, who fell in love with Shi Ping when he was young, may still have a trace of purity. But since that year's New Year's Eve, he allowed his elders to drive Mei Shiping away, and then married a rich lady who was just right. His mind has completely become the best portrayal of the supremacy of interests. Thirty years later, when he recognized Shi Ping again, his emotions were not the joy of reunion after a long separation, but complete doubt, doubt and fear. What he thought of was the threat that Shi Ping's arrival might pose to his position and interests, and the embarrassing situation he would face after the truth was exposed, rather than sympathy and pity for Shi Ping's tragic experience. He kept saying that he kept her favorite furniture, and he kept her habit and treasured the old shirt embroidered with plum blossoms. But in the end, all this was not because of love, but because he wanted to show his long-lost conscience and inform people all over the world-"Look! I am a sentient and righteous gentleman! " In fact, where is there any good feeling? Even if it existed before, it disappeared after 30 years. Everything he has now-including giving Shiping 5,000 yuan, promising to guarantee her living expenses and asking them never to set foot in Zhou Jia again-is for himself. For him, feelings have long been a little seasoning in a long life, dispensable and as unrealistic as dreams. Under the influence of the business community, the representative of this capitalist has long been bloody and unrecognizable.
As for Lu Shiping, the core bearer of tragedy, her fate is undoubtedly bumpy and bitter, but not tragic. Looking back on that relationship 30 years ago, she was also one of the creators of mistakes. But girls, girls, why are you obsessed with a 30-year-old love that never ends? After 30 years, you still cling to your grievances and disasters, love or hate. Isn't it yourself who got hurt last? In that case, why indulge in it? In the middle, you attribute the hardships of your life to fate, to the invisible and unstoppable line of life, chanting how bitter and miserable you are, clinging to blood-red hatred and stubbornly refusing to let go. Is this the value of your life? Instead of lowering yourself below others, it's better to fight openly and then leave with your messy head, isn't it?
This is not just a story. This is a storm cast by the times. Under the storm, all the evils and ugliness in the world are exposed and there is nowhere to hide. No love can pass through this infinitely long moment, and nothing can really reach eternity. Life is like a dream, and tears are pouring down my face. After waking up, my life still needs to go on bravely.