After excluding the samples with less than five Japanese cartoons (to obtain a relatively heavy audience sample of Japanese cartoons), we selected two variables (the prospect of China and Japan and whether there is anti-Japanese tendency) to analyze the number of Japanese cartoons. From the results of multivariate analysis of variance, there is no significant relationship between the number of Japanese cartoons and the two (Table 4). Test of inter-subject effect Source dependent variable Type III sum of squares df mean square f sig. Is there an anti-Japanese tendency in the future of Sino-Japanese relations in the revised model 1.28 2 0.64 0.57 0.571.2520.621.350.27 (Table 4) Summary: From the above analysis, it can be seen that the influence of Japanese animation on the attitude level of Japanese youth is relatively weak, or it is not obvious or direct. If the young people in China are partly influenced by the symbolic reality formed by Japanese animation in the cognitive level, there is basically no obvious performance in the attitude level. About the understanding that "Yamato nation is an ambitious nation", why there is a linear regression relationship between the amount of watching Japanese animation and it needs our research to explore. The Cultural Influence of Japanese Animation on Teenagers in China —— Behavior Analysis. The test source of inter-subject effect is dependent variable type III square sum df mean square f sig. Would you like to buy a modified model for one day? Goods 0.3820.19 0.220.81Would you like to learn Japanese 1.822 0.9 1.60 0.55 Would you like to make friends with Japanese 2.91.21. . 190.83 Would you like to marry a Japanese 4.45 2.22 1.86 0. 17 (Table 4) After excluding the samples with less than 5 Japanese cartoons (in order to get a heavier sample of Japanese cartoon audience), we selected five levels of behavior tendency and the total number of Japanese cartoons for multivariate variance analysis. Analysis of the deep causes of intransitive verbs From the above analysis, we can see that the influence of Japanese animation on this generation of China youth began from childhood, and they were exposed to more Japanese animation during their rapid learning and growth. However, as a result, we find that Japanese animation can't make China youth form a reality that is consistent with its symbolic reality, and it seems that their attitudes and behaviors are completely unaffected by Japanese animation culture. What is the reason for this phenomenon? Through in-depth interviews, it can be found that young people in China have the following characteristics when accepting Japanese animation, so as to ultimately keep their values unaffected. First of all, we just regard Japanese animation as an entertainment product, paying more attention to the picture, plot and beauty of an animation, paying more attention to the sensory pleasure it brings, and paying more attention to the pleasure brought by aesthetics. Due to the special geographical and natural environment, Japanese people are sensitive to beauty and paranoid about the pursuit of ultimate beauty. Animation based on color and composition can best reflect Japanese people's pursuit of beauty and practical ability. It can be said that Japanese animation pictures are exquisite, and the ingenious combination of two-dimensional and three-dimensional has built a fantastic world, just like cherry blossoms have a visual instant shock; Japanese animated characters, whether handsome in appearance or exaggerated and realistic, have rich and distinctive personalities, just like cherry blossoms have a unique taste; Rich themes and tortuous storylines attract readers. It is precisely because of this that after watching such an animation, it is usually not regarded as an education and guidance for life, and naturally there will be no symbolic reality constructed by animation. Secondly, when watching Japanese animation, young people in China usually treat the entertainment elements in animation differently from the political and historical events in real life. They have calm and objective values, and what they think should be adhered to, such as the plot of the country, is absolutely uncompromising. For example, we should stick to principles on issues such as the Nanjing Massacre and War of Resistance against Japanese Aggression, but show appreciation in areas where Japan has developed better. The third reason lies in the characteristics of Japanese culture itself, namely the uncertainty in Japanese culture. "A basic point of understanding Japanese culture is modification, and one of its angles is backwardness and inadequacy. The reason is that it has been deeply rooted in the whole historical process of Japanese imitation and local transformation. ..... Japanese culture has been in the process of constant imitation, learning, transplantation and transformation. In this process, the period of transition from cultural backwardness to advanced culture, whether because of the acclimatization of foreign advanced culture or because the remnants of cultural backwardness have not been fully removed, has caused the deformation of Japanese culture. " "Nanbo, a famous Japanese psychologist, pointed out after analyzing the spiritual structure of the Japanese that the Japanese have duality: obedience and resistance in self-consciousness; The theory of happiness danger and happiness emptiness in The Feeling of Happiness; Fatalism and scientific rationalism; The superiority of spiritual strength and the concern for physical desire; Justice, rationality, human feelings and contractualism coexist. Benny. Dickens also pointed out in "Chrysanthemum and Knife" that Japanese people have dual personalities, that is, "Chrysanthemum stands for elegance and politeness, and knife stands for belligerence and belligerence". This is the most intuitive and vivid contradiction expression in the Japanese character. " Therefore, the cultural characteristics of Japanese animation also have this contradiction, that is, it can not fully reflect all the characteristics of Japanese culture, and at the same time leave a contradictory impression on the audience. Fourthly, Japanese animation operates as an industry, and the Japanese animation that has been packaged by business often reflects some beautiful things intentionally or unintentionally to attract people, so that it is quite different from other media reports. In the long run, the audience will give up their trust in the symbolic reality of Japanese animation and turn to reservations. At the same time, because Japanese animation is the product of commercial operation, there is no "culture in the political sense" and it is out of touch with politics, which leads to the attitude of China youth towards Japanese animation has nothing to do with Japanese culture. Research conclusion From the above analysis, we can draw the conclusion that the cultural influence of Japanese animation on China youth is limited, generally speaking, it is only at the sensory aesthetic level, and the interpretation of China youth is only at the aesthetic level, not involving the ideological level; At the same time, the symbolic reality set by Japanese animation is not consistent with the subjective reality in the minds of young people in China, because it does not reflect the whole picture of Japanese culture, and it is difficult to interpret the contradictory side of Japanese culture. This is where the influence of Japanese animation culture is limited. However, this study also has limitations. On the one hand, the selected samples are all from China Renmin University, but the youth groups in other areas and fields in China are neglected; Secondly, due to the limitation of researchers themselves, the sample size is not too large. It is precisely because the sample is not representative enough that the research results may be biased.