Su Shi
Its realm is unprecedented in ancient and modern times, and all things in the world, laughing and cursing, are all from the pen. Zhao Yi's "Ou Bei Shi Hua" said: "Taking Wen as poetry, from Changli to Dongpo, it is unique and has become a generation of grand views. ..... Especially out of reach, born with a healthy pen, as cold as a sad pear, cut it together quickly. There is a hidden meaning that must be achieved, and there is no difficulty in showing it. Therefore, after Li and Du, it is a big family, not as good as Li and Du Chu. "His poems are fresh and vigorous, good at using exaggerated metaphors, and unique in artistic expression. A few poems can also reflect the sufferings of the people and accuse the rulers of extravagance and arrogance. Bold words have a great influence on future generations. " "Nian Nujiao, Red Cliff Nostalgia" and "Shui Diao Ge Tou, Ice Dust Mid-Autumn Festival" are widely circulated. His poems include Seven Chapters of Dongpo and so on. There are more than 340 poems written by Su Shi, which break through the narrow theme of writing about love and parting between men and women and have a wide range of social contents. Su Shi occupies a special position in the history of China Ci. He extended the spirit of the poetry innovation movement in the Northern Song Dynasty to the field of ci, swept away the traditional style of ci since the late Tang Dynasty and the Five Dynasties, created a wild school that kept pace with the graceful school, expanded the theme of ci, enriched the artistic conception of ci, broke through the boundary between poetry and poetry, and made great contributions to the innovative development of ci. His representative works include Nian Nujiao and Shuidiao Tou, which created the first example of unconstrained ci, and was also called "Su Xin" with Xin Qiji. Liu Chenweng said in Preface to Xinjiaxuan: "The word reaches Dongpo, which is aboveboard, like poetry, prose and wonders of heaven and earth. "
First of all, in terms of subject matter, Su Shi's early works mainly reflect his "specific political worries", while his later works mainly focus on "broad life worries", with evil as their resentment. When it comes to evil, it means "spit it out like a fly in Taiwan Province". His flowing works triggered the Wutai poetry case. Huangzhou's relegated life made him "ironic and cruel, sharp in writing style, nervous and angry, all of which disappeared and replaced by a brilliant, warm, kind, tolerant and harmonious understanding." Very sweet, very mature, very thorough and deep. "