In the real study and work, everyone will inevitably touch or use papers, which are tools for academic communication. So how to write a general paper? The following is a reference example of my carefully arranged graphic design thesis for reference only. Welcome to reading.
Graphic design paper reference article 1 [1] Ancient Books Guide Edition, written by Yan Zuozhi, East China Normal University Press, the first time in June 2008, the second edition.
[2] Study on the Origin of Woodblock Printing in China, edited by Sun, Commercial Press, the first edition was first printed in September 1990.
[3] History of Handicraft Industry in Southern Song Dynasty, written by Ge Jinfang, Shanghai Ancient Books Publishing House, 65438+February 2008.
[4] Population History of Southern Song Dynasty, Wu Zhu, Shanghai Ancient Books Publishing House, June 2008 1 edition.
[5] General Theory of Calligraphy, written by Ding Wenjun, People's Fine Arts Publishing House, 2nd edition, printed for the second time in May 2005.
[6] "Ancient Books Edition" edited by Mao Chunshuo, Shanghai Ancient Books Publishing House, July 2002, the first 1 edition, and the third printing in April 2003.
[7] Lin Shu Hua Qing, edited by Ye Dehui (illustrated edition), (Basic Knowledge of Ancient Books Series Edition) Shanghai Ancient Books Publishing House, February 2008, version 1, February 2008, printing time 1.
[8] Regional Culture of Song Dynasty, written by Cheng Minsheng, (Song Dynasty Studies Series), published by Henan University Press, 1 August, 997 1 Edition1Printing.
[9] Everything, translated by [Germany] Hong Hou, Zhang Zong, etc. , Dang Sheng School, Life Reading and New Knowledge Joint Publishing Company, Beijing 1 Printing, 65438+February, 2005.
[10] China ancient book binding, Yang Yongde, Beijing: People's Fine Arts Publishing House, April 2006.
[1 1] Heavenly Creations, translated by Song [Ming] and Pan Jixing, (translated and annotated series of China ancient scientific and technological masterpieces, edited by Han Yuqun), printed by Shanghai Ancient Books Publishing House in April 2008.
Graphic design papers refer to 2 [1] Krumhansl, C.L. 2002. "Music: the link between cognition and emotion" [a]. In the current direction of psychological science, vol. 1 1 [C]: 45-50. Oxford: Blackwell Press.
[2] Minnick and Simon. 2002. The Art of Deception: Controlling the Human Factor in Security. Indianapolis: Willie.
[3] ekman, p. 2003. Revealing emotions: recognizing faces and feelings to improve communication and emotional life [M]. New york: Henry Holt & Company/Time Books.
[5] Quentin Newark. 2007. What is graphic design? Basic design manual [M].
[6] Barjman and Greg. 1990. Notes on Graphic Design and Visual Communication [M]. Concise publications.
[7] Boico, Simon. 1972. the new graphic design of revolutionary Russia [M]. Lund Humphries.
[8] Thompson, bradbury. 1988. Graphic Design Art: bradbury Thompson [M]. Yale University Press.
[9]Ades，Dawn，Brown，Robert K .，Friedman，Mildred S. 1984。 Posters of the 20th century: avant-garde design [M]. Abwell Press.
White, January v. 1988. Graphic design in the electronic age [M]. Watson-Guptail Publishing Company.
Wu. Logo design [M]. Shanghai: Shanghai People's Fine Arts Publishing House, 2002.
[12] Zhu E. The design world of modern graphic design master Tian Yiguang [M]. Beijing: China Youth Publishing House, 1998.
[13] (Japan) Editor of Editorial Department of Works Society. Japan Graphic Creative Design Yearbook 2005[M]. Beijing: China Youth Press, 2006.
Wang Shouzhi. History of World Graphic Design [M]. Beijing: China Youth Publishing House, 2002.
[15] He Jiaxun. Modern advertising cases-theory and analysis [M]. Shanghai: Fudan University Press, 1998.
Zhang Jinhai. Case analysis of world classic advertisements [M]. Wuhan: Wuhan University Press, 2000.
William arens, Ding Junjie, Cheng Ping, Yuan Fei, Zhang Xi. Contemporary advertising [M]. Beijing: Huaxia Publishing House, 200 1.
Written by Naoko Zhepu and Yu Chunli. Advertising manuscript strategy-planning, creativity and performance [M]. Beijing: China Financial and Economic Press, 2002.
[19] Tang Yiyong. Poster design [M]. Beijing: People's Fine Arts Publishing House, 200 1.
[20] Li Wei. Classic advertising story-super brand advertising strategy [M]. Chongqing: Chongqing University Press, 2002.
[2 1] Wang Hongwei. Example navigation of creative analysis of commercial poster design (with CD) [M]. Beijing: Tsinghua University Publishing House, 2007.
[22] (America) Shuleko, (America) Weddell. Creative poster layout design [M]. Dalian: Dalian University of Technology Press, April ~ April, 2008.
[23] Zhou Jin. Expo visual communication design [M]. Shanghai: Donghua University Press, 2008.22 ~ 30.
[24] Zhu Weili. Case study on the design practice of large-scale event signs [M]. Beijing: beijing institute of technology press, 2009.
[25] Liang Mingzhu. Study on Urban Tourism Development and Brand Building [M]. Guangzhou: Jinan University Press, 2009.
[26] Takashi Akiyama (Japan). Akiyama Takashi Poster Collection [M]. Shanghai: Shanghai People's Fine Arts Publishing House, 2005.62 ~ 67.
[27] Zhu E. The form of Japanese poster design [M]. Guangxi: Guangxi Fine Arts Publishing House, 200 1.5 1 ~ 60.
[28] Hurley. What is brand design [M]? Beijing: China Youth Publishing House, 2000.
[29] (America) Matt Matthews. Above the design trend [M]. Shandong: Shandong Pictorial Publishing House, 2009.78 ~ 86 [30] Liu Jinping. Visual Qingdao [M]. Beijing: China Tourism Publishing House, 2007.
30. Jin Zhiguo. A glass of sea: me and Tsingtao beer [M]. Beijing: CITIC Publishing House, 2008.
3 1. [Journal Paper] Discusses the embodiment of visual communication art in graphic design.
Journal: Vision | 2021No. 0 1 1
Abstract: Graphic design is a very important part of the design field in China. With the continuous improvement of people's living standards, the requirements for graphic design are getting higher and higher. Graphic design, as an artistic behavior, can highlight the uniqueness of graphic design by skillfully using visual symbols. This paper mainly analyzes the embodiment of visual communication art in graphic design, aiming at highlighting the advantages of visual communication art in graphic design and making graphic design more attractive to the audience.
Keywords: graphic design; Visual communication art; Visual consistency; include
2. The design and practice of process evaluation system of network graphic design course based on Blue Ink Cloud.
Journal: journal of hubei correspondence university | 202 104.
"Internet+education" is to teach and learn more efficiently. This paper expounds the characteristics of network graphic design course and the present situation of course examination for advertising design and production specialty, analyzes the advantages of blue ink cloud classroom platform, puts forward the evaluation standard and implementation scheme of course process examination based on blue ink cloud classroom, and practices it in network graphic design teaching, which verifies the rationality and scientificity of the evaluation standard and implementation scheme.
Keywords: blue ink cloud; Process evaluation; appraisal procedure
3. [Journal Paper] The application of folk art color in modern graphic design
Journal: Shenhua | 202 1 No.010
After thousands of years of development and renewal, China's folk art color has formed its own characteristics and become an important part of China's traditional culture, which has aroused widespread concern from all walks of life. Applying folk art color to modern graphic design can not only carry forward traditional art, but also enrich the connotation of design works. This paper will deeply discuss the application of folk art color in modern graphic design, and attract more attention for the future development of graphic design.
Keywords: folk art; Color; Modern graphic design; mix together
4. [Journal Paper] On the importance of graphic design elements in responsive web design
Periodical: digital design. Cgworld | 202 1 No.0065438 +0
Responsive web design is a new type of web design that has been popular in western countries since 20 12. It is one of the hot topics in the field of visual communication design in China. Its fundamental purpose is to make the designed website respond to the user's behavior and automatically adjust its size according to different terminal devices. From the perspective of graphic design, this paper expounds the basic elements such as words, graphics, images and colors, and analyzes the typesetting and adjustment of the basic visual elements of responsive web design in concrete design, in order to help the artistry and personalization of responsive web interface design.
Keywords: text; Color; Graphic images; Sensitive response; interface design
5. [Journal Paper] The development trend of graphic design in the digital age
Journal Paper: Chinese and Foreign Shoe Industry | 202 106
Now we have entered the digital age, which presents more and more multi-dimensional graphic design methods and forms. With the help of software and electronic equipment, graphic design has become more civilian and popular. This paper focuses on the difficulties and opportunities faced by graphic design in the digital age, and discusses the development direction of graphic design in the digital age, hoping to give some effective suggestions to relevant personnel.
Keywords: digital age; Graphic design; trend
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