Musicology research paper 1
On the Requirements of Typed Music Programs for Hosts
Typed music broadcasting originated in the United States is refreshing in shaping the overall image of frequency and stipulating the length of the host's explanation. In this new program form, the overall style of frequency is remembered, while the personality of the host is increasingly diluted in highlighting the frequency style. The way listeners feel about the broadcast has changed from the detailed experience of each program to the grasp of the whole frequency. They no longer have the patience to wait and search for a specific program, but hope that the broadcast content of a frequency is constant and stable, and the companion function of radio programs is becoming more and more prominent.
Taking Anshan Music Broadcasting as an example, this paper emphasizes the characteristics of typology and focuses on the appreciation of music itself. Although these programs are called. Music morning breeze? 、? Music flying? 、? Music sunshine? 、? Music walk? And other names, but there is no strict difference, but at different times, I chose songs with different rhythms and charms as a distinction. The advertisement of the channel is:? Love music and life? Is to keep music with the audience at all times. Typed music stations require the host's language to be more concise, the programs to be more standardized, and the overall characteristics to be different. It combines refined language and music with clear sound quality, relaxed fashion, romantic affinity, youthful and dynamic program style, rich and fast music resources, changeable content and form and unique program optimization combination. Then, as a genre music broadcast host, how should he face his work?
First, let music play the leading role and compress the hosting space.
Music is the oldest language and can be used for emotional communication without borders. Music itself is more interesting than the host's words. Then what the host should do is to integrate the personal hosting style, make a natural transition between tracks, and make short and wonderful song comments on the premise of maintaining the overall style of frequency. In order to ensure the overall style of professional frequency, considering the accelerated pace of modern life, the audience does not like to listen to the host, and the host's language is limited to 3 minutes per hour. Anshan music radio audience 15 ~ 45 years old, like music, with high cultural literacy. Among them, urban people are the main listening groups, so the program setting is closely combined with the life of urban people, following the laws of people's life and mood, and the choice of songs is completely matched with the audience's listening environment. It relies on the change of rhythm, just like friends around it, to complete listening, and finally shows the overall frequency style.
Second, the host must strengthen the concept of time.
The host of genre music broadcast plays the role of threading the needle. It is the first thing that every host should make clear that the songs are skillfully connected in series with concise language. In order to achieve the balance between music and discourse, genre music broadcasting has made strict regulations on the proportion of the two. Anshan Music Broadcasting has made precise and meticulous positioning and arrangement for the content of each hour, stipulating that the host should be in the program every hour. Talk? Six times, every time? Talk? The time limit is 30 seconds, which can only be between the end of the previous song and the prelude of the next song, and it is strictly required that the host's language is not allowed to be mixed with the singer's voice. Typed cross talk also requires sharing the most popular and close content with the audience in the shortest time. The time is short, but the responsibility of the host has not been alleviated. This requires the host to have higher professional quality, stronger generalization ability, more accurate language expression and deeper understanding of songs. In this way, the audience can fully enjoy the song to the maximum without interference from the host's language, thus ensuring the frequency of the whole day? The music didn't stop? Establish your own unique style in smooth broadcasting and effectively establish your own frequency brand.
Third, the host should have a sense of object and attach importance to companionship.
We need to know who is listening to genre music broadcasts, how old they are, what are the characteristics of this group, what are their values, what do they think of our radio programs and so on. Or? Anshan Music Broadcasting? For example: What is the idea of music broadcasting? Classic+popular? , mainly in Chinese, with European accents. The host grasps this musical idea at any time and adjusts himself every time? Talk? The content of. Radio is a kind of? Not exclusive? Media. Due to the characteristics of this media, the proportion of mobile listeners listening to the radio is directly proportional to the growth of cars at home and abroad. Accompany? Concept, on the premise of ensuring that the audience can fully enjoy the songs, we must not be self-righteous and pretend to be the host, but should focus on music topics in language content, and appropriately add service information about weather, transportation or entertainment, so that the audience can not only enjoy the songs comfortably, but also get some useful life information. The intimacy of the host's language state comes from the emotional communication between the host and the audience? Zero distance? And the audience's familiarity with the host. Therefore, hosting a typed music program should be measured in content, tone and emotion. Although it is only a few paragraphs in just one hour, it involves all aspects of life concept, attitude towards life, family and feelings. what do you want to do? Speak better than sing? It is not easy. It takes hard work for everyone to gain something through their own expression.
Fourth, the host should form a unique personality charm.
Many popular programs are close to the content, and more importantly, the host has a unique personality. The program content of genre music broadcasting is generally selected by the system and then determined by a special music director. The host has no right to choose songs, and the opening time of the program is fixed. It is not easy for genre hosts to reach such a level. They all host music programs, and they all connect songs in a limited time. The audience likes you to host alone, and it feels that the taste of that song will be different after you connect in series. This is the embodiment of the host's personality, and it is also the direction that the typing host must work hard. In addition, outdoor activities are another platform for the concentrated display of the host's personality. Take Changzhou Music Station as an example: they formed their own band; Performing musicals and plays; Train the host in Latin dance, pop singing and musical instruments. There are two similarities between these activities: first, after identifying the interests of the audience, relying on the overall cooperation of the team, the result is not? Fire? Someone, but? Fire? Is there a team? Activate? The whole frequency. The second is to subtly hide the normality of the host's life or work. Hosts don't need to face the audience as they are, but need to highlight their roles, with the emergence of character stories and brand-new concepts, which is undoubtedly an effective protection for the professional mystery of broadcast hosts. Showing the elegance and vividness of broadcasting in the pursuit of being different, and creating freshness and pleasure in the cultivation of the host's personality are the proper styles of broadcasting in the new era.
The audience of genre music broadcasting is loyal to the frequency, not a column in the frequency. The content and style of a frequency program are highly unified, so that listeners who like this frequency can hear what they want to hear at any time. The integration of host and program, highlighting the characteristics of frequency typology, can solve the problem of directional listening and continuous listening of programs, which is also the highest goal pursued by genre broadcasting.
Musicology research papers ii
Musical Analysis of Jazz Piano Work Jasmine in the Bud
A number of new forces have emerged in the field of composition in China, with an average age of under 25, mainly students from major conservatories of music, which started in Shanghai in 2007. San Carlo Cup? You can see it from the piano creation competition. The winners of the first and second prizes in the competition are all students from the Central Conservatory of Music and Shanghai Conservatory of Music, and the award of young people can better reflect the creativity and spirit of the works. One of the jazz piano works, Jasmine in the Bud, won the Excellence Award. The author Zhang Xian was only 17 years old at that time, and was a student of the middle school attached to Shanghai Conservatory of Music, the youngest among the winners. The innovative jazz style of this work makes the older generation of composers present refreshing. The author was inspired by China's folk song Jasmine and European and American jazz.
This work has a distinctive and rich jazz style, which is very fresh and impressive in China's modern and contemporary piano works. As we all know, jazz is American classical music, which represents the soul of American music culture and the essence of American national music. It's a unique musical language which is manifested by the great national integration through the band combination. ? ①
The whole song is not long, a paragraph *** 123. Structurally, * * * is divided into four parts, the first and third parts are Allegro, and the second and fourth parts are Allegro, which are clear, regular and distinct.
In the first part (1-25), the author marked a quarter note equal to 70 on this adagio, especially in the first four bars. The irregular beat of 4/4+4/5+4/6 is played at a very slow speed, and at the same time, it swings slowly emotionally with the extension of the free homophonic wheel and the long note, which not only highlights the improvisation of jazz, but also has similarities. The melody part of the fifth section directly reveals the main motivation of the folk song Jasmine? Mi-sol-la-dole-la-sol? , showing the theme, core material and music content of the work. The next 20 bars can be divided into three paragraphs, and the melody part of each paragraph repeats the mi-sol of three degrees upwards, while the segmentation and interlude rhythm commonly used in jazz also run through the texture part. The whole music sounds like a continuous swing, forming a free and casual improvisation style, but also vaguely? Do you smell the fragrance of jasmine? .
The second part (verses 26-74) is Allegro, which is completely different from the music in the previous part. The most prominent feature is regular rhythm and lively atmosphere, which shows the musicality of dance and presents a gradual development trend. From the change of music material, the gradual strengthening of performance and the gradual division of rhythm, it sounds consistent and uniform, forming the first climax of the work. Be sure to pay attention to its left hand part, which is composed of several fixed bass rhythms, which is also one of the characteristics of jazz piano playing, that is, in the blues music style? Buji Wooji? Play. From 26 bars to 39 bars, the works are written in the rhythm of alternating eight points and sixteen points, with the same pitch and highlighting the melody phrase of the right hand. The bass from 40 bars to 49 bars is dominated by equal octaves, and the right hand is accompanied by weak stress, and the rhythm becomes urgent. The next few bars are synchronized with the rhythm of the left and right hands, and the music is pushed to a climax with the strength of ff. From the 59th bar, the irregular beat appears, and the eighth beat is the main one, almost every bar is changing, and the interval is supported by the stress of three octave quarter notes, which has come to an end.
The third part (75-87) music returns to adagio, and the mood becomes soft. The melody of the folk song Jasmine sounded again and became clear. From the middle part of verse 79, we can even hear the complete first sentence, but the author changed the pen and then wrote bE in verse 82, which became a jazz color. It is ingenious and beautiful, and it makes a transition without close harmony.
The fourth part (88- 123) is also Allegro, which can be divided into three parts: 88-93, 94-99,10/-12 and the rest160. This passage is the key part of the work, and the style of jazz piano is very obvious, like a passionate dance. There are many continuous octave jumps in the left bass part, forming a distinct personality? Long-span bass , thus highlighting the melody of the right hand. From the bar 1 13, the strong playing of the left octave quarter notes, like the bars 6 1 and 68, once again opened a warm atmosphere, and then the two hands alternately moved up and down quickly, making the music achieve perfect harmony.
No matter from the concept of music creation or the traditional cultural connotation of China, Jasmine Blossom is undoubtedly very successful and brilliant, with flexibility and audibility. Although the creative technique is still a little immature, the younger generation of writers are unstoppable, thoughtful and innovative in the field of modern piano music creation in China, and this vigorous vitality should also be named "Jasmine in bud" by the organizing committee.
Precautions:
Wang Min. History of American music [M]. Shanghai: Shanghai Music Publishing House, 2005.
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