The voice that has been controversial since the film was released. However, people have different views, and its artistic charm has left a deep impression on the film history of China. The dark and deep alleys of the mansion, servants dressed in black, gloomy sky, people's complex expressions, good sound effects and so on have formed an unpredictable world. ?
The master's face will never be clear. He is a symbol of husband power and an invisible symbol of feudal ethics. ?
In the process of watching movies, people will feel depressed, mentally and spiritually depressed. Dark but dignified things around the film reveal the image of cannibalism everywhere. Feudal ethics is ferocious, but it is not directly manifested at once. It first holds you down, and then it shows up a little bit, which makes people feel terrible. ?
No matter what kind of fresh life yearns for "human" life, once you fall into this cage-like place that binds your mind and soul, you will only die. Mental or physical destruction. ?
Among them, the second wife is a "bodhisattva-hearted" woman, and everything she does is to consolidate her position. She deeply understands that to survive better, she must win her husband's long-term favor, and giving birth to a son who can consolidate her position is her greatest wish. In any case, the second wife finally gave up her conscience and made plans for the realization of her goal wholeheartedly.
She cleverly tries to please her husband and hypocritically tries to win the favor of her fourth wife, Song Lian (played by Gong Li). After her true face is discovered, the second wife will fight back with all her strength, and she will seize every opportunity to finally kill her enemy. One is the destruction of life, and the other is the destruction of soul. Destruction is easy, not only because the second wife is very scheming, but also because the terrible and invisible power of this place deeply controls the fate of every woman here. As long as you dare to really resist, you will only be destroyed. ?
The second wife would rather abandon all the beautiful and precious things in human nature, and everything is naked in her eyes. Bloodthirsty or not, she did it ?
The third wife Mei Shan (played by Cai Feihe) is a rebellious person. Her infidelity is immoral, but in that environment, we can feel her deep desire for human life. She saw through the hypocrisy around her and covered up the ugly essence. She made a weak resistance alone. It was easy. I paid the price of my life.
Under the protection of feudal ethics, men can have wives and concubines in droves and trample on every woman's soul with real dignity. Women can only obey, only "three obedience and four virtues". Once they are unfaithful to their husbands, it is a great treason. ?
Ridiculous. What a hypocrite! ?
The third wife touched a sore spot in feudal ethics. The master was furious and thought it was a disgrace to the ancestors' facade and must be handled by family law. She became another victim. How many women's blood and tears were saved by the dead man's family in the film. ?
At this point, the film reached its climax. Heavy snow can't cover up the dirt of the Chen family courtyard, nor can it cover up the bloody ferocious face of feudal ethics. Pure white color sang a sad song about the fate of women. ?
The ghostly Chen family completed their master's orders and left like ghosts. Killing people with feudal ethics, physical killing and spiritual killing have always been killing people without seeing blood. Its ghost scattered in the Chen family compound, scattered on the land of China at that time. ?
The scene of the third wife Meishan singing opera is very prominent Clear and soft voices appear repeatedly in the film, and her repression and yearning are spreading. In the gloomy Chen family courtyard, it is this song that is particularly energetic and human, and it is a ripple in a stagnant water. Endless singing gives people infinite thinking.
After the death of the third wife, the red lanterns were lit by the fourth wife in rows, and the beautiful songs of her life released in the record had unclear meanings. Rows of red lanterns dancing with flames seem to be eyes, hearts and fate. Wandering songs seem to ask about the endless night. The weird and solemn interior arrangement seems to connect the world with the underworld. There seems to be no boundary between people and ghosts, and resentment, sadness and resistance are beyond words. ?
? Lanterns, songs and everything are fresh in people's memory, and people are surprised, angry and silent because of it. ?
? The elegy of life continues. Who can see through the dark night in the Chen family courtyard? Repeat, destruction continues to destroy. The night is endless. ?
? The fourth wife's eulogy to Lian ended up being a walking corpse. She was completely numb and had a nervous breakdown. She witnessed what happened to Meishan. She was frightened and at a loss. The master said, "You didn't see anything, you are crazy, you are crazy!" " "His authority made Fourth Wife really crazy, because she saw something she shouldn't have seen. ?
? Song Lian is going crazy, otherwise how to face it? Life is worse than death. If you die neatly, you don't have to live like an ant. She is still alive, but her spirit is dead. People who have no thoughts and ideas are still "happy" in that institutional environment. At least, she no longer has yearning and desire. Husband power and feudal ethics need her to live like this, so that she may not die. ?
? As long as we don't break the "rules" of our ancestors, as long as we behave ourselves, even if we become crazy, feudal ethics will become very gentle. ?
? How many stories about women in China have been written for thousands of years? How can a word be hated? Those who give in and resist, no matter what the outcome, are human tragedies. Mr. Lu Xun's "cannibalism" is alive, and the system that stifles human nature is the most worth destroying! ?
Hello, I'm Qiu Xuan. Thank you for your reading and support.