Besides chromatic aberration, it is mainly manifested in China's music.

It pays attention to emotion, while western music pays attention to harmony.

Tracing back to the source, western harmony originated from ancient Greece and ancient times.

Coordination between science and mathematics in Roman mathematics and geometry

Sex; China's charm can be said to originate from pre-Qin philosophers.

Philosophy even originated from the patterns and original walls of ancient Zhong Ding.

A picture depicting animals soaring. Because, the beauty of "dancing"

It has always been the main feature of China's various arts, and the contemporary aesthetics is enormous.

Bo Zong Baihua also thinks that "dancing" is the spirit of China's artistic conception.

Soul.

In the final analysis, it is the cosmology and worldview of China and the West.

The difference is the fundamental reason for the different musical styles between China and the West.

Because.

Westerners view the world in a scientific and mathematical way.

Attitude is "opposites between things and me". China people are completely

Contradictions, such as Laozi and Zhuangzi, hold that the universe is an empty space.

In the meantime, only the "qi" that encourages "everything" is true.

Therefore, China people's spatial consciousness is that people are "virtual,

Empty "is the nature of the universe; People are in the void, "floating yang"

Self-satisfied ",I don't care, muddy into an organic whole.

China inherited two aesthetic views in history, namely.

Beauty of "Mispicking Carved Gold" and American and Korean Art of "First Emerged Hibiscus"

In the past, the beauty of art was still the beauty of "picking gold by mistake"; From Wei and Jin dynasties

Changes have taken place, and "early hibiscus" and "wrong mining" have been put forward

"Gold" is juxtaposed. In the Song Dynasty, the aesthetic point of view shifted to "the first development"

Rong "is more beautiful than" wrong gold ". This is also for China.

The Development of Ancient Philosophy —— Starting from an Illusion

Space is full of "encouraging everything to be angry", so why bother?

What about "wrong gold mining"? Return the "universe" to its true colors.

So art is no longer decoration, but progress.

The color of ideology. So it is based on attaching importance to rhyme.

China's mono music system has been further developed.

Development (although in the Tang Dynasty, polyphonic music sprouted.

Bud).

The concept of "harmony" is different in China and the west. such as

Pure refers to sensory stimulation, China people think that monosyllables are

The most harmonious (music), followed by octave superposition, and then

Four or five degrees overlap. This is also a traditional folk musical instrument from China.

It can be seen that the tuning of the huqin is usually four or five degrees, which is a special value.

It is worth mentioning that Sheng, whose traditional vocal fingering determines one.

A tonic and one or two consonants are pronounced at the same time, so

Form a chord that overlaps four or five degrees. Westward chord

Foreigners think that three-dimensional superposition is the most harmonious, at least.

It's a semi-harmony, but chords that overlap by four or five degrees are.

Disharmonious! Actually, harmony should be relative. I

It is believed that the effect of three-dimensional superposition is not to pursue its harmony,

But the pursuit of its perfection.

If "formal beauty" is a very important kind of art.

Ring, but not for China. Of course, harmony is also needed.

Science is also needed, but everything should be subject to "charm" and service.

It's from Love. For western music, the beauty of form is.

The main link. "Learning from nature" and "formal beauty" are the essence.

Two centers of western aesthetic thought.

Western music from late romanticism, writing skills.

Increasingly rich. His rebellion against tradition came from straw.

After Debussy's "qualitative leap", Schoenberg

Alienation, until Stravinsky, Mei Xian and Si.

Tokhausen, the technique is getting more and more refined, and its decorative factors.

At most, it can be said that it is the "wrong mining of gold" mentioned above. And China.

People are more accustomed to the charm of music, and "emotion" and "rhyme" are consistent.

Wear it on the guiding ideology of China's music. Therefore, everything

Skills (including writing, singing and playing) revolve around "emotion,

The word "rhyme".

Can you mention that China's music only pays attention to "ethereal", not.

Pay attention to "enrichment"? I think this problem needs to be treated dialectically.

Look carefully. China's music is based on the emptiness in China's artistic conception.

Consciousness, so it should be "ethereal" and "emotional charm". although

There are great differences between Taoism and Confucianism in "reality", but they all show up in the end.

"Virtual" is the most "real" and the sublimation of "real". Say so

Come on, China music is much more empty than real? Don't! Voice of China

Happy in development, always pursuing perfection.

Strive to overcome the shortcomings of its "not coarse" voice; From folk musical instruments

Judging from the evolution of folk opera singing, it is like this.

The same is true from the road. The court music of the Tang Dynasty, its band

I'm afraid westerners today will be surprised to see the huge establishment.

I am sighing. But this "heavy" music came to the Song Dynasty.

Disappeared Of course, in terms of richness, western music

Pay more attention to science, no matter in the combination sound of the orchestra.

Face, or singing in vocal music * * * Ming, is China.

Music is easier to express. However, China's music is different.

Diameter, not only in terms of sound, but also in turn.

Rich in connotation and profound in artistic conception. One of China.

A little girl played A Bing's "Two Springs Reflecting the Moon" on the erhu.

An example of an international music master kneeling on the spot is

This fully illustrates the problem. So, China music.

It's not that you don't pay attention to "enrichment".

Can China Music Express "Magnificence"? about

Indeed, judging from the rich sounds, western music is more suitable for watches.

Now "magnificent" things. Preface to Beethoven's Egmont

Song, the first F is the whole band. Anyone who has heard of this

The composer will never forget what the F sound of the whole performance is.

What a shock! If you play with a traditional band in China,

Play, its sound thickness is far from reaching. China, so to speak.

Traditional bands, whether from the range or from the timbre.

In terms of integration and sound balance, it can't compare with western orchestral music.

Band, but "gorgeous is just a person's psychological feeling, as long as it can lead."

This feeling can be said to be magnificent. "Like firewood.

In Kovsky's Fantasy Overture of Romeo and Juliet,

A conflict, and China's ancient song "Ten Miles Ambush", deskmate.

Who do you think is more exciting in sword and shadow fighting?

Is it stronger? Similarly, what can you say after listening to the whole song?

Is the psychological feeling caused by this more "magnificent"?

It is true that music is the art of hearing, China's music.

After all, it doesn't conform to the original meaning of this art, so stop

In the United States, we need to continue to "enrich", of course, we are still inheriting.

On the premise of tradition (focusing on emotion), "enrichment".

One pays attention to "emotional appeal" and the other pays attention to "harmony".

From theory to practice, there are two paths from beginning to end, that is

It is the root of the difference between Chinese and western music.

Editor Pan Xiaoping

30 thousand hypoglycemic

Anhui literature

Anhui Wenxue Sanwan Lecture Hall