The road of interior design innovation
Author: Wang Jindong Xiao Chun
How to innovate interior design is a long-term hot topic, mainly aiming at some problems existing in the current architectural interior design creation, such as ignoring the characteristics and requirements of indoor environment, ignoring the integrity of architectural form and internal space, blindly copying, blindly following the trend, blindly stacking materials, blindly obeying Party A's boss, blindly pursuing benefits, etc.
Keywords: interior decoration
The innovation of all artistic creation is an eternal topic, because there is no development without innovation. The so-called novelty and innovation refers to developing new ideas, exploring new artistic expressions and finding new themes on the basis of inheriting past design and creation achievements. In the field of architectural creation, we should also explore new structures, new technical fields and new sources of materials. At present, due to the restriction of social, economic and cultural development stages, the interior design in China has not yet formed a design style trend with a distinct sense of the times, and it is common to copy the ancient architectural styles or decorative parts of the West or China, which is recognized by the society as a phenomenon of replacing design with patchwork. It shows that we lack the basic knowledge of architectural interior design and basic architectural cultural literacy.
The specific reasons are:
1) Lack of understanding of the significance of the indoor environment of buildings, and lack of correct awareness and concept of the architectural environment. 2) The backwardness of the overall social architectural culture (or the crisis in prosperity).
3) The management mechanism of architectural design and construction is not perfect. Let's talk about it from two aspects:
I. Some Problems Found from Social Observation In recent ten years, China's interior design has grown from scratch, showing an unprecedented momentum of active development, which has played a great role in creating completely different living and working environments for the broad masses of the people, and has also played a lot of good roles in design creation. As a special discipline and specialty, interior design has just been established, and the talent training has not kept up with the situation, and the rise of the industry is even weaker. The above situation is based on the basic fuzzy design concept:
1. The vague understanding of the environment thinks that interior design is to decorate the surface and arrange furniture, hang decorative lights and arrange other decorations in the existing building space. Interior design is regarded as the improvement of simple visual conditions. That is, to understand interior design from the simple decorative essentials, and to separate the connotation of architectural interior space from architectural design. In fact, interior design is a continuation of architectural design and belongs to the category of architectural design.
What is included in the interior environment design is a question worthy of further clarification. Interior design mainly refers to creating a reasonable and perfect indoor environment under modern architectural conditions to meet people's growing material and spiritual needs. Nowadays, people pay more and more attention to interior design, because it has a strong social foundation and fully reflects the needs of the times.
Interior design is a comprehensive product of modern science and technology, culture and art, and the research of interior design is influenced by some emerging sciences, such as behavioral science, environmental psychology, environmental physics, environmental art and modern interior design engineering management. This subject covers all kinds of people's life and production activities, and reflects the relationship between people and between people and nature. Interior design should fully reflect people's value characteristics, establish a design foundation with people as the main body, study people's physiological and psychological characteristics, and find a suitable environmental structure. In the laboratory environment, we should study people's various life experiences, people's feelings, perceptions, habits, intelligence, the laws of various life activities and people's various reactions to the indoor environment.
Interior design is a process of cultural activities and a symbol of social civilization. The indoor space of architecture often reflects the characteristics of the times and society with its own image (including spatial form, rhythm and order) and related decorative means. Different indoor spaces show different environmental atmosphere and have different artistic appeal. Through sight, hearing, smell, weak senses, etc. If we don't start from the above concept of indoor environmental awareness, society will cause confusion in design ideas.
2. Vague ideas in social and cultural changes and architectural cultural changes. With the reform and opening up, China culture has been impacted by foreign cultures. This influence is manifested in the massive introduction of western technology and culture. In the field of culture and art, elegant, popular, rational and irrational ideas are spreading indiscriminately. Generally speaking, it plays an important role in broadening our horizons, updating our cultural concepts and prospering our artistic creation. As a manifestation (or carrier) of culture, architecture (including interior design), under the influence of foreign architectural thoughts, makes us generally pursue novelty, novelty or diversification under the social psychology of pursuing fashion. This tendency coincides with the familiar postmodernism. What we call patchwork phenomenon is, to a great extent, the intentional or unintentional expression of this tendency. This is a typical social model of interior design at present. Postmodernism is an architectural trend of thought. Because of the diversity and popularization of its form and connotation, it has become a fashionable architectural form that appeals to both refined and popular tastes. Postmodernism is another philosophical creation method mainly aimed at some problems existing in modern architecture, which is of positive significance to the development of contemporary architecture. However, in society, mechanically copying various architectural forms or copying some details of some post-modern architects' works, in fact, its architectural connotation is very shallow, and some of them are even one of the chaotic manifestations of post-modern basic ideas. The direct reason is that architectural theory research is out of touch with design practice.
3. Under the impact of market economy, some social distortions appeared, which seriously affected the normal development of design creation. At present, the unfair competition brought by the development of market economy makes interior design creation face many new problems, mainly the conflict between the commercial value and cultural value of design results. Some people blindly comply with Oracle Bone Inscriptions's requirements in order to pursue efficiency. Some bosses who broke out have no cultural accomplishment, and their designs are flashy, let alone something with cultural taste. Some grotesque and unattractive inferior designs generally appear, which seriously damages the function and value of buildings. Strictly speaking, this is the loss of designers' sense of social responsibility, even the betrayal of professional ethics, and it is a social problem that is difficult to solve.
4. The concept of using interior design materials is vague, and many interior design projects tend to blindly use high-grade materials. Some people know that design has no content, so they use a lot of advanced materials to cover up the defects in design, which is also a representative trend in current design creation.
Architectural space is an indoor space composed of interfaces made of certain materials, surrounded by structures and enclosure components made of different materials according to materials, basic properties and mechanical laws, which has the dual characteristics of meeting the use function and people's aesthetic requirements. Using different materials, different forms of space interface appear indoors (such as the metal ceiling of pangbo Du Center, the wooden frame of the living room, etc.). ), it produces various forms of spatial components such as lines, surfaces and bodies indoors, which is the comprehensive influence of materials and structures on the indoor environment. The application of some new material components, such as large glass partitions, makes the indoor space feel transparent, greatly enriches the changes of indoor space levels and changes the traditional architectural forms and design methods. Therefore, in a sense, the overall image of indoor space is a comprehensive artistic image reflected by materials, structure and space.
On the other hand, materials gain value because they embody nature. The texture and texture of materials can enhance the effect of space environment and make its basic image more meaningful. Therefore, the use of any material should reflect its essence. For example, the use of wood materials in building materials should reflect its essence. For example, wood in building materials is considered to be the material with the most human characteristics, and people are willing to approach and love its vivid texture and natural luster, and deliberately show it when using it. Brick is a common material, but in the eyes of contemporary architects, it is still regarded as a material with natural character and strong expressive force. Fair-faced brick walls are widely used in many low-rise houses, offices and some cultural buildings abroad. In the modern environment, their materials and performance characteristics are constantly updated, masonry methods are constantly developed, and new textures are constantly developed to make them play a greater role.
For the study of interior decoration materials, we should not only master their functional characteristics, but also mainly study the quality and artistic expression of the materials themselves, as well as people's visual and psychological reactions.
The various intentions of interior design must be accomplished through the rational use of materials. There are many materials that can be used in indoor environment, but it is difficult to use them reasonably. We should learn to actively control materials and give full play to their respective advantages, instead of blindly misusing or even unprincipled stacking of advanced materials. For the use of high-grade decoration materials, we should focus on grasping and embody the principle of high quality and fine use.
At present, in many projects, a kind of high-grade material, such as granite, stainless steel, high-grade hardwood and laser glass, is used indiscriminately everywhere, thinking that it can reflect his so-called decoration grade, but in fact, it confuses the use of noble materials with improving environmental quality.
This guiding ideology that deviates from the basic direction and principles of interior design not only causes serious economic losses, but also gives people an impression of nondescript upstart, or simplifies and vulgarizes interior design.
The position and function of innovation consciousness in indoor and outdoor design
Interior ecological design is put forward as a special topic, aiming at attracting the attention of China's architecture and interior design industry and promoting its better and faster development. As an important part of ecological architecture, indoor ecological design has attracted the attention of some foreign architects. For example, norman foster, an international architect regarded as a high-tech school, gave full play to the potential provided by high technology in his design, and created comfortable indoor environment conditions while realizing energy saving, low consumption and low cost. Among them, the most representative ones are Lindbergh Business Promotion Center and Remote Technology Center in Germany. The microelectronics center in this building consists of a group of two artificial climate greenhouses including 12 single building. The greenhouse is made of light-transmitting and heat-insulating materials, and has a special light guiding system and a solar reflective heat collection system. The air collection system is located in the outdoor forest, which sucks in fresh air through underground pipes, cools or heats the fresh air according to seasonal changes, and then sends it to the greenhouse. Gas is the main energy source in the building, and two kinds of solar panels installed on the roof are used as auxiliary energy supply systems. The solar panel heats the water and sends it to the absorption refrigerator. The tent net through which the cooling water passes is arranged in the metal conductive net plate hanging from the dry ceiling, thereby cooling the indoor air. Fresh air is sent into the room through a passage on the floor, forming a fresh air lake in the area not high along the ground. This building is equipped with advanced control system, which can ensure a comfortable indoor environment and save energy to the maximum extent. Although the building has a very comfortable indoor environment, it makes full use of solar energy. Natural light and ventilation, so its energy consumption is very low. In particular, although the building has adopted many environmental protection technologies and equipment, the construction cost still stays at the level of general air conditioning construction projects in Germany. This building uses high technology. New materials have realized many basic contents of indoor ecological design. In other words, it shows people many important concepts of future architecture. Piano, a famous Italian architect, studied the sunlight and lighting adjustment when designing the Mannil Museum. After the lighting control, a roof composed of 300 sun visors was designed with meticulous structural technology, and the natural light was fully used to illuminate the museum exhibits, creating a lightweight high-tech lighting ceiling. The quality of light entering the museum through the shed is extremely wonderful, and this natural light has a rhythmic effect with the changes of sunlight and clouds in the sky. This beautiful indoor lighting ceiling not only solves the problem of natural lighting and saves energy, but also is very novel and unique. The NT building in Gangbei, Tokyo Gas Company, designed by Japan Rijian Design Office, is saving energy. It has also achieved great success in creating a comfortable and beautiful indoor environment. This building uses a lot of natural materials and recycled materials from interface decoration to internal facilities. For example, the interior wall is made of wallpaper made of recycled materials, the pavement of the population hall uses recycled concrete products abandoned on site, and indoor greening is set up in the exhibition hall.
One of the innovative ideas of interior design
How to innovate interior design is a long-term hot topic, which mainly aims at some problems existing in the current architectural interior design creation, such as ignoring the characteristics and requirements of indoor environment, ignoring the integrity of architectural form and internal space, blindly copying, blindly following the trend, blindly stacking materials, blindly obeying Party A's boss, blindly pursuing benefits, etc.
The innovation of all artistic creation is an eternal topic, because there is no development without innovation. The so-called novelty and innovation refers to developing new ideas, exploring new artistic expressions and finding new themes on the basis of inheriting past design and creation achievements. In the field of architectural creation, we should also explore new structures, new technical fields and new sources of materials. At present, due to the restriction of social, economic and cultural development stages, China's interior design has not yet formed a design style trend with a distinct sense of the times. It is common to copy the ancient architectural styles or decorative parts of the West or China, which is a phenomenon recognized by the society as "replacing design with patchwork". It shows that we lack the basic knowledge of architectural interior design and basic architectural cultural literacy.
The specific reasons are:
1) Lack of understanding of the significance of the indoor environment of buildings, and lack of correct awareness and concept of the architectural environment.
2) The backwardness of the overall social architectural culture (or the crisis in prosperity).
3) The management mechanism of architectural design and construction is not perfect. Let's talk about it from two aspects:
I. Some Problems Found from Social Observation In recent ten years, China's interior design has grown from scratch, showing an unprecedented momentum of active development, which has played a great role in creating completely different living and working environments for the broad masses of the people, and has also played a lot of good roles in design creation. As a special discipline and specialty, interior design has just been established, and the talent training has not kept up with the situation, and the rise of the industry is even weaker. The above situation is based on the basic fuzzy design concept:
1. The vague understanding of "environment" thinks that interior design is to decorate the surface and arrange furniture, hang decorative lights and arrange other decorations in the existing building space. Interior design is regarded as the improvement of simple visual conditions. That is, to understand interior design from the simple decorative essentials, and to separate the connotation of architectural interior space from architectural design. In fact, interior design is a continuation of architectural design and belongs to the category of architectural design.
What is included in the interior environment design is a question worthy of further clarification. Interior design mainly refers to creating a reasonable and perfect indoor environment under modern architectural conditions to meet people's growing material and spiritual needs. Nowadays, people pay more and more attention to interior design, because it has a strong social foundation and fully reflects the needs of the times.
Interior design is a comprehensive product of modern science and technology, culture and art, and the research of interior design is influenced by some emerging sciences, such as behavioral science, environmental psychology, environmental physics, environmental art and modern interior design engineering management. This subject covers all kinds of people's life and production activities, and reflects the relationship between people and between people and nature. Interior design should fully reflect people's value characteristics, establish a design foundation with people as the main body, study people's physiological and psychological characteristics, and find a suitable environmental structure. In the laboratory environment, we should study people's various life experiences, people's feelings, perceptions, habits, intelligence, the laws of various life activities and people's various reactions to the indoor environment.
Interior design is a process of cultural activities and a symbol of social civilization. The indoor space of architecture often reflects the characteristics of the times and society with its own image (including spatial form, rhythm and order) and related decorative means. Different indoor spaces show different environmental atmosphere and have different artistic appeal. Through sight, hearing, smell, weak senses, etc. If we don't start from the above concept of indoor environmental awareness, society will cause confusion in design ideas.
2. Vague ideas in social and cultural changes and architectural cultural changes. With the reform and opening up, China culture has been impacted by foreign cultures. This influence is manifested in the massive introduction of western technology and culture. In the field of culture and art, elegant, popular, rational and irrational ideas are spreading indiscriminately. Generally speaking, it plays an important role in broadening our horizons, updating our cultural concepts and prospering our artistic creation. As a manifestation (or carrier) of culture, architecture (including interior design), under the influence of foreign architectural thoughts, makes us generally seek novelty, novelty or diversification under the social psychology of "pursuing fashion". This tendency coincides with the familiar "postmodernism". What we call "patchwork" phenomenon is, to a great extent, the intentional or unintentional expression of this tendency. This is a typical social model of interior design at present. Postmodernism is an architectural trend of thought. Because of the diversity and popularization of its form and connotation, it has become a fashionable architectural form that appeals to both refined and popular tastes. Postmodernism is another philosophical creation method mainly aimed at some problems existing in modern architecture, which is of positive significance to the development of contemporary architecture. However, in society, mechanically copying various architectural forms or copying some details of some post-modern architects' works, in fact, its architectural connotation is very shallow, and some of them are even one of the chaotic manifestations of post-modern basic ideas. The direct reason is that architectural theory research is out of touch with design practice.
3. Under the impact of market economy, some social distortions appeared, which seriously affected the normal development of design creation. At present, the unfair competition brought by the development of market economy makes interior design creation face many new problems, mainly the conflict between the commercial value and cultural value of design results. Some people blindly comply with Oracle Bone Inscriptions's requirements in order to pursue efficiency. Some bosses who broke out have no cultural literacy, and they look flashy under his "design", let alone something with cultural taste. Some "strange but not beautiful" inferior designs generally appear, which seriously damages the function and value of buildings. Strictly speaking, this is the loss of designers' sense of social responsibility, even the betrayal of professional ethics, and it is a social problem that is difficult to solve.
4. The concept of using interior design materials is vague, and many interior design projects tend to blindly use high-grade materials. Some people know that design has no content, so they use a lot of advanced materials to cover up the defects in design, which is also a representative trend in current design creation.
Architectural space is an indoor space composed of interfaces made of certain materials, surrounded by structures and enclosure components made of different materials according to materials, basic properties and mechanical laws, which has the dual characteristics of meeting the use function and people's aesthetic requirements. Using different materials, different forms of space interface appear indoors (such as the metal ceiling of pangbo Du Center, the wooden frame of the living room, etc.). ), it produces various forms of spatial components such as lines, surfaces and bodies indoors, which is the comprehensive influence of materials and structures on the indoor environment. The application of some new material components, such as large glass partitions, makes the indoor space feel transparent, greatly enriches the changes of indoor space levels and changes the traditional architectural forms and design methods. Therefore, in a sense, the overall image of indoor space is a comprehensive artistic image reflected by materials, structure and space.
On the other hand, materials gain value because they embody nature. The texture and texture of materials can enhance the effect of space environment and make its basic image more meaningful. Therefore, the use of any material should reflect its essence. For example, the use of wood materials in building materials should reflect its essence. For example, wood in building materials is considered to be the material with the most human characteristics, and people are willing to approach and love its vivid texture and natural luster, and deliberately show it when using it. Brick is a common material, but in the eyes of contemporary architects, it is still regarded as a material with natural character and strong expressive force. Fair-faced brick walls are widely used in many low-rise houses, offices and some cultural buildings abroad. In the modern environment, their materials and performance characteristics are constantly updated, masonry methods are constantly developed, and new textures are constantly developed to make them play a greater role.
For the study of interior decoration materials, we should not only master their functional characteristics, but also mainly study the quality and artistic expression of the materials themselves, as well as people's visual and psychological reactions.
The various intentions of interior design must be accomplished through the rational use of materials. There are many materials that can be used in indoor environment, but it is difficult to use them reasonably. We should learn to actively control materials and give full play to their respective advantages, instead of blindly misusing or even unprincipled stacking of advanced materials. For the use of high-grade decoration materials, we should focus on this and embody the principle of "high quality and refined use".
At present, in many projects, a high-grade material, such as granite, stainless steel, high-grade hardwood and laser glass, is used indiscriminately everywhere, thinking that it can reflect what he calls "decoration grade", but in fact, it confuses the use of noble materials with improving environmental quality.
This guiding ideology that deviates from the basic direction and principles of interior design not only causes serious economic losses, but also gives people an impression of nondescript nouveau riche in the indoor environment, or simplifies and vulgarizes interior design.