(A) "Momentum" is the essence of art in the Han Dynasty. In the art of the Han Dynasty, the essence is movement, strength and "potential". This "momentum" is even often manifested as a sense of speed. The so-called sense of speed is a concentrated expression of movement and strength in a turbulent and fleeting state. In the art of Han dynasty, a character shows his existence value not through his spirit, mind, personality or inner state, but through his behavior and action, that is, his direct external relationship with the world. All kinds of fierce battles, dramatic scenes and stories depicted by various art forms in the Han Dynasty all show the majestic "momentum" in a rapid movement and strength. In the art of Han dynasty, animals were more wild. They run wildly and jump lively, far less quiet and docile than the Tang Dynasty, and don't stand still like the Tang Dynasty, although they are mighty and magnificent. Similarly, whether it is fairy tales, historical stories or characters, although sometimes it is still static on the surface, it still contains inner movement and strength. For example, the famous "horse stepping on the swallow" embodies speed; "Jing ke stabbed the king of Qin", and the moment when the dagger was inserted into the column was also speed. Because of this, behavior, deeds, dynamic and dramatic plots have become the main theme and image here. The overwhelming momentum, action and strength constitute the aesthetic style of Korean art.
(2) The art of the Han Dynasty embodies the face of "Gu Zhuo" and makes "imposing manner" and "Gu Zhuo" integrated. Because the art of the Han Dynasty expresses its conquest of the world through actions, behaviors and plots rather than subtle mental outlook, sounds and smiles, the realism of rough outline lacks any faithful description of details, which constitutes the "Gu Zhuo" appearance of the art of the Han Dynasty. The foreign trade of artistic images in Han Dynasty is clumsy and ancient, with unnatural posture and disproportionate length. Straight lines, corners and squares are so prominent and lack softness, but all these have not weakened but enhanced the beauty, strength and momentum of the above sports. On the contrary, "Gu Zhuo" constitutes an inseparable and necessary factor of this magnificent beauty. In other words, without this "clumsiness", it is difficult to show the sense of movement, strength and momentum of various external postures. Over-bent waist, over-long sleeves, over-displayed gestures, and "clumsiness" out of proportion to reality are very in line with the exaggerated needs of showing action and strength. Including straight right angles, it's not soft at all, it just increases strength. "Momentum" and "Gu Zhuo" were integrated in the art of Han Dynasty.