The difference between foreshadowing and foreshadowing

In the analysis of narrative works, we often encounter foreshadowing and foreshadowing. But how to distinguish between foreshadowing and foreshadowing in specific teaching? In my opinion, the so-called foreshadowing is a common expression in writing. It can be understood as an ambush clue from the previous article to the latter article, and it can also be understood as a hint from the top to the bottom. Its advantage is that the explanation is implicit, so that the structure of the article is tight and compact, and readers will not feel abrupt doubt when reading the following content.

Pay attention to the application of foreshadowing:

(1) Fu Bing, if you mentioned guns at the beginning, you should mention shooting in the second or third paragraph. No falling should not be a failure, only falling should not be a failure.

(2) The foreshadowing should be clever and not deliberately revealed. The foreshadowing is generally invisible to others, so it should be as popular as water and written naturally.

(3) attention should be paid to the bedding, and the front and back should not be too close. If the foreshadowing is too dense, it will make the article look dull and boring to read.

Cutout is a technique of expression, which focuses on description, rendering and contrast, creating conditions for the appearance of main characters or the occurrence of major events.

The characteristics of (1) foreshadowing: it is a process of accumulating and brewing the main plot.

(2) The role of foreshadowing: foreshadowing is the cornerstone of the main plot, which can increase the tension of the plot, create suspense and make the plot reasonable.

(3) The principle of bedding: it is natural and reasonable to introduce but not to send.

(4) Types of bedding: ① From the perspective of plot development, there are positive bedding and reverse bedding. Positive bedding means that the direction of bedding is exactly the same as the development direction of the plot, which is also called positive bedding. Reverse exposition is the opposite direction of plot development. Unexpectedly, it is also called reverse shop. (2) From the method of bedding, there are foreshadowing, suspense bedding (also called bedding) and bedding (rendering the atmosphere and creating momentum by paving things). Baoyu's beating is a foreshadowing, and the overture of A Dream of Red Mansions is a suspense.

The difference between foreshadowing and bedding is obvious. From the perspective of use and function, bedding is a foil. Although the author works hard on minor figures or events, his focus is on major figures or events. The foreshadowing is "to hint or prompt the characters or events that will appear in the work, so as to echo before and after". Often used with "care", that is, there is a foreshadowing before care.

From the morphological point of view, in order to achieve the purpose of foil, the part that plays the role of foil is often greatly exaggerated for fear that readers will not see it, so the foreshadowing can be said to be "dominant"; The foreshadowing, generally speaking, lies in the word "V", which is usually hidden. That's what the so-called foreshadowing means. So the foreshadowing is "hidden". Clever bedding, before seeing "care", seems to be "idle pen"

The pen and ink used in bedding are often more colorful (of course, the degree is not as good as the description of the main characters or events); The foreshadowing is usually just one or two strokes, so stop here, otherwise it will lose the meaning of "Fu"