Miyazaki Hayao can be said to be a legend in the Japanese animation industry. Without him, the Japanese animation industry would be greatly inferior. He is the first thinker who raised animation to the humanistic level, and also the spiritual pillar of three generations of Japanese animators. While breaking the shadow of Osamu Tezuka giants, Miyazaki Hayao set an example for later animators with his strong character and never-say-die struggle. [Edit this paragraph] Personal introduction of early experience Miyazaki Hayao 194 1 was born in Tokyo. Their family originally lived in bunkyo-ku, Tokyo. Later, due to the evacuation during World War II, the family moved to Utsunomiya and Kashima. His family runs an aircraft factory and belongs to a military enterprise, so he can still maintain a fairly adequate life in the late war. However, Miyazaki Hayao, who grew up in this environment, unexpectedly doubted the privilege of the family. When Miyazaki Hayao was a child, he liked reading books and cartoons. When I was in middle school, I planned to be a cartoonist, and then I began to practice cartoons actively. In the third year of high school, he met his first love: the white snake in the first Japanese full-length color film "The Legend of the White Snake" of Toyo Animation. Later, Miyazaki Hayao entered the Department of Political Economy of Xueyuan University, where he was a classmate with the current Japanese Prime Minister Taro Aso. There was no comic book club in the university, so I joined the children's literature research society nearest to it. It is said that Miyazaki Hayao is the only member. During this period, I created a lot of cartoons, and I also contributed to Lending Comics Publishing House, but there seems to be no finished works. At that time, Miyazaki was only a bystander in the turbulent security movement, and only participated as a non-partisan at the last minute. At this time, Miyazaki Hayao made a lifelong employment decision: to show animation in the East. As Miyazaki Hayao is the second son and the eldest son inherits the family business, he can choose his own career at will. According to myself, I chose animation instead of comics because others said that my works were imitating Osamu Tezuka, but I didn't think so at that time. Realizing that he can't surpass Osamu Tezuka's cartoonist, he chose an animation that doesn't matter if it's not original. The time value is 1963. Dongying Animation was established by Dongying Film Co., Ltd. 196 1 Before Bug pro was established in Osamu Tezuka, it was almost the only Japanese animation company with a strong humanistic atmosphere and a long tradition. Worm pro was influenced by low-cost TV animation, but in that era, animated films with high cost, fine pictures and strong tradition were still dominated by oriental reflections. When Miyazaki Hayao entered Japan, he was only the original painter at the bottom. At that time, there was a left-leaning trend of thought in the post-war literary and art circles (don't forget that the security movement had just ended), and the society was full of democracy. Many things in the work are decided by everyone's discussion. Miyazaki, who is diligent and highly educated, therefore stands out from the discussion. From 65438 to 0964, the club began trade union activities, with Yasuo tsuka as the leader, Gao Tianxun as the vice chairman and Miyazaki Hayao as the secretary. Yasuo tsuka, an old member of the club, discovered the talents of Gao Tianxun and other Tokyo University graduates. 1965, this group of trade unions began to do the adventure of Prince Sun Hall together. Otsuka is the director of painting, and Gao Tianxun, a newcomer in fashion, is promoted to the director by him. Miyazaki Hayao played such an important role in his works that everyone invented a position for him: scene design. The talented Gao Tianxun has brought a brand-new concept to this work, adding a deeper connotation and rich expression techniques. It can be said that this is the first Japanese full-length color animation not only for children. It is also worth mentioning that the production of this animation was interrupted in June 1966 10, continued in June 1967 10, and was officially released in July 1968. During this period, Miyazaki Hayao married his colleague Ota Zhu Mei in 1965, and his eldest son was born in 1967. Due to the producer's spirit of Excellence, this work was postponed and budgeted. However, although this work received rave reviews later, it did not break even at the box office at that time. After finishing this work, Yasuo tsuka left Dongying Animation and joined A-Pro, which had made trade unions suffer losses. Miyazaki Hayao, together with Gao Tianxun and Yoichi Oda, continued his animation work in Toyo, and his position is still the original painting. 1969, he began to serialize the short cartoon "People in the Desert" in the newspaper under the pseudonym of Minjin Saburo. This may be the embryonic form of the later "Valley of the Wind". 197 1, the three of them jumped from Dongying Animation to A-Pro of Yasuo Tombs. To digress, it was at this time that I met Givan Condas, who later directed Listen to the Ear and served as the painting supervisor in many of Ghibli's works. This group of people have cooperated for twenty or thirty years, which is really a terrible fate. As one of the main creations of the new project Pippi in Socks, Miyazaki Hayao visited Scotland for the first time. However, due to the reasons of the original author, this project was finally abandoned. Originally, Miyazaki Hayao liked the scenery of European villages and towns, and this experience left a deep impression in many of his later works. Next, everyone participated in the production of the TV series "Lubang III" led by Yasuo tsuka. Today, almost every year, there is a TV special or theatrical version of Lu Bang III, and Lu Bang has changed from a thief living in a mansion to a familiar civilian image. Gao Tuan and Miyazaki Hayao had a far-reaching influence on the unauthorized adaptation of the original works. After that, the combination of Gao Tianxun, Little Sheep and Miyazaki Hayao, who supervised the painting, created many works, the most noteworthy of which was Panda Family.