Abstract: Folk dances developed by various ethnic groups are rich and colorful, with unique styles, which are deeply loved by people. Folk dances of ethnic minorities are greatly influenced by local environment, customs, culture and religion, and their performance skills are excellent, which is worth learning from each other among different ethnic groups.

Keywords: nationality; Dance; skill

China Library Classification Number: J722 Document Identification Number: Part A Number:1005-5312 (2012) 24-0149-01.

First, the concept of national folk dance

China is a multi-ethnic country with a long history and cultural origin. Dance, as one of people's favorite arts, has different forms of expression in different ethnic groups, and the outstanding one is national dance. National dance is a dance formed between different ethnic groups and spread among their own ethnic groups. Its movements are unpretentious and show its own national characteristics. Dances of Han, Mongolian, Uygur, Dai, Miao and Hani nationalities. Into the national folk dance in China. National folk dance is influenced by national cultural characteristics and customs, and different regions have different dance styles.

Second, the formation of national folk dance

National dance is based on acrobatics, traditional Chinese opera and martial arts, and many national dances have the same movements.

1, Tibetan dance. Tibetan dance is inspired by women's Reba dance, with high skills of turning and turning, which appears in Tibet, Sichuan, Yunnan, Qinghai and other places. Reba dance was invented by vagrants forced by life and reality. It can attract people around you to watch it during the performance and make money through it. The main form of performance is the bell and drum. Male artists keep shaking with yak tails and bells, while female artists dance with tambourines and drumsticks with long handles. In this kind of dance, the performance skills are concentrated on the drum, the body rotates quickly with the drum, and the dance moves quickly, which is very heroic and exciting.

2. Mongolian dance. Mongolia is a nation that can sing and dance on horseback and gallop on horseback. The outstanding color of Mongolian dance is that the rhythm is very clear and the movements are heroic. The skill of Mongolian dance is to shake shoulders, quickly rotate soft arms and hands, and combine rigidity with softness. Skills show the intelligence and softness of Mongolian women, and also show the strength and tenacity of Mongolian men, which is fascinating. The most popular bowl dance in Mongolia is usually performed by women. The woman holds a porcelain bowl on her head, dances in the music with two cups in her hands, and her arms slowly stretch and flex, integrating rotation, shaking shoulders and breaking steps, with gentle and subtle movements.

3. Uygur dance. Uygur dance is rich and colorful, and it is called "the hometown of singing and dancing". There are various forms of Uygur dance, the most popular of which is "Maixilaifu", which means the ocean of singing and dancing. Sainaim, Nazirkum, Shougu and Duolang are the main forms of Uygur dance. The dance of mighty son has strict requirements and restrictions on the movements of head, shoulder, waist, elbow, knee and foot. Moreover, eye contact is the most important movement in Uygur dance, which can accurately express the simple eyes of Uighurs, such as gaze, gaze, glance and gaze. In addition, the basic features of Uygur dance include moving the neck, hitting the fingers, turning the wrist, shaking the body, standing upright and holding out the chest.

Third, the nature of national folk dance

The essence of national folk dance is pluralism, diversity and complexity. The great capacity of connotation and function is the change of national folk dance culture. In today's multicultural social background, national dances gradually penetrate and introduce each other. The types of national dances are very diverse. With the development of society, more and more people pay attention to the creation and learning of national dances, which makes them develop and improve with the development of the times. In addition, national folk dance also has its complicated side. The most important performance is that many ethnic groups have their own unique dances, and only their own people can learn and perform. For example, Yushu's Tibetan Buddhist dance "Qiang Mu" strictly follows the principle of inheritance from the inside out. This kind of dance has strong national characteristics and religious color, which is of great significance.

Fourthly, the skills of folk dance.

1, stylized skills of national folk dance. Chinese folk dance is a complete embodiment of aesthetic style. The skills in classical dance can be separated from the body rhyme, while the skills in national folk dance are closely related to the style of dance, which is inseparable and stylized. It is the unity of various props dance skills in folk dance and unique skills among ethnic groups. Many colorful forms of props dance can be excavated from our national folk dances, such as handkerchiefs and fans of Han nationality, reba drums and back drums of Tibetan nationality, chopsticks and cups of Mongolian nationality, long drums and elephant hats of Korean nationality, etc. , are props in the national dance. Spinning and shaking shoulders in national dance are also very stylized skills, so we should pay attention to the speed and flexibility of movements when dancing.

2. Emotional skills of national folk dance. People usually dance to relax and vent some emotions. Folk dance is no exception. Emotional input plays a very important role in dance. Without the emotional foil, the brilliance and style of dance can't be realized. For example, when dancers dance, their facial expressions will be colorful, happy or sad. Pay special attention to convey feelings with eyes, which will make the dance more artistic and infectious.

3. Artistic skills of national folk dance. The artistry of national folk dance is mainly manifested in the image of the dance, the psychology of the characters, the artistic conception of the stage and so on, and the venue of the dance has gradually shifted from the square to the theater. For example, the famous dances we are familiar with, such as Guanyin with a Thousand Hands, Swan and Sparrow Elf, are the perfect embodiment of artistic skills in dance, which not only enhances the appeal of dance, but also brings great impact to people's vision and spirit.

Conclusion: With the mutual integration of various ethnic groups in China, the dance among ethnic groups is no longer confined to the local area, but also widely spread to other ethnic groups. Master the skills of national dance to make it more appealing and attractive when performing.

References:

Tang Rong. On the performance skills of folk dance [J]. Popular literature and art, 20 10(23).