The ballet White-haired Girl, in the form of a ballet, not only retains the popular aria such as "tying the red head rope" and "the north wind blowing" in the original opera, but also creates many solos, choruses and chorus to depict the characters and render the atmosphere. This exploration of introducing vocal music into the form of ballet music not only enriches and enriches the expressive force of ballet, but also makes the nationality of ballet music more prominent because of the special color of language itself. In terms of creative techniques, White-haired Girl not only directly adopted a large number of folk music and Shanxi Bangzi, Hebei Bangzi and Henan Bangzi, but also used traditional Chinese opera music materials, singing, performance techniques and techniques in music and dance arrangement, thus establishing a special style. This creative technique based on folk music has national vitality, and it is easy to arouse the public's * * *. In addition, the practice of adding China's orchestral instruments to western orchestral music also adds a national color. In music design, White-haired Girl is a very successful example, because the theme melody of the characters in the play is not only beautiful, but also the musical image and character are very matched. Music development and plot development are also combined with dramatic effects, and the plot development is quite fascinating. Ballet music that exists alone without dance is more imaginative in appreciation. This reverie can be said to be the spirit of music and the story itself. This spirit lies in the struggle against powerful forces and evil forces. Although this spirit with a strong sense of revolutionary struggle will inevitably make people sensitively recall the nausea and cruelty of the political power struggle, the revolutionary spirit of White-haired Girl originated from ordinary people and people and has nothing to do with the political power struggle.