The relationship between the supporting role and the protagonist is often a spring mud flower. Without the soil on the ground, flowers can never give off their fragrance safely. However, people often only see the beauty in full bloom, so they try to become flowers, as if only in this way can they reflect the value of life. Just like heroism, people's feelings for heroes are very contradictory, that is, they love and want to replace them. The existence of heroes makes people feel safe, but it also makes people humble. So if one day people no longer need him or are tired of him, the hero will lose his place to live. People can return to normal, but heroes can't. It can be seen that the person who is used to set off the heroic achievements is extremely important, and even can be said to be the meaning of the protagonist's existence.
It is understandable that people want to be the leading role. No one is born to see through the world of mortals and return to the truth. This is the essence of life-possessiveness. Owning often makes people move forward, leaving life in a state that can never be completed. However, if they are too extreme, they may get lost. Being manipulated by possessiveness will break people's moral bottom line, and they will get things by hook or by crook, which will be out of control. This kind of deliberate pursuit, if you want to hold on to everything, can only draw the ground as a prison in the end, but become a slave to what you have, but you are still complacent. Gains and losses are the normal state of life. Relax, the less competition, the more peaceful. Often, casual people get more people. Because they have never lost their composition, they only have the transformation of everything.
There is no absolute protagonist in life, otherwise it can only be called "premature death" and it is possible to slaughter others for life. Absolute protagonists are not uncommon in history. Charles I was so autocratic that he finally sent himself to the guillotine and died in front of the "supporting role"; The deep-rooted dominance of Confucianism makes it gradually rigid and vulnerable to the invasion of foreign civilization. The leading role and supporting role often have to cooperate with each other, even in the play, no one can enjoy the absolute part alone, otherwise it will only hurt himself and be monotonous.
The real protagonist is usually hidden in the supporting role, just as the real profundity is usually hidden in the plain, which also explains why the protagonist can appear in time at the critical moment. Only by fully understanding the sufferings of the people and empathizing with them can we become respected heroes. High above the monologue, can only end in loneliness. How can it be wonderful without an audience?