Content of Hard Pen Calligraphy Paper —— On the Strength of Calligraphy Speed
Shall we talk about it? Speed? Question: What are the strokes in calligraphy? Late? And then what? Disease? Late is slow, illness is fast, and fast is a matter of speed. From the beginning of the pen to the end of the pen, if the speed is always the same, it is even, but in our writing practice, procrastination and illness often occur in writing, sometimes from illness to procrastination, and sometimes from procrastination to illness. This is a kind of. Variable speed? . The movement with a pen needs speed change, because the speed change can best reflect the skill of using a pen and best shape the beauty of different forms of stroke strength.
Pen transportation? Late? And then what? Disease? It can be explained by two descriptive words, one is sculpture? Plastic? One is painting? Painting? Is it calligraphy? Plastic? With what? Painting? . When writing and raising a pen are slow, is it for strokes? Shape? Art form, when you use the pen quickly, is it for strokes? Painting? Shape, but also for strokes? Painting? Art form. But? Plastic? what's up Carve? ,? Painting? what's up Freehand brushwork? . Are you online? Plastic? The image of this pen, like a sculpture with a knife on its back, does not pay attention to details; Are you online? Painting? This stroke is vivid, just like grasping the expression in freehand brushwork. If you can use both in writing? Plastic? And then what? Painting? , then the best of both worlds. Writing style? Living method? It is infinite, and the living method can show the changeable form of stroke power. ? Plastic? The shape is very heavy. Painting? The shape of power. ? I'm very opposed to picking up a pen and drawing casually, which is different from what we said? Painting? There are essential differences. It is sloppy and has no artistic seriousness. Calligraphy art has its dignity, and we should safeguard the dignity of calligraphy. ? Plastic? And then what? Painting? To embody the beauty of strength, we must follow the requirements of speed beauty and do it seriously? Do what you have to do and stop what you have to do? . ? Okay？ And then what? Stop? Speed is included. Therefore, mastering the speed can achieve the required requirements.
Appreciation of hard pen calligraphy works;
In one painting, there is another? Duan? problem In the process of pen transportation, there are both constant speed section and variable speed section. Write a horizontal picture, if you regard it as a paragraph, from the beginning to the end, the speed of writing is uniform, which is a uniform paragraph; If we regard this horizontal painting as three sections, namely, the beginning section, the middle section and the end section, we need to write a certain distance and change the speed, that is, the variable speed section. If there is a variable speed segment in the painting, the strokes will not die. In Qing dynasty, Bao noticed in Li Tan? Cut? . ? Cut? Equivalent to what we said? Duan? . Bao said: with the pen method, you can see it at both ends of the painting The ancients were rich and unattainable, but they were cut in the painting. ? He thought that when the ancients wrote a stroke, the Mid-Autumn Festival was strong, which was difficult for our descendants to do. The reason is that when the pen is transported to the middle, the pen strength is not enough, and it will appear? Bee waist? Phenomenon. Bao only pays attention to the middle stroke, but not to the whole stroke. Can we emphasize the middle plan only if the package is fully planned? Real? Reality. When the pen is in the variable speed section, it is often light and unreal without attention. So use it? Suddenly? The word "speed change" means that the process of speed change is not a sudden change, but a gradual change. Only by gradual change can the brushwork be uninterrupted and the strokes be carried out from beginning to end. So the book reviewer emphasized that pens and pens should be delivered. The starting, middle and closing speeds are mostly uneven, which one is it? Acceleration? . The acceleration of writing is continuous, and there is not much difference in form, weight and thickness. So it was achieved. Real? Effect. Bao thinks? Real? He said it was his discovery and invention? Ancient and modern book raiders are not as good as this? . He used it? Perfect and beautiful? For what? Real? Is it actually the content? Real? This is a symbol of strength.
Variable speed can be seen in stippling of Chinese characters, not only horizontal painting, but also strokes. The speed is generally slow. The middle speed is gradually accelerated, and the stroke speed is faster than that in the middle (the stroke speed of the whole stroke is gradually accelerated. Some people don't pay attention, and the speed of sketching is almost the same from the beginning to the middle, but when they come out, a thin tip suddenly appears, like a wasp's perfect ass needle? Is this related to calligraphy? Bee waist? It is also taboo.
Power is the main source of calligraphy power. Calligraphy has two forces: one is outward momentum, and the other is inward momentum. Speaking of momentum and potential, we must first discuss what is in calligraphy. Internal pouting? And then what? Extension? These two terms are concepts. There are different understandings of these two terms, and there are also many controversies. Potential and momentum are related to these two terms.
Tang Sun Guoting's book spectrum says:? Or serene and graceful, with bones and muscles; Or the broken bridge shines. ? This passage put forward by Sun? Connotation? Follow? Waiyao? Two words. Legend has it that Mrs. Jin Wei's brushwork says: those who are good at writing are skinny, those who are not good at writing are fleshy, those who are skinny and fleshy are called tendons, and those who are fleshy are called ink pigs. Strength and strength are sacred, weakness and muscle deficiency are morbid. ? She released it again? Force? And then what? Tendon? 、? Bones? With each other? Bones? Manufacturing? Force? Visualization. ? Bones? In the human body, it refers to the inward force. Relatively speaking, Sun Shi said? Edge? It's an outward force. Sun Shi obviously used it? Inside? With what? Outside? So, I put? Connotation? 、? Waiyao? All belong to? Force? Performance.
Xuanhe Pu Shu in the Northern Song Dynasty said:? Danger contains rigidity and softness, and ou Lou bones and muscles. ? His? Contain? And then what? Exposed? It's also about strength. Song Mipu thinks? The right army is included, and the big order is extended? This? Han zhong? What did Sun say to him? Connotation? ; ? Extension? Is it better than Sun Shi? Outside? More specifically, it is a manifestation of force. Calligraphy theory handed down from ancient times? Guilt? And then what? Extension? , see the yuan dynasty Mao Yuan's "review". Yuan yue: the right army exercised restraint with a pen, so it was strict with statutes; The big order is unfolded with a pen and the outline is opened, so it is scattered and colorful. ? But until now, these two terms have their own meanings. Yuan's suggestion was put forward when talking about the writing of the right army and the big order? Guilt? And then what? Extension? Statement. Are you sure? Guilt? And then what? Extension? It's all about brushwork. ? Hey? And then what? Tuo? From the meaning of the words, they are all powerful, and the glyphs are all made by hand.
I can't agree? Guilt? This is a book about power. Extension? It is said in the book that muscle (muscle strength) wins. I don't agree either, okay? Guilt? And then what? Extension? It is understood as the temperament and artistic conception of calligraphy. I don't agree that the result of internal contraction is a round pen, and the result of external expansion is Fang Bi. ? Connotation? With what? Outside? ,? Contain? With what? Exposed? ,? Han zhong? With what? Extension? ,? Guilt? With what? Extension? These are two relative concepts, only with different words, but with similar meanings. All refer to the way of using a pen to express the beauty of one's efforts in this different way.