When the wind changes and the snow changes, it is impossible to break the dream of hometown, and there is no such sound in the garden.
This word is actually beautiful. First of all, the four sentences of "mountain", "water", "wind" and "snow" show that the poet is on the road, and the road is hard. There are thousands of lights in the middle of the night, and when writing at night, there are many tents propped up and brightly lit, which is exactly what will happen on the March. (Otherwise, I wouldn't say 1000 accounts. Although it is a function word, it also means that there are many tents. In ancient times, there was no such thing except fighting. The dream of crushing my hometown failed, so there is no such sound in my hometown. I miss my hometown, but I can't dream of my hometown. There is no such sound in my hometown. Writing homesick poems generally means that poets live in other places, so frontier poems are included in your consideration. And there is an obvious line, "Go to the other side of Guan Yu". If you don't know the background at all, you should be able to guess from the word "Guan" that it is a military poem, such as Shanhaiguan and Juyongguan, which are all border crossings.
2. Is Sauvignon Blanc written by Nalan Xingde in Qing Dynasty a frontier poem? First of all, it is a word. Then, this word is written about frontier life and expresses homesickness, but it seems that frontier words are generally not mentioned. Thematically, yes.
Changxiangsi Mountain One City
Nalanxingde
A ride on the mountain, a ride on the water, and a trip to Guan Yu, with thousands of lights at night.
When the wind changes and the snow changes, it is impossible to break the dream of hometown, and there is no such sound in the garden.
Creation background
In the twentieth year of Kangxi, three rebellions were put down. In March of the following year, Michelle Ye went to Shengjing to worship his ancestors, and Nalan Xingde was his entourage. On the way from Beijing to Shengjing (Shenyang) outside Shanhaiguan, when the poet passed through Shanhaiguan, the ice and snow were not sold, and Qian Shan was full of water. For Sex De, who was born in Shanhaiguan and grew up in Beijing, everything is so bleak and lonely that people can't help thinking of their relatives and friends. The author felt it and wrote this song "Sauvignon Blanc". Changing words expresses the poet's feelings of being outside the customs and missing his hometown, and sees generosity and heaviness in tenderness and lingering. There is no homesickness in the whole word, but every sentence is full of homesickness.
3. My thesis is Nalan Xingde's frontier words. I wonder how many word sets Nalanxingde has? If my representative works are: The Side Hat Collection, Drinking Water Collection and Miscellaneous Knowledge of Lushui Pavilion, there are many works in my life: 20 volumes of Tongzhitang Collection, 4 volumes of Miscellaneous Knowledge of Lushui Pavilion and Introduction to Linz. Set "Yi Ji Yan" 80 volumes, "Chen Liji" 38 volumes; The compilation and selection of books such as Early Collection of Modern Ci, Notes of Famous Poets, Selected Works of All Tang Poems are amazing. He compiled his own words into a collection, named "The Collection of Side Hats" and wrote "Drinking Water Words". Later, someone supplemented the two collections, ***342, and edited a place named Nalan Ci.
The most famous frontier poems should be A Journey to the Mountain of Sauvignon Blanc, A Journey to the Water, A Journey to Guan Yu and A Thousand Lights at Night. When the wind changes and the snow changes, it is impossible to break the dream of hometown, and there is no such sound in the garden.
In Yi Yi, there is a book called "Only Tao was unusual at that time", which is to appreciate Nalan Xingde's words, but it seems that there are few frontier poems.
4. I counted the number and names of all the frontier words in Nalanxingde. There are 57 "upper chapters" in Zhang Bingshu's Annotation of Nalanxing Ci published by Beijing Publishing House/KLOC-0 in 1996 and Ye Jiaying's Annotation of Zhang Bingshu's New Interpretation of Nalanxing Ci published by China Bookstore in 2008, which are as follows:
(For reference only, after all, the editor-in-chief of the two books is one person, so it is suggested to check other figures to determine O(∩_∩)O~)
Two Fairy Poems in Linjiang (Six Songs for Three Nights of Rain)
Here we go again (who cares if I am alone)
Hundred words order (ruthless wildfire)
Eight Songs of Huanxisha (I want to give my heart to the geese)
Once again (towards Yunshan)
And (a thousand willows send horseshoes)
Once again (Yan Lei's empty beam painted a cold wall)
Here we go again (I'm used to worrying about endless waves)
Once again (fallen leaves freeze the stream)
You (Yinshan Wan Li Sand, Wan Li Sand)
You (Hua Zuocheng)
Meet each other late (Wei Yun touches the far peak)
A Song by Nan Gezi (China Ancient Hunger Collection)
Recall a song by Qin E (overlapping mountains)
Waves are two songs (semi-fuzzy)
And (wild huts near desert cities)
The good story is near (the horse looks at the green hills first)
A poem by Yu Meiren (the peak is high and the rock is broken)
Picking three mulberry seeds (first frost began to wake up frequently)
Once again (who remembers late autumn)
Once again (Zhou Sheng Yan Guanzhi)
Song of the preface to the south building (from ancient trees to people in autumn)
A song with blushing lips (five nights cold)
Song of butterfly lovers (there is no definite evidence in ancient rivers and mountains)
Song of Sauvignon Blanc (mountaineering trip)
Dream like a song (all accounts are drunk)
Eight Poems by Bodhisattva Man (The Third North Wind Blows Snow)
Once again (ask you what's wrong with you)
Again (the jade rope turns obliquely and is in doubt)
Again (it's hard to know when the pheasant will swallow again)
There is also (hazelnut Beijing is full of mountain city road)
Also (Huang Yun Zisai 3,000 Li)
Do it again (the floating umbrella cover just turns unexpectedly)
Once again (now it's half of the day and winter)
A twined rope and two songs (picturesque across the mountains)
Once again (wildfires turn clouds light green)
A poem in Shanghai in June of Tang Dynasty (the original poem was burned)
Six Qingping Music Songs (Sai Hong is gone)
Again (light smoke and light rain)
Once again (across the moon)
Once again (the horn wails)
Once again (musk deer smoke is deep)
Once again (all night)
A Song on Taicheng Road (Early Autumn of Hebei White Wolf)
Song of Spring in Qinyuan (Looking at Yinshan Mountain)
Two Poems by Nan Xiangzi (Where to Stop Wu Gou)
Once again (light and shadow accompany shuttle)
There are four good songs in the middle (Han Yunfei Yan)
Once again (parting is like a dream)
Once again (Coody Leng is silent at night)
Here we go again (who says it's hard to go to Yinshan)
Song of the diviner (it's too late to mow the grass)
A box of sapphires (elm pods floating in the east wind)
Man Fang Ting's Song (Shooting Crows with Snow)
Two Poems by Man Jianghong (Dai Bei Yan Nan)
(Ask Aunt Feng again)
Song of tea-seed (short flame picks up residual flowers)
Besides, who says Nalan Ci has the most articles? As far as I know, there are 359 songs, including love, friendship, fortress, Jiangnan, chanting things, chanting history and miscellaneous feelings.
Love words account for almost a third. Did you combine Jiangnan with Zhashang? That's not enough.
5. What are the characteristics of Nalanxing's frontier poems? There are more than 80 frontier poems by Nalan Xingde, accounting for about one tenth of his total poems.
His frontier poems leave a completely different feeling from his predecessors in ideological content and poetic style. Nalan Xingde once served as the envoy of the Great Wall and was praised by poetry friends as "more meritorious than his second teacher".
He wrote more than 50 frontier poems in the process of "sending an envoy to the Great Wall to make an announcement", accounting for nearly two-thirds of his total frontier poems. In his travel poems, he described the scenery beyond the Great Wall and expressed his love for the motherland. What is commendable is that he not only didn't see any words that hurt the dignity and feelings of border ethnic minorities, but also didn't show similar emotions? This is better than the frontier poems of the ancients and the works of some famous poets and poets about frontier fortress at the same time.
In frontier poems, Nalan Xingde not only expresses homesickness, times worries, national feelings and foot soldiers feelings, but also expresses homesickness, love and national conditions. These feelings are as mature and deep as autumn, with autumn-like carnival and autumn-like deep red; Both the sky is high and the clouds are light, and there is the realm of clear water fish.
His poems are the crystallization of his own personality.
6. What is the ideological height of Nalanxingde's frontier poems? In Nalan Xingde's frontier poems, the magnificent frontier scenery and historical traces often moved him and induced some thoughts and reverie about ethnic relations.
For example, regarding the Great Wall, people always think that it prevented the northern minority ruling groups from invading the Central Plains. However, he went to the fortress several times and saw the ruins of the Great Wall, as well as Shanhaiguan and Jiangnu Temple. He couldn't help but say, "The mountains and seas capsized several times, and the female wall was inclined several times."
It seems that we have spent a lot of time on the hearts of our ancestors. After all, who was it built for? "Since the Qin and Han Dynasties, how many northern nationalities and Han rulers in the Central Plains have crossed the Great Wall, which has angered the situation inside and outside the Great Wall. Did the Great Wall stop their communication? number
So, does the Great Wall block the communication between people of all ethnic groups? Neither, nor. Therefore, Nalan Xingde said that some rulers like the style of "Zulong"-Qin Shihuang, and it is futile to set up some obstacles such as the Great Wall to block the exchanges between people of all ethnic groups.
In another poem written by Nalan to serve the Great Wall, he even said: "The ancient rivers and mountains have no definite basis today, and horses come and go with the sound of painting horns." It tells people here that the great rivers and mountains of China do not belong to one family, one surname and one emperor, so people of all ethnic groups still have frequent exchanges, regardless of time and space.
Nalan Xingde was a member of the ruling class in Qing Dynasty and a noble. Because of this social status and historical limitation, it is certainly impossible for him to clearly put forward the ideas and propositions of national equality and national unity. However, in his frontier poems expressing his knowledge and feelings about frontier areas and ethnic minorities, he swept away the thoughts and bad habits of discriminating against and insulting frontier ethnic minorities and boasting about killing them in previous frontier poems, and then expressed his views on ethnic exchanges and cursed man-made obstacles through the question of "Who was the Great Wall built for" and the assertion that "the ancient rivers and mountains have no basis today".