1. Wet the cloth.
Put the cloth in the washbasin and soak it in cold water, so that the color can penetrate better. When clothes are dry, the pulp on the fibers will hinder coloring.
2. tie. This is the key step of tie-dyeing, and it is also the step to reflect the effect and design sense after dyeing. You can choose less Dozza according to your personal preference. The stronger and denser the tie, the less color it enters, the more white space it leaves, and the clearer the pattern.
Dyeing.
Pour water into a pot that can't be covered with cloth, put on gloves after boiling, add salt and dye. The amount of dye is freely controlled by personal preference for color concentration. Then put the cloth in. At this time, if the cloth is dry, rinse it with cold water, otherwise the color will appear unnatural.
When everything is ready, turn to low heat and continue to cook for about 20 minutes. Similar to cooking, turn the noodles every 5 minutes or so. However, the cooking time is also different according to personal preferences. If you want to achieve the old effect, the time is shorter, and if you want to achieve the bright effect, you have to cook for a long time.
4. Wash floating colors. Wash the dyed fabric to wash away the floating color.
5. dry. Open the knot, unfold the cloth and dry it. Be careful not to be exposed to the sun, otherwise it will easily change color.
Extended data
Cloth is the carrier of tie-dyeing. Without weaving, there would be no cloth, silk and brocade. Without such a carrier, there would be no painting and dyeing art on the carrier.
Judging from the existing historical data, the history of China textile can be traced back to Shang Dynasty or Western Zhou Dynasty at least. Many jade silkworms have been found in the tombs of Shang Dynasty and Western Zhou Dynasty, which shows that people paid attention to sericulture at that time. By the Spring and Autumn Period and the Warring States Period, silk weaving technology had made rapid progress. Judging from the existing unearthed cultural relics and documents, there are many kinds of silk fabrics with exquisite patterns.
By the Han Dynasty, silk fabrics and dyeing and weaving technology had made great progress, and the categories could be divided into more than ten categories, such as cotton, silk, silk and satin. At the same time, a silk production center mainly in Linzi and Xiangyi has been formed in the Central Plains.
Shortly after the formation of the basic economic form of China's traditional society, the worship of "Weaver Girl" appeared in the social ideological trend. There is a beautiful "Weaver Girl" image in the stone relief astrology of the Han Dynasty.
Stone statues of "Weaver Girl" were also found in Chi Pan, Kunming and Chang 'an during the Western Han Dynasty. The "Weaver Girl" in these cultural relics is also the deified image of countless women engaged in handicraft production such as textile, embroidery and sewing.
There are also many descriptions and descriptions of textile production labor in ancient literature. For example, Mozi's "Ci Guo": "Women's work is literary", that is to say, during the Spring and Autumn Period and the Warring States Period, the weaver's labor was not only spinning cloth and weaving silk, but also "writing" on cloth, silk and weaving. Meng Jiao's "The Word of the Weaver Girl" said: "I am exhausted every day, and I will never stop the window", which vividly describes the hardships of the Weaver Girl;
Wang Jian's "Brocade" wrote: "Red wisps are soft and purple, butterflies fly and flowers turn. A shuttle is as heavy as a shuttle, and the jade wrist keeps rolling sleeves. " It depicts the ingenious textile works of the Weaver Girl. It is their hard work day and night that has created the world-famous fine products of textile, weaving, printing and dyeing in China.
Baidu encyclopedia: tie-dyeing