1. In a woman's shirt, a looming tulle shirt gently outlines Dong's body emerging from the darkness, firmly extending, revealing the arrogance and confidence of young women. There is a delicate and subtle aesthetic feeling that flows like a ghost. The overall atmosphere is conveyed in a soft and meticulous way, which makes the mysterious body pity the morbid beauty in the dense; The main reason for the formation of collage art stems from Picasso's desire to break through the limitation of space, which is the product of a stroke of genius. In fact, collage was not initiated by Picasso, but existed in folk crafts in the19th century, but Picasso brought it to the picture and broke away from the status of crafts.
2. The Girl in avignon completely denies the traditional painting with three-dimensional space as its main purpose since the Renaissance. Picasso flatly abandoned the real description of the human body and assembled the whole human body with various geometric planes, which was the blasphemy of human beings to God at that time. At the same time, it abolished the spatial expression of French style, abandoned the deep feeling of the picture, and transformed the sense of quantity or three-dimensional elements into a sense of plane. This painting is not only influenced by Cezanne, but also clearly reflects the achievements of black sculpture art. The purpose of strengthening deformation is also to increase its appeal. Picasso said, "I drew my nose askew. After all, I want to force people to pay attention. "
3. "La Lecture" Pablo Piesseau's blonde lover, Marie-Therese Walter, was dozing off in a chair with a shawl on her chest and a book on her leg. This painting was sold again in London, England on February 8, 20 1 1, with a reserve price of 9 million pounds. At least seven buyers from all over the world bid in six minutes, and finally Russian customers bought it by phone, and the transaction price was 25.2 million pounds.
4. The oil painting guernica is a masterpiece of great influence and historical significance created by Picasso in 1930s. Entrusted by the Spanish government, this painting was created for the Spanish Pavilion of the International Expo held in Paris in 1937. This painting shows 1937 the atrocities committed by the German Air Force in bombing the Spanish town of guernica. As an artist with a strong sense of justice, Picasso expressed great indignation at this barbaric behavior. It took him only a few weeks to complete this masterpiece as a condemnation and protest against fascist atrocities.
Extended data:
Picasso's style:
1, space color.
The main trend of Picasso's painting is rich modeling means, that is, the use of space, color and lines.
After the age of 30, Picasso entered one restless exploration period after another. His works, like his life, have no unity, continuity and stability. He has no fixed ideas, is varied, is passionate or manic, is amiable or disgusting, is sincere or pretentious and unpredictable, but he is always loyal to freedom. There has never been a painter in the world who recreates the world completely freely and exercises power at will with amazing frankness and naive creativity like Picasso.
2. Cubism.
Generally speaking, The Maiden of avignon is the first cubist work, and the cubist movement can usually be divided into two stages. One stage is the so-called analytical cubism before 19 12. Painters inherited Cezanne's tradition of rational analysis of painting structure, trying to form a painting space and body structure by decomposing and reconstructing space and objects.
After 19 12, the cubist movement entered the second stage, usually called comprehensive cubism. At this time, color has played a powerful role in painting, but the shape is still fragmented, just bigger and more decorative. The painter created a new artistic technique and language, collaged the picture with objects, further strengthened the texture change of the picture, and put forward the question of what is real and what is unreal between nature and painting. Cubism is a painting style, but it also has a far-reaching impact on sculpture and architecture in the 20th century.