On the traditional patterns in modern interior decoration design Keywords: the relationship between Chinese traditional patterns and modern interior decoration design Abstract: With the continuous progress of society and the quality of human life, people have a new understanding of the material and energy functions of indoor space. The material function of modern interior decoration design is no longer the only element of design, and the nationalization, characteristics and diversification of energy function have attracted more and more attention. How to display traditional aesthetic elements in modern interior decoration design has become a new topic that designers and researchers think and explore from time to time. The application of Chinese traditional patterns in modern interior decoration design is a part of people's pursuit of energy demand. In order to properly apply traditional patterns to middle schools, better express national characteristics and better display characteristics, we must first deeply explore the inherent and characteristics of traditional patterns; Then through the performance of new localism and the completion of civilization blending, the fantasy result of modern interior decoration is finally completed. It should be admitted that many designers have a good understanding and application of traditional patterns, and many of their works are refreshing and have won unanimous praise from colleagues, appreciators and users at home and abroad. However, despite the noise and brilliant appearance, we will find that many praise opinions actually stay on the surface. It is believed that the traditional pattern is the main part of the essence of China traditional civilization, and its occurrence and spread have proved its strong vitality and blood relationship closely related to social life. Therefore, it is undoubtedly the inheritance of traditional civilization to make it attractive to modern interior decoration design. 1 The meaning and characteristics of China traditional patterns refer to the patterns that are regularized and stereotyped by means of abstraction and transformation according to the inevitable structural laws and applied to people's real life. Chinese traditional patterns are the artistic essence of China people in the process of theoretical innovation and invention in the world. It is the carrier of China's traditional civilization, the free display of human perfect vitality and the crystallization of human wisdom. China's traditional patterns have profound cultural connotations. Generally speaking, they have the following six characteristics: 1. 1 with a long history. The mermaid painted pottery basin unearthed in banpo village, Xi 'an, Shaanxi Province, has a history of more than 6,000 years and belongs to Yangshao civilization. The mermaid net pattern in this basin is the earliest pattern that can be verified so far. 1.2 has various ways. Chinese traditional patterns have different representative images in the pre-history of differences. The Neolithic age was the fish pattern and vortex pattern on painted pottery; Shang and Zhou dynasties were bronze wares with baskets of rice, stolen songs, scales, heavy rings and thunder patterns. The Han dynasty is characterized by geometric patterns, death patterns, rice patterns, diamond patterns, S-shaped patterns, four-leaf patterns and triangular patterns on stone reliefs, brick reliefs and tiles. The Tang Dynasty is Hua Niaowen in the mirror, the grass pattern on Dunhuang algae wells; As for the ripples, hydrangeas, turtle backs, ice cracks, palindromes and auspicious clouds on various fabrics that have been handed down to this day, there are countless more. 1.3 Pay attention to aesthetics. At the beginning of the appearance of traditional patterns, the goal was to decorate and beautify the professional situation. Patterns are constantly used in all aspects of people's daily life in various ways, whether it is drinking, memorial equipment, clothing decoration or interior decoration, patterns have played a strong role in beautifying and decorating. 1.4 Different styles. Neolithic period, with a serious and natural style; During the Shang and Zhou Dynasties, the decorative style of bronzes was magnificent and mysterious. From the Spring and Autumn Period to the Warring States Period to the Qin and Han Dynasties, there was Gu Zhuo's light and vivid, flying and bold, vigorous and powerful style; During the Three Kingdoms, the Jin Dynasty and the Southern and Northern Dynasties, there was an empty, noisy and light style. During the Sui and Tang Dynasties, it had extensive arrogance, exquisite and elegant decorative feeling and rich and full style. During the Song Dynasty, it was quiet and elegant, light and graceful, and unified in mind. In the Yuan Dynasty, there was a bold and resolute style. In the Ming dynasty, it had a solemn, rigorous and solid style; During the Qing dynasty, there was a style of showing off sculpture, exquisiteness and complexity. 1.5 has profound implications. Chinese traditional patterns are the reflection of China's traditional philosophical thinking and civilized thinking. The traditional civilization of China is based on the confluence of Confucianism, Buddhism and Taoism, and the traditional mode is inevitably influenced by the three religions. The dark eight immortals, eight diagrams, lotus flowers, bodhi leaves, Tian Fei and honeysuckle flowers, which show Taoist thoughts, and the dragons and phoenixes, three suns and kaitai, which show Confucian thoughts, are all classic patterns that have been handed down to this day. 1.6 The picture has the same meaning. All figurative visual symbols have the characteristics of "the picture must be intentional and the meaning must be auspicious", and so do traditional patterns. 2 The relationship between Chinese traditional patterns and modern interior decoration design. Traditional patterns have been used in interior decoration design since ancient times. The ruins of the Forbidden City, the Summer Palace, the Yuanmingyuan, the Qiao Family Courtyard and many houses in the south of the Yangtze River, which have been preserved to this day, can be said to be the concentrated display places of Chinese traditional patterns. Patterns in traditional sense only play a decorative role in modern interior decoration design. Today, modern interior decoration design has been given a new meaning. It refers to the overall appearance and visual design of decoration and activity insertion with a fixed appearance, paying attention to the artistic treatment of indoor floors, walls and ceilings, and also carefully conceiving doors, windows, furniture, curtains, carpets, lamps and furnishings. It is an interior decoration design that meets the modern people's pursuit of nationalization, characteristics and diversified aesthetic needs. Before the reform and opening up, the country and people were relatively poor, and the interior decoration design was rarely influenced by the construction of the elderly except in some big countries. After the reform and opening up, especially in recent years, the country has become rich, and interior decoration design has been paid more and more attention. While fully demonstrating the material function, the energy function is also placed in a very important position. In this situation, interior decoration designers and researchers came into being. Designers design European, Japanese, Korean, or a combination of Chinese and Western styles according to their own hobbies. However, no matter which variety is to be developed on the soil of China, Chinese style has naturally become an eternal theme. As long as it is from China, it must be traditional. As long as it is traditional, it must be inseparable from the traditional patterns of China. Generally speaking, the application of Chinese traditional patterns in modern interior decoration design is still in the exploratory stage. In other words, traditional patterns are elements that express the essence of civilization, and they are subjectively willing to use them; But how to use it, I don't understand. How to apply Chinese traditional patterns to modern interior decoration design? The application of Chinese traditional patterns in modern interior decoration design should first grasp the following two points: 3. 1 to express new localism. The new localism mainly emphasizes the design and creative tendency of local characteristics or folk customs, and advocates the local flavor and nationalization design criteria according to local conditions, so that the interior decoration design has a high degree of recognition. The interior decoration design of new localism can be accomplished in the following two ways: 1) Differentiate traditional patterns and combine them with modern ideas, evolve and invent on the basis of tradition, and connect traditional patterns with local materials and modeling skills. 2) Linking traditional patterns with modern decorative materials and modeling skills. With the development of science and technology, new materials, such as plastics, metals, ceramics, glass, inorganic minerals, coatings, textiles, stones and so on, have emerged, and there are more and more varieties. Different materials can give people different aesthetic feelings. Choosing suitable materials to connect with traditional patterns can enrich the decorative effect and show the flavor of the times. Combining traditional patterns with modern decorative materials and modeling skills can not only enhance the aesthetic feeling of traditional patterns, but also make interior decoration design have a strong sense of the times. 3.2 Complete the blending of civilizations. From the history of world design development, we can know that the occurrence of each design style is the result of the blending and development of local civilization and foreign civilization. As the carrier of civilization, traditional patterns will inspire people's creative enthusiasm and create more patterns if they are merged under the background of different civilizations and find the complementary elements between the two civilizations, learn from them, discard the useless and innovate. There are two ways to merge the details of traditional patterns: 1) the birth of traditional patterns. This refers to finding two or more patterns with the same characteristics under different civilization backgrounds and applying them to modern interior decoration design. From the Royal Reception Hall on the top floor of Tokyo Wagner Qubiao Building designed by Japanese interior designer Kiko Kurokawa, we can see the existence of traditional elements and western classical elements. Here, Mr. Kurokawa clearly mixed the patterns representing the Japanese cosmology and the bucket arches representing the eastern civilization with the western symbols, and achieved his design concept of "* * *". It also reflects the appreciation of local civilization and the desire to pursue the harmonious exchange of equipment civilization. 2) The fusion of traditional patterns. This refers to the isomorphism and blending of two or more patterns with modern aesthetic concepts to form patterns with the characteristics of the times and apply them to modern interior decoration design. We should recombine the energy elements of traditional patterns with modern interior decoration design language to make it have new characteristics of the times. As long as a nation respects its traditional civilization, it can be as deep-rooted as a towering tree. China has a splendid civilization of 5,000 years and is also a multi-ethnic country. Chinese traditional patterns are an inexhaustible treasure house of our modern interior decoration design, which has incomparable advantages in design style and nationalization. This article is selected from 59 1 Thesis Writing Network 59 1lw: Professional Writing Graduation Thesis-Dedicated to Writing Graduation Thesis, Master Thesis, Degree Thesis, mba Thesis and Thesis.

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