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What's your comment on Les Miserables (20 12 movie)?
Les Miserables is the result of making bullshit music and packaging it into a bullshit movie. This is a textbook example of how to make a bad film. Guide how to find the worst concept, recruit the worst people, guide it with the stupidest ideas, and create a stupid heart that will suck life from every poor sap who dares to sit down.

The adaptation of musical and drama may be the place where you can't tell the film from its origin. They usually have exactly the same music number, so the characters are very similar. Musicals are not good, and film adaptation is undoubtedly not good.

So we can't blame the creators of this film, because they got the script and soundtrack of the worst musical in history, thus gaining international fame.

A good master is a miserable world. I sang the role of Javert and I am very familiar with this program. I spent several hours familiarizing myself with every note in dozens of rehearsals. I'm obsessed with every song in this terrible and uncreative music craze.

For two whole hours, there was not a second of decent work. The invention from opposition, theme to theme is absolutely terrible. Les Miserables is a word (I dare not use it easily), which is objectively bad music.

The works of the orchestra are always frightening. There is no depth or texture at all. Take the mini overture as an example. One set of instruments states a theme, and then another set of instruments repeats the theme in different intervals. No emotion, no development, no progress. This is just the laziest trick to keep the subject in your mind.

Although every song is incompetent, I just want to pay attention to a song that contains all the cliches of bad music in three minutes: Javert's? Star? .

First, play the most basic chord progression you can think of from arpeggios. what's up It's been three seconds, and we're in a disgusting place with poor music.

The bad melody is repeated in two parts of the text, which keeps the work going. It is an improved form of nutrition, but it does not help this form. The melody never unfolds in any way. There is no progress in work and no motivation. This is the stillness that music can achieve.

So, what do you do when you have no motivation but need to finish? The answer is that you need to manipulate the change of the up key. When you just lift the button at will, even if there is no setting, it suddenly sounds like a satisfactory practice.

However, anyone who listens to decent structured music for twenty seconds will immediately see that the emperor is naked.

Although every segment in the program is not manipulative, incompetent or poorly communicated, everything is very close. Some are just harmless incompetence. They won't make me angry, but I don't like them. Take "doomsday" or "confrontation" as an example. The opposition contained in it sounds like something I wrote in the practice of music theory. Songs like this show the composer's attempt, which may make him more sad.

Writing won't make you try to understand it. There is absolutely nothing worth studying. Songs have all the complexities of bad pop songs. Their only purpose is to get you into trouble and let the audience say, "I remember that theme must be very good." To my surprise, a person's music works sound so organized and manipulative, probably because he has all the talents of music theory 2 17 years old.

You may want to know why I want to write a composition when I watch a movie. The answer is simple. It consists of the whole script. The music never stops for a second, which is probably the most popular part of this nonsense. This movie will never be shown, because music is burning garbage wrapped in poison.

But the problem is not only that the musical is not good, but also that the adaptation is not skilled.

Musicals and movies are another medium. In a musical, you can make the character say something unnecessary for five minutes. At least one of the movies is not a slow movie type, which is the so-called slow pace.

The film has a poor rhythm. There are several scenes that repeat the brotherhood of revolutionaries, Jean Valjean's love for Cosette or the internal conflict in Cavite. They gave them a 2-hour 45-minute musical and made a messy 2-and-a-half-hour movie full of annoying repetition.

However, even if the musical is bad and the adaptation is not creative, if one thing can be done well, such as building an interesting world with good photographers and actors, it can still be seen. However, every failure is a failure.