Commenting on various entertainment programs, Jiang has only two postures. One is a schoolbag, introducing some transliteration names that non-professionals have never heard of. For example, Hersingen Mosken said, Vladivostok said, let the audience nod in confusion. What's the problem The second is to release some loose opinions. A friend said that Jiang only passively accepted opinions. The master of XXX literature said that XXX, a foreign writer, said that the XXX school had a problem. I recently read a book that said ... that he had no thoughts of his own and became a schoolbag out of books.
A friend said that people can't always live in the credit book of the past. I was a super genius at the age of fifteen, but now I have achieved nothing. A friend said that if Jiang lacks books to prove her overall strength and accurately position herself as a writer, then she really hesitates near the score line. There is nothing wrong with Jiang. The bigger problem really lies in her arrogance. As a writer of the younger generation, she includes all the post-80s and post-90s. She is one of the most famous writers in the literary world, most of whom are in the top three.
However, the overall strength of literature, the theme activities of variety shows and the rewriting of TV movies can not be called the top three of the post-80 s and post-90 s, especially the overall strength of literary works and literature, and Jiang is far from the top three writers of the post-80 s and post-90 s. In fact, it should be inappropriate to say that you are arrogant. China's language expresses love for people, just like inviting you to dinner without actually taking three bowls of white rice. Talking about the past is really not just about literary knowledge. In fact, your influence and popularity don't match.
Some people are likely to refute me. She lacks the skills of a writer. Why should she be famous? A famous writer, you think she is incompetent. Aren't you jealous? Don't you envy? Aren't you sour grapes? In fact, her fame is closely related to the management of her mother, Shang Ailan. At first, Shang Ailan regarded Jiang, a super genius writer, a nine-year-old book publisher, a child prodigy and a pure girl writer after 1990s, as a selling point to promote her products, rather than the road to fame for all normal writers.
What are the ways for all normal writers to become famous? Relying on the quality of the work and the recognition of the literary world is like hiding the name and the creator's materials and looking at the work directly. Good is good, not so good is not so good, and I don't care whether the creator's name is good or not and how old he is. When Zong Pu was 28 years old, he wrote Transparent Carrots, which had a great influence in the literary world. At that time, literary criticism was so high that in 2020, the great achievements of China's literary world happened to Zong Pu.
In the year when Shi Tiesheng published "I and Ditan", Han Shaogong said that even if there were no other works, 199 1 was a bumper year for the literary world. Su Tong, 25 years old, became famous for publishing "The Escape of 1934", Yu Hua, 26 years old, etc. , produced the trend of literary fashion in the 1980s. Writers who adopt this method must have published his works for various reasons. Their books sell well because they have touched readers and won everyone's attention.
I haven't read the Round Table School, but I have written it-I protected her in Tokyo for a year. Look at the content of her article, I'm surprised. I have read many serious literary works, but I don't seem to have my own daily life. Views are not superficial, but uncreative. Losing schoolbags is a common problem for many students in their studies. She was in pain, too. She has read so many well-known literary texts, but she has written some patchwork articles.
I don't particularly dislike her, but I have a lot of pity. She is placed in a very high position, and she must know her technical level better than all those who scold her. It is the most painful thing to be unclear about yourself, to have limited cognitive ability and to be helpless.
She is not a post author, but her real identity is a magazine and periodical editor. She is not a visionary operator, but a narrator, including some articles she quoted from others, which were sprayed into books. She is also describing her reading experience, and rarely produces her own unique perspective or original and positive views on difficult problems with the chemical changes in her brain. Isn't it? In Tao's program, she showed many personal designs. Next to the married man, Tao He, there is a young man with professional knowledge and culture who can talk about the topic of pan-social development and chat with him.
She relies heavily on topic discussion to attract and cultivate topic discussion. As a matter of fact, she is one of the outstanding students in China literature. A bad drama close to the film and television industry stole 50 million actors' paid traffic stars and small fresh meat from German shepherd dogs. She doesn't express her opinion. She is a pretender who has experienced the critic's point of view and what she has seen and heard. Therefore, at the age of nine, she became famous for "Strange Girl", and she was exposed to many high-end resources and elite roles much earlier than her peers, without all the refreshing uniqueness and depth in her mouth.
She tries to keep up with the seemingly light topic discussion of married men. In fact, only a genius who has scoured through the vicissitudes of life can throw it away, but her reply attitude is consistent, her eyes are wide open and her performance is poor. Her tree wheel has not been described in depth since it became famous, so she has been drawing a picture that runs counter to the hopes of all kinds of people, which is awkward and hard to say, and always wants to flow in.