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Appreciation of Xu Yunlou's Touch Fish and Leave Wine.
How do you know him? Where will spring come back? Meet and propose a toast. Teenagers are world-weary, and the West Lake has a long knot. Don't look back, the drizzle breaks the bridge, and the gaunt people return. The east wind is as old as ever. Ask Lang before Peach Blossom, do you still remember, and can flowers recognize Lang again?

Stay here and leave your leek in a hurry. The night before yesterday, when it was still very late. Deep cup to * * * singing slippery, wet spring shirt half sleeve. Empty eyebrows are wrinkled, and looking at white hair before, it seems that everyone has it. Disengage the handle. Laughing at paper, laughing wildly. When will this meeting be held again? This is a farewell poem for a friend. The object of the author's farewell is Xu Yunfu, a scholar friend who is on the same list as himself. This word is different from the general farewell words, which not only expresses the feeling of parting, but also blends into the world and situation at that time, so its content is deeper and wider.

In the first movie, I wrote the sadness of seeing the guests off. The first sentence is "How do you know him? Where do you go back in spring?" It is pointed out that the farewell is in late spring, and at the same time, the feelings of cherishing spring and melancholy are rendered, paving the way for expressing the feelings of parting. This sentence is similar to the beginning of the author's famous article "The Warrior Lanling Bingzi sends Spring", which says "There is no way to send spring to the world". The word "meet" is a farewell speech, but the word "meet" implies that the two met in the same place, but they will leave soon, so they might as well circulate the golden urn to send away their worries. Recall the sentence "Young people are tired of the world and the West Lake grows up". Li Sannian went to Lin 'an to take an examination of Jinshi, and met Xu Yunfu in the same year. At that time, he was in his prime, and compared with today, he was a "teenager". "Tianya hate" is the hate of wandering in a foreign land. It has been many years since I first saw "West Lake Willow". Unexpectedly, I still drifted to the end of the world and met the West Lake Willow, so Yun Tianya hated the "long knot" on the "West Lake Willow". Two sentences are related to the situation before and after, from a "long" word table time span back to the present. The word "take a break and look back" is amazing. The two * * * said that they would not look at the ethereal willow and get rid of the feeling of the end of the world; Next, it is said that we can't help looking at the broken bridge in the drizzle, but the gaunt people have returned to their old places. "haggard" is in contrast with the above "teenager", and the former "teenager" has now become "haggard" to make up for the deep "Tianya hate" and "Dongfeng". In Liu Yuxi's poetic language. Liu Yuxi's "Re-visit Du Xuanguan" said: "Where do the Taoists go? Liu Lang came again today. "

In the next film, I wrote about my feelings of farewell to Fujian and my concern for myself. The sentence "You can stay with me" shows the intention to keep you and say goodbye. "Cutting Leek" originated from Du Fu's poem, which is about Wei Ba and Chu Shi entertaining Du Fu with home cooking in the countryside. It says here that Liu Chenweng doesn't entertain guests with delicacies and delicacies, but their relationship is closer. Du Fu's poem mainly expresses the meaning of "don't be embarrassed easily", which naturally resonates with Liu Chenweng. The three sentences in "The Night Before" recall other scenes of the banquet last night: drinking and singing, getting wet with wine, being wild and uninhibited, and showing deep friendship to friends in generosity. It not only depicts their bold and unrestrained characters, but also shows the bitterness of their mood. Yan said that they had a farewell dinner at the same time last night and still drank heavily today, which shows the deep friendship between the two. The sentence "empty eyebrows wrinkle" turned to today's banquet: both of them were white-haired at the banquet, sighing in vain and breaking their hearts. Empty, is to show that sigh is useless, still can't help but sigh the fleeting time. "White Hair" inherits the former "youth" and "haggard", but one is contrast and the other is positive contrast. This kind of brushwork emphasizes that both the subject and the object are old, and both of them have failed in their careers, which makes people sigh. "Farewell" four sentences, write a banquet farewell. This sentence says that shaking hands to say goodbye is reluctant and the weight of friendship. Two allusions are used in Thesis and Guqu. On the one hand, these words write a sigh when leaving, when to meet again, and tell the treasure of separation; On the other hand, I supplemented the contents of the banquet, listened to paper and music, and showed my true colors. In particular, the word "sigh" is followed by a leading sentence, and the words 13 are all the contents of "sigh". In such a long sentence, the pulse runs through, the emotions are endless, and the thoughts are ups and downs.

This word is written about other feelings, but it is not only about expressing friendship, but also full of the author's deep affection for life: Tianya Hate, wandering in a foreign land, has achieved nothing, and the years are sad. How can all this not make people sigh? At the end of the Qing Dynasty, Kuang Zhouyi's "Hui Feng Hua Ci" Volume II said: "The style of Xu Xi (Liu Chenweng) is like Jiaxuan, and the ups and downs of love words are like mountains." Powerful style, tortuous brushwork, rich and complex content, integrated into one, complement each other, this word is an example. In addition, making good use of allusions is also a major feature of this word, which is similar to Xin Qiji's ci style.

References:

1, Tang Guizhang et al. Dictionary of Appreciation of Tang and Song Ci (Liao Jinjuan in Southern Song Dynasty). Shanghai: Shanghai Dictionary Publishing House,1988 (reprinted in May 2065438+00): Page 2 142-2 144.