Click to enter the version of A Dream of Red Mansions.

Let's briefly introduce the version of a dream of red mansions, the fat version and the fat research. Although I have read a lot, I still feel a little confused, so I sorted out the information collected on the Internet after my previous research for your reference:

A copy of the 19th year of Qianlong-Oracle bone inscriptions

Transcript of Twenty-four Years in Gan Long —— Trade Book

Gan Long's 25-year codex-Chen Geng edition

Transcript-Mongolian Wang Fu Edition

Codex-Lezangbu

Shi Yinben Qi Xu Ben

Shi Yinben-Preface Book

Printed version-Meng Jue version

How many versions of A Dream of Red Mansions are there (the word version in a broad sense here includes printed and written versions)? According to the description of A Dream of Red Mansions, there are more than 20 kinds of/kloc-0, of which nearly 70 kinds are printed. More noteworthy is the paper money book. Cheng Weiyuan's Cheng Jiaben and Preface mentioned that the book was "placed in the temple" at that time, and Cheng Weiyuan's Cheng Yiben and Preface have the language of "copying from the workshop", which shows that the number of copies of A Dream of Red Mansions in the stages of reproduction and circulation is considerable. Today, most books have been lost. Even so, there are more than 50 descriptions in a millet.

Many versions of A Dream of Red Mansions are divided into two categories by redology researchers: the evaluation system of Zhi Yanzhai and the engraving system of elevation. This division is reasonable to some extent. Because: First, after 56 years of Qianlong (Xinhai), the spread of A Dream of Red Mansions entered a stage dominated by catalpa. The original ancestors of these books are Cheng Ben. From the origin of the version, they are all derivatives of Cheng Ben. According to several books I have contacted, the differences between books are almost all problems within the scope of course books, which are relatively concentrated, rather than as varied and complicated as the original manuscript. Second, these books all appeared in the form of "complete books" with 120 chapters, that is, they all inherited the old view of Cheng Ben and merged with the sequels of the last 40 chapters. Third, because each book is a complete book with 120 chapters, in order to keep consistent with the contents of the last 40 chapters, some characters and plots in the first 80 chapters have been changed accordingly from the course book. Although Cheng Jiashu is based on the dream book, it is quite different from the dream book. There is a special situation between the two, which is both the same and different. Therefore, in the classification of versions, it is reasonable to classify engineering versions and a large number of derivative versions as one class.

However, the name of this classification, especially the fat evaluation system, is not very strict. Of course, the early notes found at present are all from the evaluation of Zhi Yanzhai, but, first, the circulated manuscripts of A Dream of Red Mansions were originally from the evaluation of fatness. As mentioned above, Cheng Jiaben's basic book is the book of dreams. In classification, it is difficult to make sense to list dream books in fat books, but Cheng Jiaben can't. From its original source, Cheng Jiaben and his derivatives are also fat evaluation books. It is desirable to classify them as one category now, but it seems inappropriate to compare them with the fat evaluation system. Second, the versions of A Dream of Red Mansions that have been circulated are all comments by Zhi Yanzhai. This is a special case of the creation and circulation of this book. The process of Cao Xueqin's revision and finalization of A Dream of Red Mansions is also the marking process of Zhi Yanzhai and others. All kinds of books in A Dream of Red Mansions can be said to be comments from Zhi Yanzhai. Therefore, all the books in A Dream of Red Mansions have unified the title of "Fat storytelling". It is not very scientific to use it to refer to a classification with limited meaning.

Deciding a name that conforms to the actual version and is willing to be used by the fans of Dream of Red Mansions is not something that can be done through a hard struggle, but something that fans need to find. Here, the old names of "Fat Book" and "Cheng Shu" are still used for the time being.

Belonging to the fat evaluation system, it usually refers to the following books: A book titled "Red Yanzhai Re-evaluating the Stone Story", including JOE, Matou and Chen Geng. There are Wang Fu edition, Xu Qi edition (including Zhang Kaimo's original edition, large print edition, small print edition and Zhengshu Publishing House's Ning edition) and the original. There are Yang Ben, Xu Shu Ben and Meng Jue's Preface to a Dream of Red Mansions. In addition, the Soviet Union has Kyoto and a notebook. Above, * * * fourteen notebooks. The phenomenon of these books and editions and the relationship between them are very complicated. But on the whole, they still maintain the appearance of Cao Xueqin's original works to varying degrees, and the version value is higher than all the books in this system.

There are more than 100 kinds of books belonging to the process-based system, so it is impossible to list them one by one. Among them, researchers often mention: Cheng Jiaben (Cui Wen Bookstore191year movable type printed edition), Cheng Yiben (Cui Wen Bookstore Renzi movable type printed edition), Benya printed edition, Jieben, Shuangqing Fairy Museum's commentary on Wang Xilian, Miao Fuxuan's commentary on Tonghua Fengge, and its name was changed to. Although it has been revised many times, it is far from Cao Xueqin's original work, but it has been frequently reprinted and widely circulated for a long time. Most readers learn about A Dream of Red Mansions through such books. Therefore, the positive role played by these prints in making this masterpiece widely circulated and deeply rooted in the hearts of the people is also worthy of recognition.

The fat review of A Dream of Red Mansions mainly refers to all kinds of paper money found in previous years. Although the main works are incomplete, quite a few of them are probably the closest to Cao Shi's original works, which is of great benefit to understanding the original appearance of A Dream of Red Mansions and analyzing the revision and evolution of the original works. Moreover, there are nine versions containing comments by Zhi Yanzhai and others, which are helpful to understand the author's life experience, material source, creative process and background of the times. Therefore, the fat review is an essential book for those who study and love A Dream of Red Mansions. Next, I will introduce fat books and fat studies in a few points.

1. What is a fat batch?

Before explaining this problem, we must understand the special form of China's literary criticism. After the middle of Ming Dynasty, Li Zhuowu, Jin Shengtan and others commented on operas and novels. These comments, either for the whole book or a chapter, a paragraph or even a sentence in the book, make some comments. The content of the discussion is all-encompassing, including the understanding of the work, the evaluation of the characters in the work, the characteristics of artistic expression, the advantages and disadvantages of wording and sentences, and the critic's own feelings about some people in the book. The form of comments is also extremely flexible, some are similar to a short article, and some are as simple as a sentence or even a sentence or two. The fat criticism in A Dream of Red Mansions is basically the same.

The criticism of Fat is also slightly different from traditional operas and novels, that is, in addition to the above contents, it also involves some first-hand materials such as Cao Xueqin's creative process and the materials of A Dream of Red Mansions. In addition, it also revealed some post-80s plots. This is because Zhi Yanzhai and others are relatives and friends of Cao Xueqin and have a special relationship. Therefore, the study of fat criticism is also of special significance for solving many problems in A Dream of Red Mansions.

However, the so-called fat batch does not just refer to the batch of red inkstone. At present, the comment on writing seen in several fat storytelling books is mostly unsigned, signed and complicated. Besides Zhi Yanzhai, there are grotesque, Meixi, Songzhai, Changcun, Jiantang, Romance, Li Songxuan, Yulanpo, and Taoist on the left. Judging from the contents and features of these numerous book approvers, some have close friends with Cao Xueqin, such as Zhi Yanzhai, Zhen 'an, Song Zhai, Meixi and Changcun. Other recognizers may be later collectors and readers, such as Jiantang, Qiyuan, Li Songxuan and Yulanpo. Taoist Zuo Mian can be sure that it is a fellow grandson of Xianfeng Tongzhi. So we should distinguish these comments from those of later generations. But even so, the evaluation of Cao Xueqin's relatives and friends is not all the evaluation of Zhi Yanzhai.

Second, who is Zhi Yanzhai?

Among Cao Xueqin's relatives and friends, the most criticized ones are Zhi Yanzhai and the deformed man. Some people think that he and Zhi Yanzhai are the same person, but they used different names when they made the batch. With the deepening of critical research on obesity, more and more people think that they are not the same person. If it is a person, why criticize the same book with two different names? There is no inevitable reason. It is said that it is a group of abnormal works in Kyoto: let's talk to the people who knew it before. A few years later,,, Xing (Song) Zhai died one after another. This summer, there is only one rotten thing left, and I would rather not kill it. If this comment on writing is reliable, Zhi Yanzhai's name appears in the abnormal comment on writing, obviously they are not the same person.

So, who is Zhi Yanzhai?

There are different opinions about who Zhi Yanzhai is. Generally speaking, there are four opinions: first, cousins. This is the first time that Hu Shi thought that Zhi Yanzhai was Cao Xueqin's cousin. Later, Hu Shi changed his mind and thought that Zhi Yanzhai was Jia Baoyu who loved rouge and Cao Xueqin himself. This is the second one that Cao Xueqin himself said. Third, Shi Xiangyun's artistic prototype theory. When Mr. Zhou denied Hu Shi's Cao Xueqin himself, according to the content of the fat review, he thought that the affirmative was a woman, that is, Cao Xueqin's second wife, that is, Shi Xiangyun's artistic prototype. Fourth, uncle said. Mr. wu shichang thinks that Zhi Yanzhai is Cao Xueqin's uncle according to Yu Rui's "Jujube Window Idle Pen". Each family has put forward some reasons to support what they said, but there are also some imperfections. It seems that this problem needs further study.

As Cao Xueqin's elder, there seems to be no big problem. Although there is no signature, there is a general comment at the end of the thirteenth edition of JOE. Among them, the old man is awkward, and if the Western Qin Dynasty is deleted for reasons of life, it will not be a colleague. But who it is, there are different opinions. Mr Yu Pingbo thinks abnormal water is Cao Xueqin's uncle. In the 24th edition of Chen Geng's book, there are a batch of books written for Jia Yun's anger from his uncle, saying that the other two have never been angry, which seems to be a clue to understand the abnormality. However, in recent years, Dai Bufan proposed that the abnormal condition was Cao Fu, which won the approval of some people.

Third, what is a fat batch?

Fat batch version (sometimes referred to as fat version) is the version name of A Dream of Red Mansions. In the process of Cao Xueqin's creation and revision of A Dream of Red Mansions, Zhi Yanzhai not only criticized, but also put forward some suggestions for revision. The title of the book is "The Story of the Stone", which adopted the opinion of Zhi Yanzhai. In addition, it can be seen from Zhifuzhai's "JOE" in "JOE Copy" that he is also responsible for copying. Act as the original publisher. According to Mr. Mei Jie's textual research, some places were also written by Zhi Yanzhai. For example, Xifeng ordered a play. Therefore, the so-called fat batch of books does not only refer to the batch of red inkstone and others in the book. More importantly, the article has been reviewed by Zhi Yanzhai. Therefore, the status of fat batch edition is almost equivalent to Cao Xueqin's manuscript edition.

However, all the books in the name of "Zhipi Ben" are not manuscripts of Zhipi Zhai. The manuscript of that year was approved by hand, so far there is no sound, and it is likely to have been lost long ago. The fat-approved copy now is actually just an over-recorded copy.

These over-recorded versions are also different: some of them were recorded together with the fat batch, and even the format has not changed; Yes, the fat batch was omitted, and only the text was recorded. Because the approval of Zhiyanzhai was not completed at one time, there were four relatively concentrated, which is the so-called four trials. Besides, he is not the only one who agrees. So these comments on writing are not concentrated in one book. After some books were over-recorded, some different comments were found in other books, so they were re-recorded. In this way, the complex phenomenon of fat batch is formed. The similarities and differences of each version of the text (including the fat batch) are also very complicated. Some mistakes occurred in the process of recording and copying, and later generations also made some modifications. Therefore, these over-recorded versions are different from the original manuscripts of Zhi Yanzhai. Sometimes the two books are very different. However, no matter what the specific situation is, because their original ancestral home was approved by Zhi Yanzhai, we still call these books "fat-approved books", which should be precisely the derivatives of this system. In this way, whether there is a comment on writing by Zhi Yanzhai and others (over-recorded) is not the decisive sign of being called fat batch.

Lipid evaluation series (transcript)

< Zhi Yanzhai's Comment on Eighty Articles of The Stone

One copy (full fat, fat, fat, fat)< photocopy 16 >

Comment on JOE's A Dream of Red Mansions

Trade books (one for governance, one for governance, one for governance, and one for governance)

& lt introduction >

Geng (book of classics)

& lt introduction > & ltText >< photocopying >

Dream draft (yangzang draft, program draft, dream draft, fat draft)

& lt introduction >

Xu Qiben (original, Fei Qiben, Qi Ben, Hu Qiben, Zhang Qiben, Qi Benyuan, Qi Ningben) (Li Songxuan)

& lt introduction >

Dream book (book, fat dream book, fat gold book)

& lt introduction >

Cang Jing's edition (classic edition, classic edition)

& lt introduction >

Liezang Edition (Fat Edition)

& lt introduction >

Wang Fu Edition (Meng Fu Edition, Zhi Meng Edition and Zhi Fu Edition) (Selected Edition of Song Li)

& lt introduction >

Xu Shu's edition (original edition, fat book, book, five books, five hidden remnants)

& lt introduction >

Chiningben

& lt introduction >

Zheng cangben

& lt introduction >

120-volume series (Cheng Gaoben)

Chengjiaben

& lt introduction >

Cheng Yiben

& lt introduction >< text >

Other versions of the simplified list

Dongguange Edition (New Edition of A Dream of Red Mansions in Xiu Xiang)

Yin Shan Lou Kan Ben (Criticizing Novelty, A Dream of Red Mansions in Xiu Xiang, Yin Shan Lou Zi)

Baowentang Edition (reprinted by Tongzhi Ren Xu, Baowentang Tibetan Edition)

Bao Qingge published (Jiaqing has not been published for many years, Xiu Xiang's Dream of Red Mansions, Bao Qingge catalpa)

My official collection of pills (all newly carved Xiu Xiang Dream of Red Mansions, my official collection of pills)

Fujiating Edition (Jiaqing Chen Geng Engraving Edition, Xiu Xiang Dream of Red Mansions, Fujiating Tibetan Plate)

Baoxingtang Printed Edition (New Engraving of Xiu Xiang Dream of Red Mansions Jiaqing Bingyin, Baoxingtang Tibetan Edition)

Journal of Ningcui Caotang (seal produced by Daoguang Xinmao Mengdong, Xiu Xiang Dream of Red Mansions and Ningcui Caotang)

The publication of Sanrang Hall (Xiu Xiang approved A Dream of Red Mansions, and Sanrang Hall hid the board)

Wuyunlou Edition ("A Dream of Red Mansions in Xiu Xiang" has not been newly engraved by Xianfeng, and Wuyunlou Tibetan Plate is published by Guanghua Hall).

Yunxiangge Publication (Xiu Xiang Dream of Red Mansions, the original board of rattan flower pavilion, Yunxiangge heavy catalpa)

Juhetang Edition (Xiu Xiang Dream of Red Mansions, Jinan Juhetang Collection Edition)

Tongwentang printed copy (original by Cao Xueqin, published by Youwentang, collected by Tongwentang)

The publication of Wei Wentang (A Dream of Red Mansions approved by Xiu Xiang, Wei Wentang Collection Office)

Han Xuan Architectural Edition (Xiu Xiang Dream of Red Mansions, Han Xuan Architectural Tibetan Plate)

Wenyuantang Printed Edition (A Dream of Red Mansions approved by Xiu Xiang, Wenyuantang Tibetan Edition)

Journal of Zhongxintang (Xiu Xiang approved A Dream of Red Mansions, Zhongxintang Tibetan Edition)

Jinglun Hall Printed Edition (Xiu Xiang approved A Dream of Red Mansions, Jinglun Hall collected plates)

Wu Bentang Edition (A Dream of Red Mansions approved by Xiu Xiang, Wu Bentang Tibetan Edition)

Yuan Jing's Journal of Sound and Discipline (Xiu Xiang approved A Dream of Red Mansions and Yuan Jing's Sound and Discipline)

The publication of Deng Xiutang (Xiu Xiang approved a dream of red mansions, Deng Xiutang hid the board)

Lotus Garden Pavilion Edition (originally written by Cao Xueqin, a new batch of Tibetan editions of Xiu Xiang Dream of Red Mansions and Foshan Lotus Garden Pavilion)

Sanyuan Taoist Temple Edition (Dongguange Zixing, Sanyuan Taoist Temple Tibetan Edition, New Comment on Xiu Xiang Dream of Red Mansions)

Review of Shuangqing Fairy Hall (Review of Dongting)

A Review of Miao (Zhang Xinzhi Review)

Comments by Ju Zhentang (Wang Xilian)

Hanyuan Building Review (Review by Wang Xilian)

Comments on Yunju Building (comments by Wang Xilian)

Comments on Woyun Mountain Pavilion (Zhang Xinzhi Review)

Comments from Wentong Bookstore (comments by Wang Xilian, Zhang Xinzhi and Yao Xie)

Comment on Grand View Rousseau (Comment on Wang Xilian and Yao Xie's Painting Grand View Rousseau)

Add and comment on the whole picture (add and comment on the whole picture of Jin Yuyuan, comments by Wang Xilian, Zhang Xinzhi and Yao Xie).

Comments on Ge Fen (Gu Yue recites Ge Fen Tibetan Plate, comments by Wang Xilian and Yao Xie)

Add comments and pictures (comments by Wang Xilian and Yao Xie)

Lithographic Comments by Shanghai Bookstore (Wang Xilian, Zhang Xinzhi, Yao Xie)

Xiu Xiang's Criticism of Totuga (Comments by Wang Xilian and Yao Xie)

Comments on the Lithography of Tongyinxuan (Historical Investigation by Wang Xilian and Die Yuxian)

Seeking to live up to the evaluation of lithography (comments by Wang Xilian, Zhang Xinzhi and Yao Xie)

Bai Guang Song Zhai Printed Edition (comments by Wang Xilian and Yao Xie)

Book reviews recorded by bookstores (historical reviews by Wang Xilian and Die Yuxian)

-

Illustrated book reviews and comments (Wang Xilian, Die Lianxian Historical Review) 19 14 Shanghai Shiyinben.

Add comments and complete picture (comments by Wang Xilian, Zhang Xinzhi and Yao Xie) 1925 Shanghai Shi Yinben.

Wenming Bookstore Review (comments by Wang Xilian, Zhang Xinzhi and Yao Xie) 1927 Shanghai Wenming Bookstore Print Edition.

Comments on Lithography by Jiangdong Bookstore (Wang Xilian, Zhang Xinzhi, Yao Xie)

Zhuji Bookstore Review (Wang Xilian, Yao Xie)

Wan You Library Review (1930 Commercial Press)

Xu Sentence Reader (1923 Shanghai Group Society)

Wang Yuan's sentence reader (printed version of Shanghai Yadong Library 192 1)

Dadatu Books (1929 Shanghai Dadatu Book Supply Agency)

Guangyi Bookstore (1934 Shanghai Guangyi Bookstore)

New Culture Bookstore (1929 Shanghai New Culture Bookstore)

Popular Fiction Library (1937 Shanghai Central Bookstore)

Yadong First Edition (Shanghai Yadong Library Print Edition 192 1)

Yadong rearranged edition (Shanghai Yadong Library 1927 printed edition)

Chinese research edition (19 16 Shanghai Zhonghua book company print edition)

World Bookstore (1934 Shanghai World Bookstore)

Ming Kai Bookstore Hardcover Edition (1935 typesetting by Shanghai Ming Kai Bookstore)