The whole poem is intertwined with fantasy and reality, full of romanticism.
The author created a beautiful image of Shan Gui through the combination of man and God.
She wore Ficus pumila, Laura, Shi Lan and Du Heng, and rode in a Mulan car pulled by a red leopard.
There is a flag made of cassia twig in the car, followed by a patterned cat. ...
Its clothing, food, shelter and transportation all have strong divinity and wildness, which is suitable for Shan Gui's position.
However, Shan Gui's appearance, posture and emotional changes are all manifestations of normal people.
She lamented that youth could not last forever, and looked forward to the early arrival of her lover. If she doesn't come, she will be sad and lonely.
This image creation of the unity of god and man is a consistent method in Qu Yuan's poems.
2. Please adapt Shan Gui in "Nine Songs" in "Songs of the South" into a novel, about 1000 words, as if someone was walking through a deep mountain canyon, wearing a fig leaf and embracing a female radish. Looking forward to it, smiling, gentle and lovely, charming.
Driving a red leopard, following civets, taking Xinyi as a car, and decorating the national flag with osmanthus. Wear Shi Lan Du Heng to fold flowers and chat about sending lovesickness.
Deep in the bamboo forest, it was dark and the road was steep, so I came late alone. Standing alone on the top of the mountain, the sea of clouds is boundless and floating.
The mountain is dark, the day is like night, the east wind dances wildly, and it rains. I waited for you with infatuation and forgot to go home. When my beauty faded, how can I stay in full bloom forever?
I collect long-lived Ganoderma lucidum in the mountains. The rock is Lei Lei, and kudzu vine is wrapped around it. Complaining that you forgot to go home, but you thought I didn't have time to come.
People in the mountains are as clean as Du Ruo, drinking rocks and pine and cypress on their heads. (I'm thinking about my son, thinking to myself,) Do you want me to be true or false?
Thunder is rolling, drizzling, apes are singing and the night is heavy. The wind is rustling and the trees are rustling. I miss my son and feel sad alone.
3. Shan Gui was rewritten into the original prose by Qu Yuan.
Jiuge Shan Gui
If someone is a mountain, he will be led by Li Xi with a girl.
Laughing is awkward and appropriate, and children are eager for kindness and gentleness.
Ride the red leopard with the raccoon, and get married in the Xinyi car.
Shi Lan Xi took Du Heng, and he lost his mind.
The rest of the place can't see the sky, and the road is dangerous and difficult.
Table Independent xi Shan Ye, Cloud Capacity xi and Future.
It was dark, the east wind fell, and it rained.
I left practice and forgot to return. What will you do when you are old?
Shi Lei Schiller Gorman made three plays in the mountains.
Sorry, I forgot to go home, but I can't be idle when I miss you.
People in the mountains are fragrant with Du Ruoxiang, drinking pine and cypress in rock springs,
You think I'm suspicious.
Thunder is filled in the rain, which is invisible and the night is ringing.
The wind is rustling and the wood is rustling. I miss my son and I am worried.
translate
It's as if someone crossed the deep mountain canyon, dressed in Ficus pumila, and surrounded the women. Looking forward to it, smiling, gentle and lovely, very charming. Driving a red leopard, following civets, taking Xinyi as a car, and decorating the national flag with osmanthus. Wearing Shi Lan and Du Heng, chatting with flowers and sending lovesickness. Deep in the bamboo forest, it was dark and the road was steep, so I came late alone.
Standing alone on the top of the mountain, the sea of clouds is boundless and floating. The mountain is dark, the day is like night, the east wind dances wildly, and it rains. I was infatuated with you and forgot to go home. Beauty fades, how can we stay in the flower season forever? I collect long-lived Ganoderma lucidum in the mountains. The rock is Lei Lei, and kudzu vine is wrapped around it. Complaining that you forgot to go home, but you thought I didn't have time to come.
People in the mountains are as clean as Du Ruo, drinking rocks and pine and cypress on their heads. (I'm thinking about my son, thinking to myself,) Do you want me to be true or false? Thunder is rolling, drizzling, apes are singing and the night is heavy. The wind is rustling and the trees are rustling. I miss my son and feel sad alone.
4. Develop Shan Gui's composition Shan Gui.
The mountain didn't speak, but stood there alone, eroded by wind and rain, and it has been green for tens of thousands of years.
Shan Gui didn't speak. She lived there alone. It was sunny and rainy. Her dream was green for tens of thousands of years.
Shan Gui, who is proud, spends all her energy, * * and wisdom weaving dreams and stays up all night.
Judging from the dream itself, Shan Gui's dream is undoubtedly the most perfect in the dream forest, but she pinned her dream on the floating clouds on the horizon, and as long as there is a little breeze like yawning or sighing, her dream will disappear. But she is not discouraged, although she also knows that this is the cause of the wrong sustenance, but without sustenance, there would be no Shan Gui.
Shan Gui, who is proud, still puts all her energy, * * and wisdom into weaving her dream, and never gives up day and night.
Where the white clouds can't reach, where the starlight disappears, where the songs rest, and where your eyes are ignored in the clouds, there is a little drunk dream floating in the breeze, drifting away, drifting close and drifting away. ...
The light passed through the place where Yunjun was born and put his shadow in Shan Gui's arms. The color of the shadow blends in with Shan Gui's feelings. Jun in the cloud stumbled, crossed hundreds of millions of light years, finally exhausted, and came to the embrace of lonely Shan Gui from a crowded and narrow space.
This is an unexpected plot, which passes through an unobtrusive space and is suppressed into an overly ostentatious plane. The wind came, the snow came, and the shadow of the king in the clouds no longer came. Every world that has drifted for a long time, and every time it goes through a long journey, means a tilt and a silence in an unbalanced critical state.
At this time, the mountain was silent, and the ancient glacier, like a white ghost, was slowly but mercilessly attacking the mountain. Shan Gui doesn't talk. The ferns she likes to eat are dying in large numbers, while the flowers all over the mountains are blooming vigorously. They will soon occupy the whole earth, compress the kingdom of ferns into light, and exile them to other planets.
I was already late when I got the news. In the distance, the nature rustles, the mountains creep, and there is no rendering in the darkness. Thunder rumbled from far to near, trembling and running over Shan Gui's dream, stinging his soul and shaking. In the lukewarm lazy wind, those years slipped away quietly.
Stubborn Shan Gui, hungry and cold, refused to eat any angiosperms. She longed for her soul to be completely sublimated before the last batch of ferns bid farewell. What sublimates or destroys with it is our own times and the hegemony established by our ancestors from generation to generation.
On this beautiful and pure planet full of flowers everywhere, Shan Gui finally got a helpless, perhaps merciful last glance from the God of Destiny, and those dying and dying lights fled to the depths of the universe.
Mountain can't talk, it should always stick to its position and be the most faithful material foundation for all new things. Shan Gui's silence is nothing more than exercise, nothing more than coming from a place, nothing more than going to a place, nothing more than silence.
Silence is the plain life of a gentleman in the clouds. Hundreds of millions of years have passed. Is he happy? Does he really love his wife Lin Yao? Does he know Shan Gui? The midday sun shone on his barren and vivid face, and he suddenly felt inexplicable sadness in his lethargy. Unconsciously, he reached out and took a beam of light from his face.
Shan Gui walked out of the feeling as if he were tired. The shadow of the gentleman in the cloud gradually broke in Shan Gui's heart, splashing light gray blood. Jun in the cloud regards her as nature and eternity, and only love can overcome the distance of love; Only love can save the fall of love.
There is no morality, only love. Those souls who passed away all gave out a slight trembling light, quietly releasing the footprints of waves and particles. In Shan Gui's thoughts, the traces of your young life and the dry shadows in the clouds have solidified into madness. Great orogeny! Ha ha!
Mountain doesn't talk, Shan Gui doesn't talk, hiding is not cheating, silence is the ending of the ending, and the ending is the ending without ending.
If you call me, I will jump from the ground, too. * * * * naked through Lin Mang, surrounded by animals, to the city with tombstones. ...
5. Qu Yuan's Shan Gui's Shan Gui used Shan Gui's inner monologue to create a beautiful, frank and infatuated girl image. The plot of the whole poem is simple: the heroine and her lover agreed to meet at a place one day, and although the journey was difficult, she arrived happily, but her lover did not arrive as scheduled; When the storm came, she waited for her lover and forgot to go home, but her lover didn't come at last; It was getting late, and when she returned to her residence, she felt sad and sad in the storm and the singing of apes.
The whole poem is intertwined with fantasy and reality, full of romanticism.
The author created a beautiful image of Shan Gui through the combination of man and God.
She wore Ficus pumila, Laura, Shi Lan and Du Heng, and rode in a Mulan car pulled by a red leopard.
There is a flag made of cassia twig in the car, followed by a patterned cat. ...
Its clothing, food, shelter and transportation all have strong divinity and wildness, which is suitable for Shan Gui's position.
However, Shan Gui's appearance, posture and emotional changes are all manifestations of normal people.
She lamented that youth could not last forever, and looked forward to the early arrival of her lover. If she doesn't come, she will be sad and lonely.
This image creation of the unity of god and man is a consistent method in Qu Yuan's poems.
6. Nine Songs of Shan Gui is a nine-song Shan Gui.
If someone is a mountain, he will be led by Li Xi with a girl.
Laughing is awkward and appropriate, and children are eager for kindness and gentleness.
Ride the red leopard with the raccoon, and get married in the Xinyi car.
Shi Lan Xi took Du Heng, and he lost his mind.
The rest of the place can't see the sky, and the road is dangerous and difficult.
Table Independent xi Shan Ye, Cloud Capacity xi and Future.
It was dark, the east wind fell, and it rained.
I left practice and forgot to return. What will you do when you are old?
Three Hills Show, with Shi Lei Schiller Gorman.
Sorry, I forgot to go home, but I can't be idle when I miss you.
People in the mountains like Du Ruo. They drink rock springs and pine and cypress.
You think I'm suspicious.
Thunder is filled in the rain, which is invisible and the night is ringing.
The wind is rustling and the wood is rustling. I miss my son and I am worried.
7. Qu Yuan, Nine Songs Shan Gui If someone is a mountain, he will be led by Xue Mumei; Laughing is awkward and decent, and children are eager to be kind and gentle; Take the red leopard from the text, and the Xinyi car will be noble; Being brought to Du Heng by Shi Lan Xi, I lost my mind; The rest of the place can't see the sky, and the road can't be immune; Table independence and Yamanoe, cloud full capacity; It's dark, foggy, the east wind is falling, and the gods are raining; Stay in practice and forget to return. At the age of 20, you are embarrassed and grateful. Take "Three Shows in the Mountain" as an example, Shi Lei Schiller Gorman; Complaining that my son forgot to return it, you think I can't be idle; People in the mountains are fragrant with Du Ruoxiang and drink pine and cypress in Yanquan; You think I am suspicious; Thunder fills the rain, and the mouth of the cave rings at night; The wind is rustling and the wood is rustling, and the children are leaving the sorrow; Shan Gui's "Nine Songs" refers to a group of poems related to Chu people's sacrifices, which were rewritten on the basis of Chu people's belief in ghosts and gods and worship of Chu customs when Qu Yuan was exiled to the south of the Yangtze River.
Among them, the interpretation of the image of "Shan Gui" in Shan Gui and the understanding of the whole theme of "Shan Gui" are still inconclusive, and the understanding of the image and artistic conception of "Shan Gui" by researchers of Chu Ci has always been divided. There are the following statements: 1. Shan Gui is Yao Ji, the goddess of Wushan.
This statement was first put forward by Gu Chengtian in Qing Dynasty. "The Summary of Sikuquanshu" quoted his interpretation of "Nine Songs": "Shan Gui has a cloud: Chu Xiang, Wang Youyun, a dream girl named Yao Ji, which seems to refer to this matter throughout."
Mr Guo Moruo also holds this view. He quoted Shan Gui's sentence "Take three beautiful scenery in the mountain" and pointed out: "The mountain is Wushan. Where the word' Xi' in Chu Ci has the function of' jade', if the mountain is not Wushan, the word' jade' will be cumbersome. "
[1] Since Shan Gui explicitly mentioned "Wushan", what is this "Shan Gui" if it is not a "witch mountain goddess"? As soon as Guo Moruo's certificate came out, the theory that "Shan Gui is a goddess of Wushan" quickly became popular in the field of Chu Ci research. Contemporary researchers of Chu Ci, such as Ma Maoyuan, Chen Zizhan, Nie Shiqiao, Jin Kaicheng and Tang, all agree that Shan Gui in Shan Gui is the goddess of Wushan.
In Selected Songs of Chu, Mr. Ma Maoyuan not only demonstrated the function of the word "Yu" in Nine Songs, but also thought that the word "Yu" in Three Jues in the Mountain should not be interpreted as the original word, otherwise the word "Yu" would be repeated. Guo Moruo said that "Yushan" means "Wushan".
Because' jade' is an ancient witch and a loan word that appears at the same time. That's not bad. "
He also quoted Selected Works, Jiang Yan's Miscellaneous Poems, Notes on Shan Li and Wang Song and Shan Hai Jing? The related contents in Guyaoshan prove that the goddess Wushan is Yao Ji, the "seasonal daughter of the emperor", that is, the "female corpse" that the emperor turned into a grasshopper after his death in Shanhaijing; Ji Cao was named after Yao Ji's spiritual transformation. In Shan Hai Jing, it is called Ji Cao, and in Gao Li it is called Ganoderma lucidum, which shows that these two things are two in one.
Sanxiu' in this article is another name for Ganoderma lucidum. Then' take three shows in the mountains', so it is by no means a general narrative to express the lingering feelings of the goddess. "
[2] From the source of the "three shows", it seems that it provides a new proof for Shan Gui, the goddess of Wushan. 2. Grinch said.
The founder of the theory of ghosts and gods is Hong Xingzu, a scholar of Chu Ci in Song Dynasty. He wrote a supplementary note to Chu Ci? Shan Gui explained: "Zhuangzi said:' There are mountains and rivers'." Huainan said: "The mountain rises from the sun", and the Chu people sacrificed it. Is that so? "Quidditch is a thing, which is familiar in ancient books and is rumored to be strange.
Huaiyanzi Fuyang? "Yun Lun Xun" is a high-sounding note: "Mountain scenery is also. Humanoid, grown up, black face, body hair, turn your heels and smile at people. "
In later legends, the two are the same thing. Hong Xingzu believed that Shan Gui was the person who was sacrificed by Chu people.
Zhu's Notes on Chu Ci? Shan Gui said: "Mandarin says,' The wonders of wood and stone are confusing.' You mean this? "Wang Fuzhi's" Interpretation of Chu Ci "Volume II thought it was Confucius' wooden guest, that is, the five gods, who were things, fetuses and non-ghosts, and were called ghosts because of suspicion.
To sum up, Shan Gui should be the name of a wild animal south of the Yangtze River, which lives in mountainous areas, hence its name. Qu Zituo Shan Gui expressed his feelings.
Hong Xingzu, Wang Fuzhi and others say that "Shan Gui is a mandrill", and there are a lot of folklore to prove it. But are the so-called "Shan Gui" and "Shan Gui" in Jiuge the same thing? It needs to be studied carefully.
3. Think that "Shan Gui" is a mountain god. Amin scholar Wang Ai said, "What's the name of Shan Gui? ..... Beggars' ghosts and ghosts are commonly known, and this topic is called "Shan Gui", but it is still called Mountain God and Mountain God Yuner. "
[3] Neighbor Lu Kanru said: "Shan Gui" is a musical song of the Chu people who sacrificed to the mountain gods. [4] "The representative and influential is Ma Maoyuan's Selected Songs of Chu": "Shan Gui is a god in the mountains, so he is called a ghost because he is not righteous. "
This view is retained in his book The Integration of Songs of the South? Comments on Chu Ci? Shan Gui ",and stressed:" Shan Gui is a mountain god. In ancient books, ghosts and gods are often used together. "
This statement is also the most popular statement in modern research circles. 4. "Shan Gui" means "people and ghosts". In Ming Dynasty, Zhang Jingyuan's Annotation on Deleting Chuci said: "Note Shan Gui: Spirit, childe, monarch and people in the mountains all refer to the ghosts they worship."
Zhu Ji, a native of the Qing Dynasty, said: "The husband and ghost belong to the end of constant worship, that is, this county belongs to the altar, the spring and autumn festival, the worship of the earth and the valley, and there is no owner and no group, all over the country. It can be seen that this trend has continued to this day. " [5] Dai Zhenyun: "Shan Gui" six times, are Shan Gui with their blind date. You can also use Shan Gui's self-metaphor and use Shan Gui to cover it. It is also a pity for Shan Gui. "
[6] Others, such as Hu Wenying's "Qu Sao Zhang Zhi" and Wang Kaiyun's "Songs of the South", all call Shan Gui enshrined in Shan Gui. Among the above statements, the most popular one is that Shan Gui is a mountain god, and Guo Moruo and others call the mountain god the goddess of Wushan, which is also a widely accepted academic view in the field of Chu Ci research.
This paper tends to say that Shan Gui is a mountain god. There are still some doubts about the statement that the mountain god is the goddess of Wushan.
Because the usage of the word "Xi" is not a function word that cannot follow it. Only in Shan Gui, there is a saying that "the clouds are full of Xi". Although "Yu" has the ancient sound of "witch", it is isolated evidence in "Nine Chapters", which cannot prove that "Yu" is "witch".
If we look at the objects of sacrifice in Nine Chapters, Hebo and Mrs. Hexiang are all concrete objects of sacrifice, only the mountain gods have no clear reference, and the gods sacrificed in Nine Chapters.
8. Qu Yuan's Shan Gui describes the image of Shan Gui. 1. In this poem, Qu Yuan successfully shaped the artistic image of Shan Gui and warmly praised her excellent qualities of loyalty, love, purity and kindness. She has both divine temperament and human character. But in the final analysis, it is the image of a real person, a beautiful and moving girl.
2. Introduction to the original work
Shan Gui is the title of Nine Songs of Chu. There are many legends about Shan Gui's identity among Han people, such as goddess, goblin and mountain god. In order to sacrifice the song of the mountain god, the posture and costume of the god are all described by a woman. The content mostly shows sadness and sadness. Shan Gui is from the ninth song of Nine Songs. "Nine Songs" is a set of music songs offering sacrifices to gods, which is said to have been revised by Qu Yuan on the basis of folk music songs offering sacrifices to gods in Han nationality. There are many chapters describing the love life of ghosts and gods in Nine Songs, such as, Mrs. Xiang, Shao Siming and so on. Shan Gui, commonly known as the Mountain God, is still called "Shan Gui" because it has not been officially conferred by the Emperor of Heaven.
3. Introduction to the author
Qu Yuan (340-278 BC), a native of Chu in the Warring States Period, was named Mi, Qu, Ping and Yuan. "Li Sao" says: "The name is right and the word is elegant." Chu Danyang (now Yichang City, Hubei Province) is the son of Xiong Tong, the earliest romantic poet in China, the first great patriotic poet in the history of China literature, and the descendant of Qu Xian. His appearance marks that China's poetry has entered a new era from collective singing to solo.