Texture refers to the texture structure of the object surface, that is, various criss-crossing, uneven, rough and smooth texture changes, which express people's feelings about the texture characteristics of the design object surface. Generally speaking, texture and texture have similar meanings. As for the form factor of design, when texture and texture are linked together, on the one hand, it is felt by people as a form of material, on the other hand, it is reflected in the creation of new texture forms through advanced technology. Different materials and different technological methods can produce various texture effects and create rich external modeling forms. Texture in painting: In painting, texture is the product of the combination of material and expression, and it is the organizational structure and texture of a picture created by the author according to his own aesthetic orientation and feelings about the characteristics of objects, using different materials and materials and using different tools and performance skills. The surface of any object has its specific texture changes, and the magical visual feeling presented by this specific texture change is exactly the texture effect pursued by painting art. The aesthetic value of texture in painting art can not be underestimated, and it has aesthetic characteristics that are difficult to achieve by other means of expression.

Watercolor painting not only has gorgeous colors, elegant and fresh styles and rich forms of expression, but also has the indescribable, natural, realistic, magical and wonderful artistic effect that fascinates painters most. The effect of this blending of water and color is the natural image presented by the author's subjective and objective, intentional and unintentional creative activities. The special visual language presented by this object representation feature is the unique language charm of watercolor painting, that is, the texture beauty of watercolor painting.

Based on teaching and creative practice, this paper discusses the texture beauty of watercolor painting from several aspects.

First, the beauty of natural texture and artistic texture.

There are many kinds of nature, and there are many kinds of things in the world, which is the most basic element of visual image. Life is the source of artistic expression and artistic creation, so is watercolor landscape. Colorful sky, boundless sea waves, ancient walled wooden houses in cottages, misty dreams in the morning, winding ancient roads, wonderful rocks, charming sunshine, misty rain and fog, mottled vicissitudes of dead trees and vitality of seedlings all show the beauty of wonderful and changeable natural texture.

There is a layer of skin on the surface of an object. In nature, it has a variety of organizational structures, including smooth and bright, rough and mottled, light and soft, and heavy and hard. The texture changes on the surface of these objects make them form an objective natural form, that is, texture, which gives people different visual feelings. Texture is not all beautiful, only in a specific space, a specific environment, a specific light, can present a certain sense of beauty. It is from here that the painter draws artistic inspiration, applies this natural texture feeling to visual language expression appropriately, and creates artificial artistic texture beauty. For example, American painter Wise showed mottled paint, broken walls, rough fences and so on. Among his works, such as The Mill in Winter and The Apple Barrel. These images may not have any aesthetic feeling in life, but when they are artistically treated by painters, they present a brand-new artistic beauty, thus expressing specific aesthetic factors and significance. No matter what the form and content of watercolor painting is, it is not a simple reproduction of life, let alone a pure objective imitation. It is the sublimation and expression of the painter on the basis of his life experience.

Rodin once said: "The nature seen by artists is different from that seen by ordinary people." The reason is worth pondering. Those ordinary landscapes, once they become the object of artist's description, are endowed with special significance, that is, expressing their feelings through the scenery, so that their aesthetic concepts and spiritual pursuits can find an object to support them. In this particular situation, people and things, feelings and scenery are integrated. Once the natural texture is dissolved into the painter's emotion, it will stimulate the painter's creation of * * * *, making it the object of the painter's "exploit". They are artists who use various materials, tools, techniques, stunts and other methods to create a variety of vivid artistic textures, thus becoming a new visual language. For watercolor painting, the unique tools make it unique in texture creation, which is unmatched by other paintings. Of course, this artistic texture created by various means is a subjective texture of the painter. Even if it is spilled at will, it will leave the painter's subjective feelings about the object, which will make the artistic texture more aesthetic in a sense. ......

What is the structural texture of the city?

Texture refers to the texture of skin. The delicate, smooth, shiny and elastic skin is the pursuit of many women.

The expression of urban texture also lies in the hardware that can be witnessed and touched, such as blocks, roads, bridges, trees, flowers and plants, facilities and so on. Then color, height, elevation, volume, situation, etc. Intangible and perceptible aspects displayed by houses and included in cities, such as people's living habits, customs, behavior ethics, customs, culture and religion, etc.

Old Town of Lijiang, located in the northwest of Yunnan, has become the cultural capital of the world because of its unique and rich urban texture. The urban landscape remains unchanged year after year, the architectural color is simple and heavy, and the layout of streets and lanes is orderly, which is permeated with China's ancient thought of "the harmony between man and nature".

In recent years, the rapid urban construction has caused many excellent and rich urban textures to collapse. There are two county-level cities in northern Jiangsu. In just over a year, the old city was razed to the ground and the new city rose from the ground. This "big hand" was once widely publicized. However, people can no longer find a sense of identity, intimacy and belonging to this city. ...

The state of a city can be seen from the mechanism, and the spirit of a city can be reflected from the urban mechanism. The most profound thing about a city is its mechanism.

Graphic design has space, what else is texture? I need it urgently! ! 10 point

I'd better buy a book and read this. I am reading a book called Design Elements-Graphic Design Style, which I recommend to you.

Introduction to texture composition

Texture refers to the texture of the image surface. Texture, also known as texture, has a rough feeling, a smooth feeling and a soft and hard feeling due to different materials and different surface organization, arrangement and structure. Texture is an ideal surface feature. Texture composition refers to the texture design of different material surfaces by certain means.

What is color texture?

Color texture is definitely color texture! Black and white are also colors, so don't be ossified by books and some theories when you study.

Texture is a unique aesthetic feature of plastic arts, which shows different feelings because of different tools or materials. It is the texture structure of the object surface, that is, all kinds of crisscross, uneven, rough and smooth texture changes. For example, the texture of oil painting and Chinese painting is different, because the tools and materials used are different. In addition, in many contemporary works of art, a large number of materials in the exhibition are used, forming a variety of texture effects. The reason why it has become one of the artistic languages lies in the aesthetics expressed by different tools and materials, and it has become one of the important parts for artists to express various emotions and thoughts.

In painting, texture is the product of the combination of material and expression, and it is a kind of picture organization created by the author according to his own aesthetic orientation and feeling of image characteristics, using different materials, tools and performance skills.

How to analyze the environment texture? What is environmental texture?

I can give you some ideas ~ ~

Texture is the texture and random direction of something.

Just like the wrinkles of human skin, the skin of trees, the casual feeling you drop on paper, the thread on your hand and so on. This naturally formed, randomly formed and drawn texture can all be called texture.

I think your so-called plane texture can be understood as paper texture, which is to transform texture into plane and paper. I don't know if this definition is correct, but I don't quite agree with the word plane texture!

But my advice to you is not painting, but feeling. A painting is not necessarily a painting.

For example:

1, you can take a napkin and fold it a few times at will, then gently dip it in ink. Remember to "print" your drawing paper when the ink is almost absorbed. Different strengths will have different effects, and different folding methods will also have different effects! The key depends on your change. Remember to try more good works! Art is accumulated experience ~ ~!

2. You can draw directly on the paper without adding water (oil), and then form different layers on the surface. If you don't think the effect is very good, you can also draw lines on it directly with an oil painting knife or something, and then dry it to make a work. If you don't think it's smooth enough, well, please copy it, and the effect will definitely surprise you ~ again, more practice can make a good work ~ ~!

Well, time is limited, that's all. I don't know if it is what you want. The most important thing is that you can draw inferences from others!

Three-dimensional texture structure

In the three-dimensional composition, texture refers to the texture of the material surface, the tactile and visual touch given by the structural organization. According to the source, it can be divided into the texture of the material itself (Japanese wood grain, marble grain, etc. ) and artificially processed textures (such as wood-based panels imitating wood grain, artificial stones imitating marble texture, and textures formed by the combination of various materials, etc. In addition, textures can be divided into tactile priority textures and visual priority textures according to different human feelings. What can be felt through the touch of human skin is called visual priority texture. The texture in stereoscopic composition is often a comprehensive texture of touch and vision, and both visual feeling and touch can be obtained. Touch is a special feeling of human body. All kinds of external * * * (cold, hot, soft, hard, slippery, rough, etc. ) are transmitted to the brain through nerve endings distributed in the skin, which makes the human body have a comprehensive feeling, which is more complicated than hearing and vision. For example, an experienced ceramist can judge the quality of clay and porcelain fired with it by touch. Therefore, touch is the main means to bring us a sense of texture. Through the sense of touch, we can feel the cold, hot, soft, hard, slippery and rough properties of objects. Another kind of texture comes from vision. For example, if we drown in the sea from high altitude, the blue sea surface will convey the texture of the sea surface to us through vision. Another example is standing on the mountainside and watching the sea of clouds. Although we can't feel the sea of clouds through touch, we can still feel the special texture of the sea of clouds through vision. Different textures will bring different psychological feelings to people. For example, marble texture expresses luxurious and elegant artistic conception, while cloth texture conveys cordial, soft and simple artistic conception. At the same time, different textures will produce different glossiness and surface impression because of the different spatial distribution of reflected light. For example, the delicate and bright surface has strong reflective ability, which will give people a light, lively and cold feeling; Smooth and dull surface, due to less light reflection, will give people a subtle, quiet and simple feeling; Rough and shiny surface will give people a heavy, messy and heavy feeling, because there are many reflected light spots; Rough and dull quality will make people feel vivid, steady and distant. In the three-dimensional composition, texture does not exist independently, but belongs to the detail treatment of modeling, which is equivalent to the material selection and surface treatment of products. Texture has the following functions in three-dimensional composition: ① Texture can enhance the three-dimensional sense. For example, different texture treatments on the surface and side of a shape can enhance the three-dimensional sense and layering of the shape. This function of texture is determined by the shape of texture and the relationship between segmentation and configuration. ② Texture can enrich three-dimensional expression. Different textures will present different expressions and features. In order to give full play to this function of texture, we often put texture in the part that we often see in the line of sight when we make three-dimensional composition. ③ Texture also has intelligent significance. In other words, different textures will remind us of their functions and uses. Special textures such as bottle caps, knobs and switches will guide us to use our bodies. In order to give full play to this function of texture, we can arrange texture to be used in the parts that we often come into contact with in three-dimensional composition. Texture composed of similar materials can produce harmonious and unified effect, but monotony and rigidity should be avoided; However, the textures of different materials will produce various effects, but attention should be paid to avoid disorder. To sum up, in three-dimensional creation, it is necessary to choose the appropriate texture to express the work. At the same time, the harmony of texture, modeling and color is also the guarantee to create good three-dimensional composition works.

Please discuss the relationship between color and space, area, position and texture.

First of all, color and space (1) color, which is not an abstract concept, can dominate people's feelings. For example, when you see red, you associate it with the sun, the source of all life, so that you feel reverence and greatness, and also associate it with blood, making you feel uneasy and barbaric. When we see the yellow-green color, we associate it with the germination and growth of plants and feel the coming of spring, so we regard it as youth, vitality, hope, development, peace and so on. As the carrier of visual color, the area and position contrast form of color always have a certain area, so in this sense, area is also an indispensable feature of color. In the practice of art design, although the choice of color is appropriate, it often leads to mistakes due to improper control of area and position. The relationship between color contrast and area (1) tone combination, only the colors of the same area can compare the actual differences and compete with each other, and the contrast effect is relatively strong. (2) The attributes of both parties remain unchanged. On the one hand, increasing the area will gain the area advantage, while on the other hand, reducing the area will weaken the color contrast. (3) The color attribute remains unchanged. With the increase of area, the visual strength is enhanced, and vice versa. Therefore, large-scale color contrast can cause dazzling effects. For example, in environmental art design, the exterior walls and interior walls of buildings generally use high-definition and low-purity colors to reduce the intensity of contrast and create a bright and comfortable effect. (4) The color stability in large area is high, which has great influence on the contrast of other colors; On the contrary, it is less affected by other color illusions. (5) Colors with the same properties and areas have a great relationship with the aggregation, dispersion and stability of shapes. Those with higher degree of shape polymerization are less influenced by other colors and have higher attention, and vice versa. Such as outdoor advertising, posters, etc., generally focus on color to achieve the effect of attracting attention. The relationship between color contrast and position (1) The closer the color distance on both sides, the better the contrast effect, and vice versa. (2) When the two sides touch and cut into each other, the contrast effect is stronger. (3) When one color surrounds another, the contrast effect is the strongest. (4) In the works, the key colors are generally set in the visual center, which is the most eye-catching. For example, four intersections of well-shaped combination. The texture contrast of color is closely related to the material properties of the object and the surface texture of the image, and the tactile texture and visual experience of the surface affect the color perception. (1) Compare the colors of both sides. If different materials are used, the contrast effect will be more interesting. (2) If the same color or the same color is matched, you can choose different texture materials to make up for the monotony. If the same red roses are printed on thin nylon sand windows and thick sofa fabrics, their decorative effects will become a series of supporting facilities, which have the charm of changing materials and colors. (3) In painting and color expression, the application of various pigments and painting tools can produce different texture effects, such as watercolor, gouache, oil painting, acrylic pigments and crayons, McDonald's, pens, brushes and other brushes. (4) The same pigment creates many wonderful texture effects in different ways, thus enhancing the interest and emotional beauty of color. Such as spreading, spreading, coating, preventing, pulling, spreading, coating, spreading, dyeing, hooking, spraying, binding, dripping, brushing, encircling and spotting.

Texture painting

In painting, texture is the product of the combination of material and expression, and it is the organizational structure and texture of a picture created by the author according to his own aesthetic orientation and feelings about the characteristics of objects, using different materials, tools and performance skills. The surface of any object has its specific texture changes, and the magical visual feeling presented by this specific texture change is exactly the texture effect pursued by painting art. The aesthetic value of texture in painting art can not be underestimated, and it has aesthetic characteristics that are difficult to achieve by other means of expression. Watercolor painting not only has gorgeous colors, elegant and fresh styles and rich forms of expression, but also has the indescribable, natural, realistic, magical and wonderful artistic effect that fascinates painters most. The effect of this blending of water and color is the natural image presented by the author's subjective and objective, intentional and unintentional creative activities. The special visual language presented by this object representation feature is the unique language charm of watercolor painting, that is, the texture beauty of watercolor painting. Based on teaching and creative practice, this paper discusses the texture beauty of watercolor painting from several aspects. There are many kinds of nature, and there are many kinds of things in the world, which is the most basic element of visual image. Life is the source of artistic expression and artistic creation, so is watercolor landscape. Colorful sky, boundless sea waves, ancient walled wooden houses in cottages, misty dreams in the morning, winding ancient roads, wonderful rocks, charming sunshine, misty rain and fog, mottled vicissitudes of dead trees and vitality of seedlings all show the beauty of wonderful and changeable natural texture. There is a layer of skin on the surface of an object. In nature, it has a variety of organizational structures, including smooth and bright, rough and mottled, light and soft, and heavy and hard. The texture changes on the surface of these objects make them form an objective natural form, that is, texture, which gives people different visual feelings. Texture is not all beautiful, only in a specific space, a specific environment, a specific light, can present a certain sense of beauty. It is from here that the painter draws artistic inspiration, applies this natural texture feeling to visual language expression appropriately, and creates artificial artistic texture beauty. For example, American painter Wise showed mottled paint, broken walls, rough fences and so on. Among his works, such as The Mill in Winter and The Apple Barrel. These images may not have any aesthetic feeling in life, but when they are artistically treated by painters, they present a brand-new artistic beauty, thus expressing specific aesthetic factors and significance. No matter what the form and content of watercolor painting is, it is not a simple reproduction of life, let alone a pure objective imitation. It is the sublimation and expression of the painter on the basis of his life experience. Rodin once said: "The nature seen by artists is different from that seen by ordinary people." The reason is worth pondering. Those ordinary landscapes, once they become the objects described by artists, are endowed with special significance, that is, to express their feelings through landscapes, so that their aesthetic concepts and spiritual pursuits can find an object to express themselves. In this particular situation, people and things, feelings and scenery are integrated. Once the natural texture is dissolved into the painter's emotion, it will stimulate the painter's creation of * * * *, making it the object of the painter's "exploit". They are artists who use various materials, tools, techniques, stunts and other methods to create a variety of vivid artistic textures, thus becoming a new visual language. For watercolor painting, the unique tools make it unique in texture creation, which is unmatched by other paintings. Of course, this artistic texture made by various means is a subjective texture of the painter. Even if it is spilled at will, it will leave the painter's subjective feelings about the object, which makes the artistic texture more aesthetic in a sense. The application of artistic texture in artistic practice can not only enrich the expressive force of art, but also increase the vividness and interest of the picture. When facing the majestic Taihang Mountain, layers of rocks and axe-shaped stone marks make us feel the inner touching power of nature. When you are in the ancient town of Jiangnan water town with fireworks in March, in the faint morning fog, the water drips seriously, the air is beautiful and the drizzle is silent, giving people a faint and meaningful hazy beauty. This is not only the beauty of the appearance of nature and objects, but also the deeper artistic beauty behind these appearances and visible textures. All kinds of natural textures are related to people's psychological imagination, and all kinds of natural texture patterns are regarded as ......

What are the texture composition pictures of graphic design?

Plane composition design is a visual art, one of the indispensable training means of modern art design, and the basis of guiding the establishment of rational thinking. As a training method based on design, it is mainly decomposed and combined in a certain order and law on the two-dimensional plane, thus forming an ideal combination form.

Constitutive art originated from the constructivism school of Henggross in the early 20th century, with Tatlin, Malevich and others as the main representatives. Constitutive art is a theme painting style, which breaks away from the tradition of plastic arts to reproduce visual feelings and rejects the ideology, image and nationality of art. It transforms geometric features such as points, lines, surfaces and various shapes and figures into symbolic visual symbols, forming a new modeling concept. It is widely used.

Examples; Visual communication design, decoration, environmental art, clothing, industry, ceramics and furniture and many other aspects.

Constructivism is a teaching system mainly composed of plane, three-dimensional and color.

Plane composition is an orderly and reasonable arrangement of points, lines and surfaces in two-dimensional space, with regular and irregular bones, basic shape, texture and spatial expression.

There are simplicity and complexity, orthomorphic and negative, independent and connected, tangible and colorful, and arbitrary division.

The form should be beautiful, the proportion should be exquisite, and there should be rhythm and rhythm. There should be change, unity, symmetry, balance, contrast and harmony. We should seek change in opposition and unity in change.

(1) concept elements;

(1) point; Unlike points in geometry, they are visible in plane composition. Points can be expressed in the form of faces. Points can be divided into size, density and strength. Grasping the relationship between points, lines and surfaces includes scattered points, imaginary points, line points, surface points, gradual changes, irregular points and erroneous views.

(2) line; In geometry, lines have position and length, but no width and thickness. In composition design, there are not only the position and length, but also the changes of composition, space and direction, forming various decorative lines. Thick lines are strong and thin lines are sharp. The composition of lines has a relationship between distance, vertical lines have a sense of solemn rise, horizontal lines have a sense of quietness, diagonal lines have a sense of moving speed, and curves have a sense of freedom and softness.

Faceted line; Large-scale use of lines will form the feeling curve of the surface, cause the feeling of the surface, tilt the straight line and distort the feeling of the surface. The effect caused by the change of line direction and density can cause the feeling of curved surface.

(3) surface; Geometrically, a surface is a trajectory formed by linear motion. Different lines with different lengths, thicknesses, directions and distances can form different surfaces. The shape of the surface reflects the overall, thick, solid and stable visual effect. There are geometric surfaces, organic surfaces, natural shapes and people's accidental shapes and freehand shapes. In addition, the illusion of surface, ground and surface is also commonly used in plane composition.

(2) visual elements; Shape, size, color, texture, direction, center and position

(1) shape; Any shape composed of position, direction, light and shade, color, texture and other factors is the shape of human visual perception. That is to say, anything that can be seen must be in the shape of something that can be seen.

(2) size; It is comparative. Contrast is one of the elements of China's formal beauty. For example, peanuts are smaller than potatoes and potatoes are smaller than pumpkins, but you don't need a ruler to measure them.

(3) color; Only with it can we see the shape clearly from the environment, and all visual images are caused by color and lightness.

(4) Texture It is the organizational structure of the material surface, which can be flat and uniform, or rough and tactile.

(5) direction; The direction of the image determines the visual direction of the viewer, and also determines the relationship between the image and the frame or other images.

(6) The center of gravity in plane composition generally refers to people's sense of psychological balance in form, and any form is naturally in a state of balance.

(7) position; In composition, any form of position exists relative to other forms.

(3) Relationship elements; The organization and arrangement of visual elements on the screen, including direction, position and center of gravity, is determined by relational elements.

(D) the basic form of plane structure

1, geometry; Square circular triangle

2. Natural shape; It is a concrete and objective visual characteristic image. People, birds, flowers, mountains, rivers and other macro and micro, from celestial bodies to cells. The beauty summed up from it is the basis of modeling and a typical example of stimulating imagination.

③ Accidental shape; It is an unconscious and accidental shape, such as the splash of broken ink bottles and the traces of paint flowing.

(1) color blowing method; Drop some pigment on the paper and blow it, which will produce all kinds of splashing and irregular patterns.

(2) ......