People often say that we are "modern people" and we should learn modern Chinese. Modern Chinese education should focus on "practicality". Classical Chinese is no longer used, at least it was written hundreds of years ago. It is a backward and even obsolete language. Why should modern people study again? If they study again, they may be detained, imprisoned or even poisoned, which is not conducive to application.
There is a simple cognitive logic hidden in it: Vernacular is equal to "modernity", "progress", "democracy" and "freedom", while Classical is equal to "non-modernity", "backwardness", "stale", "closure" and "imprisonment". It contains a simple practical logic: what is used in modern life can be directly learned, and what is not used in modern life can be directly discarded.
In fact, the simple cognitive logic of classical Chinese and vernacular Chinese existed as early as the first half of the 20th century. Let's listen carefully to what Mr. Lin Yutang, who is based on Chinese and western cultures, said:
"Gu Xuecheng can't be disease-free, and modern people can't just read ancient books. It goes without saying, but when they see ancient books, they regard them as drugs. The sun can't blow the gale, which is a bit suspicious. Modern people are familiar with ancient and modern times, so they don't read any translated works, foreign books, foreign words, foreign words and foreign pollution. " Historical Records and Hanshu are never vivid, and The Book of Songs and Zuo Zhuan are ignorant. Isn't it also the poison of China and foreign countries? "
In China's classical poems, there are dross and essence, just as there is language rubbish and language pearls and jade in vernacular Chinese. For primary and secondary school textbooks, we should accept both ancient and modern, and we should not be paranoid, or biased towards the ancient, or biased towards the present, or biased towards the present. The key is to choose and choose appropriate teaching materials. The purpose of "the past is far-reaching, and the present is good and solid". Both must be used at the same time to get interesting words. ""Mandarin must be elegant and healthy, and there must be two sources: vernacular and classical Chinese. "Mr. Lin Yutang also said that whether classical Chinese and vernacular Chinese are modern or conservative depends not on" authenticity "but on whether the writing is modern. If writing is today's language, even if it is interspersed with "people who are coming soon", it doesn't matter, and it can't hurt elegance; If the text is a statement, even if it is interspersed with "Ma Ba", it is still nonsense. The reason is real and floating. Therefore, Lin Yutang said, I would rather write "vernacular classical Chinese" (simple and simple classical Chinese that is easy to understand, elegant and popular) than "vernacular classical Chinese" (seemingly colloquial, but actually tedious and confusing).
Let's think it over. Even today, Sima Qian's Historical Records is still profound. Even today, Li Bai's poems are majestic and proud, and even today, they are superb. The quality of The Book of Songs, the charm of Tang poetry and the beauty of Song lyrics have all become swan songs in the history of culture and literature. Can we say these are "non-modern", "conservative" and "closed"?
China's classical poems and essays have a greater influence on students' spirit and sense of language. Poems written by ancient sages such as Qu Yuan, Sima Qian, Li Bai and Su Shi in classical Chinese are brilliant "spiritual lighthouses", which have been shining for thousands of years and bathed in ancient and modern times. Their souls have a long spiritual journey in classical Chinese. Today, we let students "follow the trail" through "classical Chinese", which is a spiritual experience for students again and again. Constant "walking" and "experience" are the spiritual accumulation, spiritual memory and spiritual inheritance of the nation! It is also the formation of language sense. Li, a writer, said in the 1940s: "People who have read a little poetry, such as orioles, swallows, pigeons, cuckoos and other birds, naturally feel completely different from those who have never read poetry. We see everything through the poet's eyes and listen to everything through the poet's ears, as if adding a feeling; Those who have never read poetry seem to be blind and deaf, and their life experience is naturally much worse. " Poetry here refers to classical poetry, so quantitative accumulation is the formation of language sense and spiritual temperament. I'm afraid all these are irreplaceable by simply learning vernacular poems.
In addition, if we must follow the principle of "what to learn and what to use"; If we don't need anything, we will throw it away. So, should we put a lot of product manuals, market research reports, SMS, QQ chat, etc. In modern Chinese textbooks? Because they are used the most today!
Lu Xun, Hu Shi and Guo Moruo opposed classical Chinese, mostly from the perspective of political, ideological and social changes. However, their own classical Chinese literacy has been extremely strong as early as adolescence, so no matter how strongly they oppose classical Chinese as adults, they can't resist the beneficial nourishment of classical Chinese. Your knowledge of classical Chinese or cultural foundation will not become thinner. However, if the "Chinese teachers" born in the 1950s, 1960s and 1970s have a shallow foundation in classical Chinese, but they also follow the masters and echo "abandoning classical Chinese" in unison, then we may "abandon the beacon of Chinese studies", "the cultural foundation of several generations" and "the foundation of vernacular Chinese" at the same time. Let generations of "vernacular" become "duckweed"! This is not an alarmist. Because the words of modern mainland literati are becoming vulgar, and the language of teenagers is also becoming "junk" under the impact of "network language" and "business language"
2. I read 600 words of classical Chinese composition for the first time in junior high school. Since the fifth grade, I have tried to read ancient Chinese. Like the original paragraphs in Peach Blossom Spring, Yueyang Tower and Wen Xin Diao Long, I can memorize some paragraphs in Tao Te Ching, but I can't put down some ancient poems and songs after reading them. I love reading ancient Chinese just like writing calligraphy, so I can forget to read and write. It is a cultural treasure that embodies countless wisdom of ancient sages in China. Reading ancient Chinese poetry has benefited me a lot. For example, Li Bai, a poet, wrote, "Five flowers, a thousand gold and a thousand furs, give them to the boy in exchange for good wine." His poems are bold and unrestrained. Du Fu's "Although the country is broken, the mountains and rivers last forever, and the vegetation turns green in spring" makes people unable to hide their thoughts after reading it. Alas, a letter from home is worth a thousand pounds of gold. Just as Confucius said, "It's a pleasure to learn from the times." There must be a teacher to learn from me, choose the good and follow it, and change it if it is not good. "These words let me appreciate life, feel life, improve my personality, and also let me learn how to be an upright person and fully enjoy the fullness and happiness of life. The Chinese nation has a history of 5,000 years, and how many good articles have been left. The story of Yueyang Tower is an article that many people have memorized since childhood, and it is still catchy when they grow up. When the spring is bright and the flowers are overflowing, people will become happy and excited and indulge in the scenery. It's wonderful! With the help of the ancient theory of benevolence, the author warns people to have the feeling of worrying about the world first, never forget the country and always be patriotic. Every time I recite it, I feel intoxicated and intoxicated. Another gain from reading ancient Chinese is that I often look up dictionaries and count strokes. I really realize that dictionaries are the best teachers. Only by reading ancient prose, reciting poems and looking up dictionaries can I learn more words and realize that many words are meaningful. There are many words with other meanings. I know that the dictionary covers the rich knowledge of astronomy, geography and history of the Chinese nation. Looking up the dictionary has benefited me for life. By studying ancient Chinese, I gradually understood some methods. As the saying goes, "Reading a book a hundred times speaks for itself". Reading more books, especially reciting them repeatedly, is a magic weapon to learn classical Chinese. Learning ancient Chinese should be rhythmic, fast and slow. You should have a sense of rhythm, tone, stiff eyes, feelings, momentum and the meaning contained in the text, which can not be understood at once, but gradually realized, understood and perceived through repeated reading. So I summed it up, learning ancient prose should master the basic knowledge structure, understand the correct meaning of ancient prose, read more and be familiar with it. Reading ancient prose, poetry and music is like walking on a shady path. Once upon a time, I let my thoughts fly to the junction of water and sky in the south of the Yangtze River, listening to the fishing boat singing late and wondering whether the midnight bell is welcoming the passenger ship; Once upon a time, I also thought about reading more books, learning some real skills, laughing and watching the sky go out, and singing whether my generation is wormwood. Learning ancient prose and poetry is the best spiritual enjoyment, just like drinking tea, the more you drink, the more fragrant it becomes.
Looking back on the feeling of writing classical Chinese in junior high school, I like classical Chinese very much, which can be said to have reached the point of obsession.
I have been studying ancient Chinese since the fifth grade. Before that, I occasionally came into contact with ancient prose, but I didn't study it in depth. I was immediately attracted by the charm of ancient Chinese when I picked up the Chinese book and saw a text "The Son of a Teenager".
From that day on, I fell in love with classical Chinese. Pick up ancient books to study as soon as you have time every day. I always think about the meaning of classical Chinese by myself. When I have determined my own ideas, I will compare the translation behind the classical Chinese with my own ideas. If I think this is right, I will be very happy. If I feel wrong, I will still be happy. I am glad that I have gained another knowledge, and then I will firmly remember this knowledge point.
Once, the book corner in the class borrowed a set of books. One of the books is called Lao Zi Zhuangzi. Most students saw this book and threw it away. When I saw this book, my eyes lit up and I immediately caught it. When I registered, I complained that the administrator was too slow, which would delay my reading time.
I read greedily like a hungry wolf. I am eager for knowledge. I savor this masterpiece carefully and feel the thinking space brought by ancient prose, as if wandering in the firmament of knowledge.
When turning the page, I closed my eyes and carefully recalled the ancient prose I had just understood. I opened my eyes again and felt the next ancient prose that brought me more knowledge ... I found that Lao Zi and Zhuangzi, two great thinkers, had been reflecting on various "Tao". Although Lao Zi and Zhuangzi expressed Tao in different ways, Lao Zi used direct narration. I also found that Lao Zi and Zhuangzi had some contradictions. For example, Lao Tzu thought that "everything in the world belongs to man" and Zhuangzi thought that "everything in the world belongs to nature". Although their views are different, the starting point is good and the reason is there. Therefore, we can't say which is right and which is wrong.
I hope I can continue to learn longer, more difficult and more difficult ancient Chinese in the future. This is my pursuit of knowledge and my hope for the future! I like classical Chinese best, because one sentence can express thousands of meanings and make me feel rich and interesting. While thinking about classical Chinese, you can also exercise your thinking ability. Although there are not many words in ancient Chinese, the meaning is very incisive. China's ancient Chinese characters are concise, very refined, intriguing and profound.
4. Find the perfect score 1 for the classical Chinese composition in the senior high school entrance examination. Death of Red Rabbit In the 26th year of Jian 'an in Jiang Xinjie, in 22 1 year, Guan Yu left Maicheng, suffered a crushing defeat, refused to surrender, and was victimized by Sun Quan.
Its mount, Red Rabbit Horse, was given to Ma Zhong by Sun Quan. One day, Ma Zhong went to the table: Red hare fasted for several days and was dying.
Sun Quan was frightened, so he called on Boshi, a famous man in Jiangdong. After being Bole, this man is said to be proficient in horse language.
Ma Zhong led Bob back to the house and went to the trough. He saw Red Rabbit lying on the ground, sobbing. Everyone is puzzled, but Bo likes to know.
Bo shrugged off the soldiers, caressed their backs and sighed: "In the past, Cao Cao's" Although the tortoise lives long "said:' The old horse crouches in the tiger, and its ambition is thousands of miles. The martyrs were full of courage in their later years.
I know you miss General Guan's kindness and want to follow him underground. However, on that day, the White Gate Tower in Lv Fengxian was killed, and you are no longer so dependent on each other. Why isn't such a suicide thousands of miles away today? "Red hare hissed and sighed," Try it:' When a bird is dying, its song is also sad; The dying man speaks the truth.
I am lucky to meet you today, sir, but I can tell you from the bottom of my heart. I was born in Xiliang and was later acquired by Dong Zhuo. This man was arrogant and killed Shaodi and Wolong Bed. He is really a thief, and I hate his guts. "
Bo Xi nodded and said, "I heard later that Marotta proposed to dedicate you to Lu Bu, who is the bravest general in the world. Everyone said,' Lu Bu is in the crowd, and Red Rabbit is in the horse pile.' I think it is worthy of your ambition. "
Red hare sighed and said, "It's not fair. Lyu3 bu4 this person is the most treacherous, killing Ding Yuan for honor, stabbing Dong Zhuo for beauty, taking Xuzhou for Liu Bei, marrying Yuan Shu, and beheading his marriage envoy.
Being as famous as such a dishonest person is a great shame in my life. Later, he returned to Cao Cao, and his men were like clouds, but no one was a hero. I'm afraid I'll only be humiliated by slaves and die in the gutter.
Later, Cao Cao gave me to General Guan; I have seen Hulao Pass's military courage and kindness on the White Gate Tower, and I have admired him for a long time. General Guan saw my great joy and thanked Cao Cao.
When Cao Cao asked why, General Guan replied, "I know this horse travels thousands of miles every day, but it is a good thing now." . If I know where my brother is tomorrow, I can see him in a day. He is so honest.
As the saying goes,' husband and wife fly far with birds, and the quality of people is high'. Dare I not pay for my death? Bo was very happy when he heard this, and sighed and said, "Everyone says that General Guan is an honest man." What I heard today is true. "
Red hare sobbed and said, "I have tasted the lofty meaning of not eating Boyi and Shu Qi in Zhou Su. Jade can be broken without damaging its whiteness, and bamboo can be broken without destroying its knots.
Scholars die for friends, and people live for sincerity. Am I willing to eat my vegetarian food and live in the world? "Say, Voldemort died. Bo Xi burst into tears and said, "How can people be inferior when things are like this?" "After sun quan.
Quan also cried: "I didn't know Yunshang was so honest. Now this loyal man has been hurt by me. How can I see the whole world? " After Sun Quan passed the decree, Guan Yu and his son were buried with Red Rabbit. Comments This article is an impromptu composition on the topic of "honesty" on 200 1, written by Nanjing candidates.
After reading this article, it is amazing. First, the story is novel.
The author is familiar with the story of the Three Kingdoms, and has made up a touching story about the death of Red Rabbit for honesty. His imagination is really rich. The second is to aim high.
In this paper, the red rabbit horse is personified, which makes it show the praise and criticism of Guan Yu, Dong Zhuo and Lu Bu in the dialogue with Bo, thus realizing the theme that "a true hero must be honest". It is accompanied by "the husband and wife fly far away, and the quality of people is high" and "things are like this, why can people be inferior?" , expressed the ambition of choosing goodness and sticking to integrity in life, and made the thought of the article by going up one flight of stairs. Third, the language is outdated.
The simple classical Chinese style of Romance of the Three Kingdoms is used throughout, which is scattered and miscellaneous, easy to understand, and full of literary talent. This sophisticated language skill is beyond the reach of ordinary candidates. 2. Turn to Geng Liang (Beijing examinee 2003) and taste: Vultures belong to the same family, named falcons, and hunt in the wild.
In the year of drought, plants and trees withered, roe deer and rabbits fought for their lives, and flocks of falcons were exhausted. Or fight the sky, migrate to the HarmonyOS system, and seek the top of the mountain; Or put away your wings and feathers, jump on the dust and settle for carrion.
The former is proud of the eagle, while the latter is ashamed of the vulture. I heard here that the year of drought was also a turning point for the Falcon family.
At this time, your ambition is different, and your future is different. Where to belong and what to do.
Everything in the world, the turning point of Austria is not only here, but also everywhere. Have you ever seen a clear spring flowing in a big stone? It's also the turn of spring.
Choose to retire, hide in the shade of stone, hide in the forest, but not famous in the world, long-term decay will not heal; Those who choose to enter, fearless when encountering obstacles, repeatedly hit millions of times, but became a ravine and stopped the boat. Did you see the wind blocking the cliff? The wind of this turn is also.
Those who choose to avoid are scattered outside the mountain, invisible for a while and disappearing for a while; Those who choose to move forward will continue to grind for hundreds of billions of years, and it will be a day covered with red deserts and flying sand. However, the shape of things depends on the turning point.
On the other hand, in the long river of history, there is no choice but to turn around. Priscilla's action and Sun Shuaio's official position are all due to the suffering of adversity.
However, moving away from the heart of history, determined but not easy, tortured but not discouraged, resolutely chose life under heavy humiliation, and finally there was a history of swan song and no rhyme, which made later scholars sigh. There is also the ambition of the marquis of Wu, who inherited the virtues of the first emperor, devoted himself to serving the country, and pointed his sword at the Central Plains.
Although the plan is for the street pavilion, I will not choose to retreat, then set off four times, and finally make a name for myself and lament for the ages. From this point of view, most people who transfer are trapped.
Only those who have ambition and never give up can become excellent people. Small setbacks come back, and they can't be counted for thousands of years, but those who left their names are not there! It is known that there will be people who fall into the dust and mud, those who choose to die, and those who choose to rise, and they will gain enough; When an ape climbed to the cliff, someone must have accidentally broken his arm. People who lose confidence will die, and those who struggle will gain magical skills.
People are bound to stumble in the wind and rain, and those who choose a quiet life will find a hole to live in seclusion for life; If you choose to stand proudly, you will walk silently, wait for the rainbow to be picturesque, and then climb the flat road and soak in the breeze. Don't bend over to fight rice. Tao Qian chose to retire and gave up his glory, so "Back to Xi" was told through the ages; Facing the sword, spear and halberd without fear, Wen Tianxiang chose to die and abandon his official position. This is a burning eye and a heart that shines forever.
Yu Yu is lamenting: where to go and where to go, everyone has their own wishes and cannot be imposed; However, those who spread benevolence and righteousness to the whole world and to future generations must be people who are not afraid of difficulties and are determined to be angry! Judging from the specific content and writing skills of the comments, this article can be described as an extraordinary opening; It is of far-reaching significance to argue with "ambition"; Digging is not shallow; Cleverly close the beam, see the topic.
5. Who can provide some ancient poems suitable for junior high school composition? There are four or five villages, six or seven pavilions and eighty or ninety flowers in digital poetry. I wonder who cut these beautiful leaves. The spring breeze in February is like scissors. In the Heron Pavilion, Wang Zhihuan, the mountains cover the day and the sea drains the golden river, but you have broadened your horizons by 300 miles, going up a storey still higher, Xiao Chun and Meng Haoran. I woke up easily in this spring morning, and birds were singing everywhere. How much do you know about the sound of wind and rain at night? If you want to drink pipa, you should urge it immediately. How many people fought in ancient times? The northern dynasty folk song "Chile Song", at the foot of Yinshan Mountain. The sky is like a dome, and the cage covers all fields. The sky is grey, the wild is boundless, and the wind blows the grass and the cattle and sheep are low. Wang Changling, Furong Inn and Xin Jian parted, entered Wu on a cold rainy night, Luoyang relatives and friends asked each other, and there was ice in the jade pot. There is an isolated city, Wan Ren Mountain, above the white clouds of the Yellow River in Wang Zhihuan. The Qiang people's long March has not yet returned. But the dragon city will fly, and flax will not teach Huayin Mountain. Chai Lu, Wang Wei, there seems to be no one on the empty mountain. However, I think I heard a voice. The sunlight there shot into a forest from the moss and shone back on Yuan Er, the messenger I sent to Anxi, Wang Wei and the Acropolis. The green willow in the guest house is new in color. I advise you to have one more drink and go out of Yangguan for no reason. Wang Wei, who missed his brothers' mountain holidays in Shandong, missed his relatives in a foreign land every holiday. He knew his brother's climbing place from a distance. One person is missing from the dogwood. In the silent night, I miss Li Bai. There is such a bright line at the foot of my bed. Is there frost there already? Looking up, I found it was moonlight, sinking again, and I suddenly remembered home. When I was a child, I didn't know the moon, so I called it a white jade plate. I also suspect that Yao Taijing flew at the end of Yun Lan. Looking at Lushan Waterfall, Li Bai's Rizhao incense burner produces purple smoke. Looking at Qianchuan Waterfall, it went straight down to thousands of feet, and it was suspected that the Milky Way had fallen for nine days. I gave it to Wang Lun, Li Bai, who was about to leave by boat. Suddenly, I heard singing on the shore. Peach Blossom Pond is deeper in thousands of feet than in Wang Lun. The Yellow Crane Tower, an old friend of Meng Haoran, was bid farewell to Li Bai in Yangzhou. Fireworks went down to Yangzhou in March. Sailing alone, only the Yangtze River flows in the sky. Arrive in Bai Di City ahead of time. Li Baichao said goodbye to Bai Di Caiyun, and thousands of miles away from Jiangling will return in one day. Apes on both sides of the Taiwan Strait are crying, and canoes have crossed Chung Shan Man. Looking at Tianmen Mountain, Li Baitianmen, the Chu River interrupted Du Fu, two orioles singing green willows, and a line of egrets went up to the sky. The window contains thousands of autumn snows in Xiling, and it is at the gate of Wu Dong Wan Li. Du Fu of Delighting in Rain on a Spring Night knows the rainy season, which happens when spring comes. The wind sneaked into the night and moistened everything quietly. The wild path is dark, and the river boat is on fire alone. Look at the red and wet place, the flowers on Jinguan City are heavy. Du Fu is beautiful in the evening, fragrant in the spring breeze, and the mud melts. Yuanyang, sleep on the warm beach. Looking for flowers by the river, Du Fu's Huangshi Building is in front of the river, lazy and sleepy in spring, leaning against the wind. Peach blossoms are in full bloom, and lovely deep red loves light red. One night near Fengqiao, Zhang Jishuang, Jiang Feng's fishing fire was worrying about not sleeping. Hanshan Temple outside Gusu City, the midnight bell goes to the passenger ship. Wanderers sang for Meng Jiao about the thread in the hands of their loving mother, the clothes carefully sewn for their wayward son, and the clothes she completely mended, fearing that it would delay his time to go home, but how much love there was an inch-long grass, Liu Zongyuan, a hundred mountains without birds, a thousand miles without footprints, a boat, a bamboo cloak, an old man fishing in the cold Jiang Xue, a fisherman's singer, egrets flying in front of Zhang Sai Shan, and peach blossoms flowing with rich mandarin fish and green water. The next song, Lulungao, in the faint moonlight, geese soar and flee at night. If you want to ride lightly, the snow is full of bows and knives. Looking at Dongting, Liu Yuxi, the lake is clear in autumn. There is a green snail in the silver plate. The waves and sands of the Yellow River, Wan Li of Liu Yuxi, swept from the end of the world to the end of the world. Now they go straight to the Milky Way and go to Penny Weaver's house. They were given the ancient grass to bid farewell to Bai Juyi. The boundless grass is on the plain, coming and going with each season. Wildfire never completely consumes them. They are tall and sweet again in the spring wind. They are on the old highway and reach the crumbling gate. Oh, my friend's prince, you are gone again, full of special feelings. Bai Juyi's little baby on the pool propped up the boat and stole the white lotus back. Hu Lingneng children fishing, a bald boy, is learning to hold on to the grass on the raspberry platform. Passers-by waved at a distance, fearing that the fish would not be surprised. In Li Shen, a farmer was weeding at noon when rice dripped on the soil. Who knows that every Chinese food is hard? Jia Dao, I asked your student under a pine tree, "My teacher," he replied, "went to collect medicine," but how do I know where the mountain is and through all the clouds? . Du Muyuan Hanshan, Baiyun Mountain is occupied. Stop and sit in the maple forest late, the frost leaves are red. The shepherd boy points to Xinghua Village. In spring in the south of the Yangtze River, Du Mu's thousands of miles of warblers sing green and reflect red, and the water town is full of wine flags. There are many terraces in the misty rain of the 480 Hall in the Southern Dynasties. The first volume of primary school Chinese reads ancient poems and paintings. Song is anonymous in the distance, and the water nearby is silent. Flowers are still there in spring, so it's not surprising that people come to watch birds. The endless grass on the plain comes and goes in four seasons. Wildfire never completely burns them down, but they grow taller in the spring breeze. Song Fan Zhongyan, a fisherman on the river, comes and goes, but loves the beauty of his perch. Looking at a boat in June, wandering in the storm. He sat alone in the pavilion. Lonely clouds go to leisure alone. I never get tired of watching it. There seems to be no one on Jingting Mountain and Weikong Mountain, but I think I heard a voice, sunshine, entering a small forest. From the green moss, Wei stood alone on the tight bamboo. I played my pipa and hummed a song so softly that no one heard it except my comrade, Mingyue. When I climbed the stork tower, Don's day was over, and oceans drain the golden river. I want thousands of miles away, I want by going up one flight of stairs. The owner of Furong Mountain, Liu Tang Evergreen, is far away at dusk. It's cold and the house is poor. Chai Men smells dogs barking, and the snow returns home at night. Li Shen, a farmer in the Tang Dynasty, planted a millet in spring and harvested 10,000 seeds in autumn. There are no idle fields in the four seas, so farmers starve to death. In the Tang Dynasty, Shen Li plowed the field at noon, and rice dripped into the soil. Who knew it was difficult to eat Chinese food? Li Bai's dangerous building in the Tang Dynasty is hundreds of feet high, and he can pick stars in his hand at night. He dare not speak loudly for fear of scaring people. The ancient waves are called white jade plates. I also suspect that Yao Tai Jing flies at the tail of Qingyun Mountain. In the Song Dynasty, Wang Anshi's plum blossom bloomed alone. I know from a distance that it is not snow, because it has a faint fragrance. There are no birds in the mountains of Jiang Zongyuan, and there are no footprints in thousands of roads. A boat and a bamboo coat, an old man is fishing in the cold Jiang Xue. In the dead of night, I think of Tang Libai, and the foot of the bed is so bright. Could it have been frosted? Looking up, I found it was moonlight, sinking again, and I suddenly remembered home. Ancient poems in the second volume of primary school Chinese: reciting Liu Tang and Zhang Zhi's jasper decorating trees, ten thousand pieces hang down.