Light is always a photographer's concern. A real photographer will pay attention to and use light. The following is my portrait photography composition paper for your reference.

Portrait Photography Composition Paper (1)

There are many kinds of photographic compositions. Generally speaking, photographers like to put the main characters in the middle of the picture or in the golden section, so that the main characters can be clearly presented to us. A photo, without a good composition, is often not attractive and can't fully express its content. In the field of artistic freedom, photography is as important as painting and composition. Excellent composition can make the picture clear, detailed and appropriate, giving people a sense of beauty. A photo, without a good composition, can't fully express its content, no matter how attractive it is.

However, there is no formula for composition, and sometimes it may get unexpected results in another way. Photographic creation is inseparable from composition. Photographic composition, like painting composition, can better reflect the characteristics of the picture only if the composition is reasonable. A perfect photographic composition often gives people a sense of beauty, and our usual photography must follow certain rules to attract others more. Each ingredient has its own advantages and disadvantages.

Composition characteristics

1. Balanced composition. Give people a sense of satisfaction, perfect picture structure, clever arrangement and balanced correspondence. It is often used for moonlit nights, water, night scenes, news and other topics.

2. Symmetrical composition. Its characteristics are balance, stability and relativity. Disadvantages: dull, lack of change. It is often used to represent symmetrical objects, buildings and objects with special styles.

3. Changing composition. Deliberately arranged scenery in a corner or a side can give people thinking and imagination, leaving room for further judgment. Full of charm and interest. Often used in small landscapes, sports, artistic photography, humorous photos, etc.

4. Diagonal composition. Arranging the subject on the diagonal can effectively use the length of the diagonal of the picture, and at the same time, it can also make the companion have a direct relationship with the subject. Dynamic and lively, it is easy to produce the convergence trend of lines, attract people's attention, and achieve the effect of highlighting the subject (such as spotlight illuminating the subject).

5. x-shaped composition. The lines and tones are in an X-shaped layout, which is strong and conducive to guiding people's line of sight to shift from the periphery to the center, or the scenery has the characteristics of gradually enlarging from the center to the periphery. Often used in architecture, bridges, highways, fields and other themes.

6. The composition is compact. Enlarge the main body of the scene in the form of close-up to make it full of pictures, compact, delicate and microscopic. Often used for portraits, micrographs or showing local details. Depicting a character's face vividly and unforgettable.

7. Triangle composition. Three visual centers are the main positions of the scene, and sometimes the geometric composition of three points into a plane arranges the position of the scene to form a stable triangle. This triangle can be a regular triangle, an oblique triangle or an inverted triangle. Among them, oblique triangle is more commonly used and flexible. Triangular composition is stable, balanced and flexible.

8.s-shaped composition. The scenery on the screen is in the form of S-shaped curve composition, which has the characteristics of extension and change, making people look rhythmic and producing a beautiful, elegant and harmonious feeling. When it is necessary to express the subject in the form of curve, we should first think of S-shaped composition. Commonly used in rivers, streams, winding paths, paths, etc.

9. Do you put the main body or important scenery in the Jiugongge composition? Jiugongge? At the crossroads. ? Hmm? The four intersections of words are the best positions of subjects. Generally speaking, the intersection on the upper right is the most ideal, followed by the intersection on the lower right. But it is not static. This composition format is more in line with people's visual habits, making the subject naturally become the visual center, with the characteristics of highlighting the subject and making the picture tend to be balanced.

10. Sketch composition. By means of close-ups and ideas, it is a way of composition to turn a small scene that is not surprising into a humorous picture full of interest and profound meaning. It is characterized by free imagination and eclecticism. There are no certain rules in this composition.

1 1. centripetal composition. The main body is in the center, and the surrounding scenery is in the form of composition concentrated towards the center, which can strongly lead people's eyes to the center of the main body and play a role in gathering. It has the distinct characteristics of highlighting the subject, but sometimes it will also produce the feeling of oppression and embarrassment.

12. Vertical composition. Can fully show the height and depth of the scene. It is often used to show pictures composed of vertical lines such as towering trees, steep rocks, waterfalls and skyscrapers.

13. Composition of dichotomy. Divide the picture into two parts with the ratio of 2: 1, forming a left-right echo or an up-and-down echo, and the performance space is relatively broad. One part of the picture is the subject and the other half is the partner. Often used to express people, sports, scenery, architecture and other themes.

Composition skills of field personnel

Screen position refers to the position of the subject (character) in the screen. This seemingly simple question is of great significance in actual shooting.

First of all, it's sometimes difficult for us because we can't change the location of the scene when we actually shoot the location. Scene? Generally speaking, the shooting angle is unique, at this time, the characters play the role of balancing the picture in the picture; Secondly, the photographer not only determines the position of the characters in the picture, but also expresses his understanding of the picture and gives it meaning.

When it comes to the position of the picture, we must first decide whether to use horizontal or vertical pictures when shooting. When the frame is the same as the main direction (the main direction refers to whether the subject's posture is upright or recumbent), for example, when the figure stands with vertical width, the performance of the picture is mainly to highlight the figure; What does the picture look like when it is in the opposite direction to the main body, such as when a character is standing with a banner? The people at the scene? That is, the relationship between man and landscape is dominant. Of course, this refers to the reasonable proportion of the area occupied by the characters in the picture.

According to the traditional view, there are six commonly used picture positions: midline position, golden section position, bisector position, diagonal position, edge position and corner position. Choosing which position to place the subject depends mainly on the characteristics of the scene or the attitude or eyes of the subject.

Center position:

When the scene itself is symmetrical or has no sense of direction, and the posture of the subject has no obvious directionality, the central position is generally adopted.

Location of golden section line:

When the scene itself is symmetrical or has no sense of direction, and the posture of the subject has obvious directionality, the golden section position is generally used. (The position of the golden section line can be simply understood as the position between the middle line and the three-point line).

Three-point line position:

When the scene itself is unbalanced, the subject should be placed at the corresponding three-point line position in the picture for the sake of the sense of balance of the whole picture.

Edge position of the picture:

The edge position of the picture refers to the position outside the three-point line to the edge of the picture. It can be seen that at the above screen position, the position of the subject in the screen is within the range of four three-point boxes in the screen. The position beyond this range is considered as the edge of the picture. When the subject is placed on the edge of the picture, what is the performance of the scene in the middle of the picture? Maximize? Yes It is often used in popular travel wedding photography. But the edge position of the upper part of the picture is rarely used.

Angular position of the screen:

With what? Jiugongge? In the divided picture, the four positions such as upper left, lower left, upper right and lower right are called the corners of the picture.

Matters needing attention in photographic composition

1. The picture is too full. Some beginners like to make the subject stand tall and full of picture sense when taking pictures, which is not conducive to the cutting in the post-production process of photos. At the same time, it will make the work look stiff and rigid.

2. When the head hits the south wall to shoot a profile portrait or an object with forward momentum, there is no space left in front of the main body of the picture, giving people the feeling that the head hits the south wall, and the picture looks dull and depressing.

3. The background with attachments is not properly selected, resulting in the phenomenon of long chimneys on the shoulders and big branches on the heads, which destroys the original image of the characters.

4. The fun center lacks the spirit of giving up what one favours when shooting. Fish? Area, The bear's paw also has the intention of taking things in a proper way and accepting everything, but it has caused the phenomenon of no primary and secondary pictures, few clues, loose structure and confusion.

5. Unbalanced composition does not take into account the harmony between the tone structure and color structure of the picture, which leads to the imbalance of the color and tone of the picture and affects the photo effect.

6. When the subject was with a tall background, Gu Jing raised the camera blindly regardless of people, and the result was very full, but the characters on the picture often had only one head left and landed at the bottom of the picture, which was very ugly.

7. When taking a group photo, the position of the characters is not well arranged, so it is impossible to form a trend of moving closer to the core, and the picture situation is divided, which is inconsistent with the theme of the work.

Portrait Photography Composition Paper (2)

Color design in portrait photography composition mainly refers to how photographers use the characteristics of color photographic materials, the effect of lighting, the color layout of people and environment, and the performance of various photographic filters to create ideal color effects. Including the emotional color expressed by the photographer, the typical image color of the photographer, and the theme color of the work content rendering.

Keywords: portrait photography; colourway

First of all, let the colors in the picture achieve the function of enriching feelings.

Marx once said:? The feeling of color is the most popular feeling in general aesthetic feeling. ? Is this what people often say? Emotional color? .

The feelings of color are often expressed by artists? Ideas? To reflect. As the saying goes, emotional color? In fact, it refers to the feelings expressed by artists with colors. Color can express feelings, except for people's physiological and psychological factors, mostly because of people's habitual association with color. For example, red is like the rising sun and fire, giving people a great sense of warmth and strength. Red is a very active color. In the big picture, as long as there is a small piece of red, it can bring vitality to the photo. Green is a symbol of life, while blue symbolizes calmness, ruthlessness and profundity, giving people a feeling of retreating and retreating inward.

For example, the subject is a pure girl. In order to show her liveliness, purity and constant pursuit, we can use high-purity, bright and lively colors (or strong contrast colors), and of course warm colors are the main colors. If you want to express the light and joy of the subject, you can decorate the high-brightness color group with low brightness. If you want to show the strong sense of oppression, oppression and oppression of the subject, you can use low brightness and low purity colors for color design.

Second, keep the colors in sharp contrast.

The color atmosphere comes from the contrast of colors. Without contrast, there is no distinction between light and shade. The difference between light and dark, cold and warm. If you want the colors in the photos to form a sharp contrast, you can design colors from the following aspects.

1, use the lightness of color to enhance contrast. The same color shows different brightness under different brightness backgrounds. If bright colors are set off by dark colors, they will appear brighter, but in contrast to bright colors, they will appear pale. Therefore, to make bright colors appear brighter, you can choose dark colors as a foil, and to make dark colors appear darker, you can choose bright colors as a foil.

2. Use different tones to create contrast. People often arrange the colors of various shades in spectral order in the color ring table. It's called a colored ring. On the color circle, the color contrast is weak at near distance and strong at far distance. Generally speaking, the colors within 60 on the color circle are called the same color, and the colors are relatively light, and the colors within 120 are weak contrast. To make the color contrast strong, the color with the gap of 120- 180 is desirable, which will produce strong hue contrast.

3. Use the purity of color to create contrast. When two colors with different purity meet, the color with higher purity will appear brighter and the color with lower purity will appear darker. In terms of color arrangement, if you deliberately let the low-purity scenery set off the high-purity main color, you can also make the picture colorful but not vulgar.

4. Use color areas to create contrast. The concentration and dispersion of various colors in photos have different effects. If the main color area is concentrated, its contrast with the background color will be stronger; If it is scattered into small pieces, its contrast with the background color will be weakened. To make the main color vivid, the area of the main color can be relatively concentrated. When the area of various colors in painting is quite different, the area of one color is absolutely dominant, while the area of another color (or colors) accounts for a small part, which often produces strong color contrast and makes the artistic expression of the work stronger.

5. Use the cold and warm feeling of color to create contrast. The contrast between cool color and warm color can form color contrast, enrich the picture effect, reduce the brightness contrast and enhance the contrast between cold and warm.

Third, use the unity and difference of colors to create color effects.

In the color design of portrait photography, people often use? Color harmony system? As a yardstick for appreciating and evaluating portrait works. Photographers often use traditional colors to pursue the harmony and unity of painting. What's it like in portrait photography? Red skirt, red hat, red background? When portraits of people appear, it gives people a refreshing feeling. This kind? -Red? (Also included? Yellow? 、? Green? And so on), the unity of color is the unity of a single color, or the unity of similar colors, and the unified colors will naturally be harmonious.

In portrait photography, properly combining two or more colors with strong contrast can produce sharp contrast and bright and unified color effect. I have seen such photographs. With the high blue sky and the vast sea as the background, the author sets off a girl wearing a yellow silk scarf. The warm sea breeze blows her hair and silk scarf, like dancing, full of youthful vitality and tender feelings like the sea. The whole picture is in sharp contrast with the large area of blue fading and dazzling gold blocks. Here, yellow and blue are complementary colors, and they are juxtaposed to form a strong color contrast. This work uses the contrast of complementary colors to complete the composition of the picture, and appropriately uses bright and saturated yellow to complement the blue sky and the sea, making the girl who holds her head high more youthful and energetic, and the whole picture has a unique charm. From this, it can be said that after the contrast color forms the system, its harmony is far more appealing and attractive than the unity formed by a single color.

For portrait photography composition, color design, as a form, its most fundamental function is to create characters and express the theme of the work. Gorky, a master of literature, said: Everything beautiful is simple, and simplicity is beauty. ? The color is beautiful, but it should be simple. As a portrait photographer, we should make full use of simple colors to beautify people's lives.

Portrait Photography Composition Paper (3)

With the rapid development of mobile phones and tablets, there is no doubt that each of us has one? Camera? These cameras don't need you to know anything about aperture, shutter speed and ISO, as long as you can press the shutter. But there is one thing that a camera can never help you, and that is the composition of a photo. When it comes to composition, many people will think of various composition rules, such as trisection, S-curve method and so on. A string of compositions inherited from the world famous paintings? Law? It is full of internet and books, but these rules can only confuse people, because the success or failure of photos has little to do with these rules. The only rule that all photographers agree on is. All laws are doomed to be broken? !

So, how can we improve our writing ability? In photography practice, many photographers will consciously or unconsciously use some methods to attract readers' attention to the subject, thus highlighting the key points. These methods are obviously much simpler and more practical than the so-called composition rules. Mastering them can improve your writing ability quickly.

Protrude the subject through movement.

The lens can transmit motion. You can use it when an object or a person is moving. Ordinary? How can I put it? Curing? On the screen. Usually, this kind? Curing? The action of being alive is not so beautiful. At this point, you may be able to blur it. Vagueness is one of the most effective ways to convey sports, and sports can highlight the theme.

There are actually two ways of blurring: one is that the subject is clear and the background is blurred; The other is that the subject and background are blurred. Famous war correspondent Robert? Kappa took photos of the Normandy landing in World War II, conveying the tension of the war through the complete blurring of soldiers and backgrounds. Of course, you can also make the subject of the movement clear and the background blurred. There are two ways to produce this effect: one is to shoot an object with a low-speed shutter, let the lens move with the object, and press the shutter in the process of moving; The other is to use the back curtain opening function of the flash to solidify the main body and blur the background.

Make the theme big enough

A common problem that novices often make is that they often take the subject too small when taking pictures, so that the subject is submerged in other scenery. In this case, you should go forward, go forward and stand as close as possible. Only when you stand close enough will the subject stand out.

American photographer Joe? Mcnally told us a story in his book. A young photographer went to shoot a captain all day and came back to look at the photos. In all her photos, the captain is only the size of a mung bean. Joe? Mcnally told her: Tomorrow, you will stay with the captain all day. You must stand within one meter of the captain and shoot with this wide-angle end. ? As a result, the photographer came back the next day and the situation was much better.

Shooting a large enough subject with a wide angle is a skill that most photographers will use. One advantage of this kind of shooting is that it can dominate the image of the subject in the picture, and express the real scene atmosphere through wide-angle and close-range shooting.

Create a picture frame for the subject.

What should you do when you are far away from the subject, and the subject can't dominate the picture because of its small size (or you want to show a sense of distance when you are far away)? Give the subject a frame! This is another very common technique to attract attention.

For large outdoor objects, such as mountains, monuments and buildings, the common method of framing is to bring branches into the picture. Non-dominant branches will give the picture a sense of space and distance. This technique is often used in tourism photography and architectural photography.

Of course, you can also use this method in portrait photography. Build a picture frame for the main body, which can be a window or two pillars; It can be a fence in the yard or two figures beside the main body. In our daily life, this kind of creative photo frame is everywhere. When the theme is monotonous, we can all consider this way to build a picture frame for it. However, this picture frame composition is just a kind of? Shantou? , is used to change the taste and enhance the attractiveness of the picture, and should not be abused in reality. Remember, its function is not to make people look at the frame more than the main body.

Let the lines converge to the main body

In the world we live in, there are always all kinds of lines. They will all be in or out of your sight. Ok, let's use these lines and put your theme where these lines intersect. In this way, when people look at these lines, their eyes will eventually be led to the subject. On the street, the buildings on both sides of the road and the street will eventually gather at one point in the view. Why can't we put the main body at this intersection? Indoor, corner and table lines may meet and serve our main body.

Anyone who has used a wide-angle lens knows that the wide-angle lens will enhance the convergence effect of lines, expand the real space of the foreground, reduce the relative size of the human body in the picture, and enhance the sense of distance and loneliness.

Put the subject in the light.

Light is always a photographer's concern. A real photographer will pay attention to and use light. And light has a direction, and there are also soft and hard points. On cloudy days, the outdoor light is soft and lacks directionality. In the sun, the direction of light is very strong, which will produce shadows.

Whenever we look at the viewfinder, we must look at the light first. Where did it come from? Is it strong or soft light? Does it illuminate what we don't want to illuminate? Does it fall on the subject, especially the subject we want to highlight? At this moment, we must seriously understand the function and essence of light. Using light to highlight key points is one of the most powerful means of photography.