1, the light ink hook flower head is coated with a layer of light white. The concentration of white should not be too strong. If it is too thick, it is easy to eat color when dyeing, and the background color will turn up. Don't draw the line too thick, try to be smooth and tactful. The outer edge line of petals should be rich and changeable, the turning line should be smooth and smooth, and the structural line in the middle of petals should be slightly stiff.

2. Eosin will dye petals from root to top. At this time, there is no need to consider the small changes such as the structure of petals and the brightness of vertices, mainly the inherent color changes of petals themselves. Flap root and turning line edge, at this time, no waterline can be left.

3. After eosin water was dyed twice, the structural relationship of petals began to be dyed with slightly thicker eosin. At this time, dyeing mainly focuses on the structural transition and shading of petal roots and petals. The reverse valve is stained with light eosin, leaving a waterline near the root. One is to break away from the formal mind, and the other is to seek decorative interest. Positive petals are about 2 to 3 times more stained than reverse petals, and the overall color is slightly darker than reverse petals.

4. After the roots are dyed with thick eosin, the deepest part is dyed with rouge, and the moderate concentration of eosin depicts the subtle structural changes at the tips of petals. After dyeing the relationship between light and shade, use a slightly thick white to dye from the tip of the petal back to the root. Don't dye every petal, mainly the brightest side of the petal and the petal closest to us. Don't be too thick, it's easy to be handcrafted. After dyeing, the light ink line started with light eosin water is restored, and the smoothness of the line is maintained when it is restored. It is full of pink nib, slightly dipped in vermicelli and white crochet silk.