Philosophical Foundation and Cultural Characteristics of China's Calligraphy —— Re-examination of Zong Baihua's Calligraphy Aesthetics and its academic significance, Literature and Art Research,No. 1 1, 2065438.

Double Misreading of "Tradition" and "West" —— Multiple Modernity and Re-examination of Modern Transformation Theory of China's Ancient Literary Theory, Chongqing ReviewNo. 13.

Fu Shan's Zhuangzi Aesthetics —— Taking the Theory of "Four Ning and Four No's" as an Example, Yi Heng, Series 7, China Federation of Literary and Art Circles Press, 20 12.

Modern Situation and Universal Value of China's Calligraphy, Calligraphy Guide, 6th Edition, 201219.

Literati's Calligraphy in Cultural Fracture and Transformation —— Also on the Academic Significance of Xu's Calligraphy "Calligraphy Research", Art Observation No.8, 20 12.

Nation-State, Democratic State and Civilized State —— Liang Qichao's Conception of the National Image of Modern China, China Literature, No.20 1 2.

Held and the Tradition of Cultural Nationalism, Journal of Southwest University (Social Science Edition),No. 1 20 12.

Exploring the noumenon spirit of calligraphy beauty, the world of calligraphy and painting, 20 1 1,No. 146.

Debate on the truth and falsehood of < Zhu Ming >, Chongqing Calligraphy, No.3, 20 10. Calligraphy Guide 20118th Edition on February 23rd (calligraphy theory Edition).

Rewriting the History of Calligraphy and the Generalization of Artistic Classics, Literary Studies, No.8, 20 1 1.

Mother tongue identity in modern cultural and political conflicts, Research on Literary Theory, No.2, 20 1 1.

The problem structure and reflection of modernity, the special issue of Hongyan Chongqing Review 20 1 1. No. 1

The transformation of perspective and the questioning of ontology —— China's calligraphy under the interpretation of western art theory, Literature and Art Research, No.6, 20 10.

Modernity and cultural imperialism, Journal of Southwest University (Social Science Edition),No. 1 issue, 20 10.

"Aestheticization of Daily Life" and Post-Modernity —— TV Media and the Transformation of Contemporary Aesthetic Culture, TV Research,No. 1 1, 2065438.

The bottom line of pen and ink and the confidence of Chinese painting —— Zhao Chen's figure painting and artistic pursuit, Calligraphy and Painting World No.7, 20 10.

Modern transformation of China's calligraphy and reflection on its cultural value, Literature and Art Research,No. 12, 2008.

"Reflection on Modernity and the Evolution of Literary History in the Past 30 Years of Reform and Opening-up", Journal of Southwest University (Social Science Edition), No.5, 2008.

Literary situation in the era of electronic media, People's Daily, August 2006 10, Literature Review.

Humanization or vulgarization, People's Daily, July 7, 2005, 9th edition, column of "Literary Criticism".

Global Dissemination and Reproduction of Orientalism, Journal of Xiamen University (Philosophy Edition), No.3, 2005.

Comments on Said ",(Hong Kong) 2 1 century, August 2004.

The Significance of China's Writing, People's Daily, June, 2004 15, 16, "Literary Criticism" column.

The Globalization Logic of Orientalism, Reading, No.3, 2004.

Summary, Compatibility and Innovation: A Brief Account of the Development of China's Literary Theory in the New Century, People's Daily's "Literary Review" column, 1 14, 2003.

Modernity, Technical Rule and Ecological Politics, Book House,No. 10, 2003. Copy of the full text of Philosophy of Science and Technology (No.12, 2003).

Economic globalization and national cultural innovation, People's Daily, 14, August 2003.

Taking history as a mirror to show the future —— Reflections on historical TV dramas in recent years, People's Daily, June 24, 2003,No. 14, column of "Literature Review".

"Cultural Development and the Image of China", People's Daily, June, 2003 10,No. 14, "Literary Criticism" column.

Contemporary literature under market conditions, People's Daily, 14, May 2003.

Interpretation and Problems of Orientalist Discourse, with nearly 70,000 words, was included in Wang Yuechuan's Literary Aesthetics and Contemporary China Thought, Seoul: Xinxing Publishing House, February 2003, p. 179-283.

Reconstruction of Local Culture and Utilization of Foreign Culture, No.2 of Oriental Series in 2003.

Orientalism Discourse in Cross-cultural Practice, 2 1 Century (Hong Kong), June 2002.

Foucault and Theory: From Knowledge-Power to Different Cultural Expressions, Tianjin Social Sciences, No.6, 200 1.

Other and Cultural Identity Writing: From Orientalism to Orientalism of Orientalists, Oriental Series,No. 1, 20065438.

Craft Continued by Faith —— The Old Testament of Zhu An's Painting and Calligraphy and the Art of Life, Preface to the Old Testament of Pen and Ink, Xiling Publishing House, 20 12.

Idle flowers and hazy photos-Mr. Wang Xianying's flower-and-bird painting art, Preface to Wang Xianying's Flower-and-bird Painting Collection, Chongqing Publishing House, 20 14 edition.