First, understand the test questions. Color still life painting is a comprehensive embodiment of the modeling, color, light and shade, material, space and other elements of still life under the application of techniques. Therefore, Oral Color Still Life is actually an "article" on these elements. It can be seen that candidates should not rush to write when they get the test paper. They should carefully examine the questions, see the requirements clearly, make a draft first, draw a few pictures in their minds, then compare and consciously choose, and finally leave a satisfactory picture of their own ideas. In this step, candidates should give full play to their imagination and design the expected effect of the picture, laying the foundation for the next composition and color laying.
Second, the concept of composition. The objects of still life painting composition mainly include flowers, fruits and vegetables, utensils, interlining and so on. Therefore, candidates should have a comprehensive understanding of the shape, color and texture of these objects before the exam, and recite them through a series of training such as copying, sketching and dictation. Only in this way can they be handy in dictation. But if we want to construct these objects into a picture, we must make full use of the law of formal beauty in composition to make the composition creative and attractive. The conventional composition of still life painting mainly includes triangle, cross, S-shape, etc., so it may be used flexibly.
Third, determine the color tone. Tone is the general color tendency of a painting. After composition, several large color blocks can be determined according to the meaning and object, so as to determine the tone of the whole painting. Here, we should focus on the relationship between bright and dark parts, as well as the relationship between objects and background. When painting, you can take quick thin painting and flat painting, which can quickly reflect the color of the picture. When laying colors, we should pay attention to the whole, fully understand the relationship between light source color, inherent color and environmental color, and make the relationship accurate.
Fourth, in-depth characterization. It is a difficult time to portray characters deeply in color still life dictation. The main task of this stage is to fully shape the physical structure, texture and space of the object with color. At this time, the combination of thickness and thickness should be adopted, and attention should be paid to shaping objects with brush strokes and using some texture effects to enhance the effect of the picture. To shape the object, we should proceed from the overall situation, highlight the main body, and never cover everything. When drawing a part, we should constantly compare the depicted part with other parts, and often adjust the unsatisfactory parts in the picture to make all the details obey the whole. Fully follow the principle of whole-part-whole painting, and strive to shape the shape, color, level, space and texture of still life in place.
Fifth, adjust and clean up. This stage is very important for candidates to get high marks. The adjustment is mainly to make the picture more prominent and louder, so that your picture can "jump out" of a lot of paper. Therefore, in the adjustment, it is necessary to strengthen the physical structure, spatial hierarchy and spatial contrast of still life colors on the screen. When adjusting, it is usually necessary to compare the back object with the front object to enhance the sense of hierarchy and space. The shape of the back object should be summarized and the color should be slightly gray. The shape of the front object is stronger and the color purity is slightly higher. The main target should be deeper and more detailed. With a pen, the strokes at the back are bigger, and the strokes at the front are smaller and richer.
Note: 1. All steps should be unified and coordinated, and the painting time should be reasonably coordinated. 2. Be calm during the exam, don't be impatient, keep a good mood and finish the drawing in an orderly way. 3. Try to avoid problems such as powder, ash, dirt, fire, chips and flowers that are easy to appear when painting. 4, when you are ready, you should stop, and you must not start again on a large scale, which will make the situation difficult to clean up.