From the rise of Nurhachi in Fushun in the late Ming Dynasty to the formation of Manchu, Manchu people inherited the folk dance "reckless dance" handed down from their ancestors' Jurchen period. In the early years of Kangxi, Vencent Yang, a Han Chinese, lived in Northeast China for a period of time and wrote a brief introduction about Liu Bian. A Brief History of Liu Bian (volume 3. 15) records the dance movements and performance forms of wild dances that were circulated in Liu Bian (including Fushun) at that time: there was a big banquet in Manchuria, and the men and women of the host's family would change dances, with one sleeve on their foreheads and one sleeve on their backs, hovering in the air, indicating that they were wild. After the Qing dynasty unified the whole country, the northeast was relatively stable. On the basis of the original folk dance, Manchu folk continuously absorbed other folk dances, and gradually formed a unique Manchu yangko from performance forms to roles, costumes and dance movements. Some historical materials, such as Brief Introduction to Liu Bian and Fengtian Tongzhi, have detailed descriptions of Manchu Yangko.
1936 xingjing county (now xinbin Manchu autonomous county, Fushun city) recorded in printed form that on the 15th day of the first month, every household offered yuanxiao, and the villagers performed a play called' Song Taiping', which meant that evil diseases could be banished. Song Taiping mentioned in Xing Jing County Records is not only Fushun Manchu Yangko, but also the most direct record of Fushun Manchu Yangko in modern local chronicles. In 1980s, when Fushun Manchu folk dance was integrated, it was found that Fushun Manchu Yangko had a long history. Zhou (deceased) was born in 1926, a Manchu yangko artist in Xinbin Manchu Autonomous County. He studied Manchu yangko at the age of 14. He and the old artist Yang (deceased) once recalled: We know that the old Tatar Yangko has a history of more than 200 years, mainly because the old Hanwang Nurhachi ascended the throne in Xinbin Hetuala, called Khan, created the Eight Banners, and integrated the army and the people. After winning the battle or on holidays, people drink rice wine, sing and dance, and gradually become a local yangko. As soon as the drum music rings, Tatar officials lead and twist to sing, which is also a way to enjoy the music with the people. So' Tatar Yangko' is Manchu Yangko.
1986, at the judging meeting of China Folk Dance Fusion Fushun Information Book, experts of Liaoning Yangko made a scientific analysis and appraisal of this folk dance, and thought that it was distinctive Manchu characteristics to wear the Eight Banners and perform the ceremony of holding the waist with thousands of children in the yangko costumes in Fushun area. The unique movement rhythm-Yang, Squat, Stamp, Pan, Swing and Tremble, has strong characteristics of Manchu fishing and hunting life and social activities, and can be regarded as the representative of Manchu folk dance in Fushun area. In view of the policy of respecting ethnic minorities, it is not called Tatar Yangko, but officially named Manchu Yangko. As can be seen from the above historical data, Fushun Manchu Yangko has a long history of formation and development.