Yang Yucheng (Bot Le Tu), Mongolian, professor, doctor, postdoctoral and doctoral supervisor, "grassland talent" in Inner Mongolia Autonomous Region, first-class candidate of "New Century 32 1 Talent Project" in Inner Mongolia Autonomous Region, researcher of Mongolian Studies Center of Inner Mongolia University, and full-time researcher of China Ritual and Music Research Center of Shanghai Conservatory of Music. Vice Chairman of Inner Mongolia Musicians Association, Executive Director of Chinese Traditional Music Society, Executive Director of Chinese Minority Music Society, Vice President and Secretary General of China Northern Grassland Music Culture Research Association. Director of Inner Mongolia National Music Heritage Station, School of Art, Inner Mongolia University, Vice President of Conservatory of Music.

Chinese name: Yang Yucheng (Bert Le Tu)

Nationality: China.

Ethnic group: Mongolian

Birthplace: Hure Banner, Zhelimu League

Date of birth: 1973

Occupation: professor, doctor, postdoctoral fellow, doctoral supervisor.

Graduate school: Music Department of Inner Mongolia Normal University.

Main achievements: "grassland talents" in Inner Mongolia Autonomous Region

Representative Works: Echo of the Field —— A Compilation of 2007 Field Investigation Report on Ethnomusicology in the Conservatory of Music of Inner Mongolia Normal University.

Personal profile

1973, born in August in Kulun Banner, Zhelimu League. He studied in Daolaodu Primary School, Experimental Primary School in Hure Banner and No.1 Middle School in Hure Banner. 199 1 was admitted to the Music Department of Inner Mongolia Normal University, 1995 graduated, and stayed as a teacher. 1998 was admitted to the graduate school, and studied under Professor Song Boer. 200 1 Master's degree (654.38+0.3 million words) in Introduction to Music by Ren Hu Uliger. In 2002, he joined the China Academy of Art, where he studied under the famous musicologists Qiao Jianzhong and Wu, and his research direction was China traditional music. In 2005, he received his doctor's degree "hultsch: rappers and their music in Horqin local tradition" (360,000 words). From 2007 to 2008, I did postdoctoral research in Shanghai Conservatory of Music, and my co-tutor was Professor Xiao Mei.

20 10 has worked in the music department of art college of inner Mongolia university so far. Published monographs "hultsch: the rapper and his music in Horqin local tradition" (Shanghai Conservatory of Music Press, 2007), "Appreciation of Mongolian classic folk songs" (edited by Mongolian, Inner Mongolia University Press, 2007) and "Dian's Ci and Qu Integration" (edited by Mongolian, Inner Mongolia People's Publishing House, 2009); In academic journals such as National Art, China Musicology, journal of the central conservatory of music, People's Music, China Music, Inner Mongolia Social Sciences, Journal of Inner Mongolia Normal University, Journal of Shenyang Conservatory of Music, Journal of Art College of Inner Mongolia University, Published in Mongolian and Chinese languages: Mongolian Banquet Ceremony and Singing Custom, Singing and Accompaniment in hultsch's Dictation, Three Layers of Folk Music, Blending of Epic and History-Traditional Spirit and Style in Yong Rubu's Musical Works, a brief introduction of Ren Hu Wuligeer Style School,/kloc-Meirigengegen, a Mongolian musician in the 8th century, etc. Editor-in-chief of the textbook Appreciation of Chinese Folk Music (Mongolian). He is now in charge of the annual project of the national art discipline "Rescue, Protection and Theoretical Research of Mongolian Heroic Epic Music" and the research project of Shanghai Education Commission "Transformation and Reconstruction-Social Transformation and Mongolian Traditional Music Resources". He presided over the 11th Five-Year Plan of the National Arts and Sciences, the key project of the Ministry of Culture in 2006, the pilot project of the national national folk culture protection project, and the sub-project of the investigation on the present situation of China opera, folk dance and folk music funded by the Ministry of Finance, and presided over the "Mongolian language curriculum resource construction project of the Ministry of Education: Mongolian folk songs". He has participated in many national scientific research projects such as Mongolian Encyclopedia Art Volume, Mongolian Modern Music History, Comparison and Development Trend of Traditional Music of Mongolian, Daur, Ewenki and Oroqen in Inner Mongolia, presided over Mongolian Folk Music Research, and participated in many school-level scientific research projects such as Ren Hu Wuligeer Music Research. He has taught such courses as Appreciation of National Folk Music, Contemporary Music in Inner Mongolia, Impromptu Accompaniment and Solfeggio in Mongolian. He now teaches undergraduate courses such as Mongolian traditional music, an introduction to China traditional music, and postgraduate courses such as ethnomusicology. He used to be the expert judge of the first batch of intangible cultural heritage list evaluation group in Inner Mongolia Autonomous Region (2007), the expert judge of the fourth batch of intangible cultural heritage representative inheritors evaluation group in Inner Mongolia Autonomous Region (2007), the expert judge of the evaluation group of the hometown of folk culture and art in Inner Mongolia Autonomous Region (2007), and the expert judge of outstanding papers in the Mongolian long-tune folk song international forum. He was invited to give keynote speeches at international and domestic conferences, such as China International Symposium on Humai Art in Mongolia (2008), Ulaanbaatar International Symposium on Humai Art in Mongolia (2009), Annual Meeting of Chinese Traditional Music Society (2008), and National Seminar on Music Protection and Music Education for Ethnic Minorities (2008). He sang more than 300 songs for more than 20 albums, arranged and produced music accompaniment, and participated in the music production of various parties in the autonomous region many times. Organize Mongolian music concerts and seminars in China Conservatory of Music, Shanghai Conservatory of Music and Tianjin Normal University.

Theme project

20 1 1 National Social Science Fund Art Project Social Transformation and Change of Mongolian Music Life (1 1CD099), moderator, 20 1 1 ~ 20 13. Funding: 1.2 million. 2005 National Social Science Fund Art Project "Rescue, Protection and Research of Mongolian Heroic Epic Music" (05BD029), the host, September 2005 ~ 2008.4438+02. Funding: 60,000 yuan. The scientific research project of Shanghai Education Commission "Transformation and Reconstruction-Social Transformation and Mongolian Traditional Music Resources" (07zs11) was supported by RMB 50,000 from 2006+02 to 2009+02,500. Inner Mongolia University's liberal arts innovation team project "Investigation and research on the basic resources of Mongolian traditional music" and Inner Mongolia University's high-level talent introduction project "Investigation, research and development and utilization of the basic resources of Mongolian traditional music" funded 2.4 million yuan from the construction of Inner Mongolia national music audio-visual resource library in 2066 and the grassland cultural corridor construction project of Inner Mongolia Party Committee Propaganda Department, 201~ 2013. The 11th Five-Year Plan of the National Arts and Sciences, a key project of the Ministry of Culture in 2006, and a pilot project of the National Folk Culture Protection Project, the sub-project "Investigation on the Present Situation of China Opera, Folk Dance and Folk Music" (06EA0 1) and "Investigation on the Present Situation of Inner Mongolia Mongolian Xilingol Long Tune" (0 10), with a grant of 8,000 yuan, the host. Moderator of the subproject "Protection and Development of Mongolian Music Resources", a major key project of Philosophy and Social Sciences of the Ministry of Education: "Research on the Protection and Development of China Minority Music Resources" (06jzd0030). The director of the Mongolian curriculum resources construction project of the Ministry of Education, with a funding of 65438+200,000, from June 2007 to April 2008. Theoretical and Practical Research on the Protection of Musical Intangible Cultural Heritage (06JJD760005) Sub-topic "Investigation on the Present Situation of Mongolian Long-tune Folk Songs". The research topic of China Ritual Music Research Center of Shanghai Conservatory of Music is "Nairi Mongolian Ritual and its Music Mode", which was funded by 8,000 yuan from March 2008 to March 2009. The research topic of China Ritual Music Research Center of Shanghai Conservatory of Music is "Investigation and Research on the Ritual Sound of Mongolian Horqin Shaman", with the funding of 1.5 million yuan, from March 2008 to March 2065, 438+0.3. National key project: Mongolian Encyclopedia Art Volume, editorial board. The historical evolution of Mongolian art is an important topic of the western development of the Ministry of Culture, and the participants attended the meeting. Presided over the transformation project of scientific research achievements of Inner Mongolia Normal University "Inner Mongolia Traditional Music Audio-visual Resource Library" (50,000 yuan), the 15th National Art Science Project: Research on Mongolian Modern Music History, participant. National Tenth Five-Year Plan of Arts and Science (200 1): Comparison and development trend of traditional music of Mongolian, Daur, Ewenki and Oroqen in Inner Mongolia. Characteristic Field Project of Inner Mongolia Normal University: Music Research of Ren Hu Uliger, completed by. Inner Mongolia Normal University Characteristic Field Project: Investigation and Research on Mongolian Folk Music, Moderator.

Academic honor

Mongolian Shaman Song and Dance and Folk Song and Dance won the first prize in the paper selection of Inner Mongolia Academy of Social Sciences 1999.

The teaching idea of attaching importance to technology over art and its cultural thinking on music education in colleges and universities in our region won the third prize in the selection of excellent papers of Inner Mongolia Normal University in 2000.

The song "My Grandpa" 65438-0997 won the Excellent Song Award in Inner Mongolia 50th Anniversary Song Contest.

The doctoral thesis "hultsch: the rapper and his music in Horqin local tradition" was awarded as the excellent thesis of China Academy of Art in 2005, and won the "Zhuang Hansheng Scholarship, President of China Cross-Strait Culture and Art Foundation".

Editor-in-chief of the textbook "Appreciation of China Folk Music", won the second prize of the 5th Mongolian Excellent Textbook Award of Inner Mongolia Normal University in 2007. (2007)

A series of papers on Mongolian Oral Music won the second prize of the 8th Scientific Research Achievement Award of Inner Mongolia Normal University in 2007.

The textbook Appreciation of Mongolian Classical Folk Songs, edited by the editor, won the third prize of the fourth National Education Outstanding Scientific Research Achievement Award in 2008. (2008)

Hultsch: A rapper and his local traditional music in Horqin won the second prize in June 2008 for outstanding achievements in philosophy and social sciences of the second government of Inner Mongolia Autonomous Region.

The pluralistic structure of grassland music culture and its contemporary situation won the "2009 Fifth Grassland Culture Forum-Special Forum on Grassland Music and Dance Culture Research" in China.

Performance, Text, Context and Inheritance —— A Study on the Oral Communication of Mongolian Music (Shanghai Conservatory of Music Press, 20 12) won the Silver Award for Theoretical Criticism in China Golden Bell Award. 20 14 1 month.

Published papers

Issue a CD

Farewell-Muburen Chugula Horqin Chaoer Epic and Narrative Folk Songs Singing Album, Inner Mongolia Cultural Audio-visual Publishing House, 2008. Planning and Copywriting (25,000 words)

The Third Series of Original Ecological Folk Singers in China: Zageda Su Rong, King of Mongolian Long Tune, published by China Record Company, 2008. Copywriting (20,000 words)

As the editor-in-chief of Collection Series of Inner Mongolia Ethnic Music, the CD-ROM of Collection Series published are as follows:

1, rich and vast Alashan-Mongolian long tune master Ba singing album, Inner Mongolia Cultural Audio-visual Publishing House, 20 10. 2. "Cool Hang Gai-Singing Album of Mongolian Long Tune Master Modig", Inner Mongolia Cultural Audio and Video Publishing House, 20 10.

3. The Album Played by Yi Danzab, a famous Sihu family in Modeller Ma-Horqin, Inner Mongolia Cultural Audio-visual Publishing House, 20 10.

4. "Grassland Cavalry-Mongolian Hu Si Master Wu Yunlong Playing Album", Inner Mongolia Cultural Audio-visual Publishing House, 20 1 1 year.

5. Magical Black-maned Horse-Mongolian Super Ma Touqin Playing Album, Inner Mongolia Cultural Audio-visual Publishing House, 20 1 1 year.

6. Collection of Tieniu Paintings by Master Mao Yihan, a Mongolian folk artist, Inner Mongolia Culture Audio-visual Publishing House of Inner Mongolia Publishing Group, 20 13.

7. "Performer Series: Memories-An Album Performed by Mongolian Sanxian Artist Nadam Mead", Inner Mongolia Cultural Audio-visual Publishing House of Inner Mongolia Publishing Group, 20 13.

Teaching and research achievements

Editor-in-chief "Echo of the Field —— Compilation of 2007 Field Investigation Report of Ethnomusicology in the Conservatory of Music of Inner Mongolia Normal University", 2008.

Academic activities

In August, 2005, he gave an academic lecture on "hultsch and its music in the cultural transformation of modern society" at the first Wuligeer Art Festival in Inner Mongolia Autonomous Region and the fifth national Wuligeer Haolaibao Competition.

In April 2007, he served as the expert judge of the first batch of intangible cultural heritage list evaluation group in Inner Mongolia Autonomous Region.

In June 2007, the paper "Mongolian Sanxian and Folk Ensemble" was read at the "Mongolian Sanxian International Symposium".

In September, 2007, at the Symposium on Selassie's Birthday100th Anniversary, he read the paper "Classifying National Instrumental Music and Protecting the Heritage of National Instrumental Music". From June 5438 to February 2007, he served as the representative inheritor of the fourth batch of intangible cultural heritage in Inner Mongolia Autonomous Region, the hometown of folk culture and art in Inner Mongolia Autonomous Region, and the expert and judge of the excellent paper evaluation group of the Mongolian long-tune folk song international forum.

In August, 2008, he gave a keynote speech on "Social Change and Mongolian Long Tune Protection" at the 15th annual meeting of Chinese Traditional Music Society. On June+10/October 065438, 2008, at the "Yinshan Music Culture and Inner Mongolia Local Music Pedagogy Research Association" sponsored by baotou teachers college Conservatory of Music, the paper "Reflections on Yinshan Music Culture Scope and Research Category" was read out.

On June 5438+February, 2008, the keynote speech "National Music Education and Protection and Utilization of Minority Music Resources" was read at the first national seminar on minority music inheritance in music art colleges.

On June 5438+February, 2008, at the International Symposium on Humai and Mongolian Harmony Art, a keynote speech entitled "Distinguishing Names from Facts, Protecting National Music Heritage —— Talking about the Protection of National Music Heritage from Chaoer-Humai's Multi-voice Mechanism and Its Forms of Expression" was read out.

From June 5438 to February 2008, he served as the judge of the representative inheritors of the third batch of national intangible cultural heritage projects.

In August, 2009, he gave a keynote speech on "Diane Art Towards 2 1 century" at the first Diane Art Research Association in China.

In September 2009, he participated in the evaluation of the second batch of national intangible cultural heritage projects recommended by Inner Mongolia Autonomous Region.

From June 5438 to 10, 2009, at the high-level forum of "2009 China Beijing Traditional Music Festival" sponsored by Beijing Municipal Education Commission and China Intangible Cultural Heritage Protection Center, and hosted by China Conservatory of Music, he made an academic report on "Experience and Enlightenment-Two Cases of Protection and Inheritance of Long-tune Folk Songs".

In 2009, at the "International Humai Art Conference" held in Mongolia, an academic report was made on the multi-tone mechanism and performance types of "Chaoer Humai". In April, 2065438+00, he gave a keynote speech on "Experience and Enlightenment of Wuzhumuqin Model" at "Sino-Mongolia Joint Protection Seminar on Long Tune". 20 10 10 gave a speech on "the formation and development of Mongolian music discipline" at the 16th annual meeting of the Chinese Traditional Music Society held in Nanjing, and presided over three group speeches, and was elected as the executive director of the Chinese Traditional Music Society.

2010165438+1October 9 ~ 13 gave a keynote speech on "Ujimqin as the Day Ceremony and its Music Mode" at the "Interpretation of Local Music Resources from a Global Perspective —— Ethnology Forum in Three Places across the Taiwan Straits".

20 10165438+1gave a keynote speech at the 2010 Xuzhou forum held in Xuzhou from 24 to 26 October.

20 10 12 3 ~ 8 gave a keynote speech on "Social Change and Inheritance Mode —— Comparison of Long Tune, Ma Touqin and Humai in Contemporary Context" at the 12th Annual Meeting of China Minority Music Society and the 2nd National Symposium on Inheritance of Minority Music Education in Higher Music and Art Colleges, and commented on a group of speeches, and was selected as China.

On July 20 1 1, the "Chinese Mongolian Folk Song Art Academic Seminar" was organized, and the paper "Block Diagram of the Construction of Audiovisual Resource Library of Inner Mongolia Ethnic Music" was read out.

On July 20 12, he attended the 17th annual meeting of the Chinese Traditional Music Society held in Xi Conservatory of Music and read the paper "Urbanization and the Changes of Mongolian Music Life".

2065 438+02. 8 Organize and plan the 1st Long Tune Art Festival and the 4th "Yin Bao Delig Cup" Long Tune Competition.

other

Arranged and produced music accompaniment for more than 20 singing albums and more than 300 songs, and participated in the music production of various parties in Inner Mongolia Autonomous Region for many times. Organize Mongolian music concerts and seminars in China Conservatory of Music, Shanghai Conservatory of Music and Tianjin Normal University. Teaching undergraduate and postgraduate courses such as Introduction to Mongolian Traditional Music, Ethnomusicology, Music Research and Thesis Writing in Mongolian and Chinese, and the course Introduction to Mongolian Traditional Music was rated as an excellent course in the autonomous region.