Remo's father was an organist in Saint Etienne, Dijon, and the first musician in this family. His mother, Claudin de Madina Cooter, came from a lower-class aristocratic family in a village near Yake, Germi. Jean Philippe ranks seventh among 1 1 children in the family. He was sent to Jesuit College in Goldrance, where he spent more time singing and composing than studying. 1702, he became a temporary organist in avignon Cathedral; In May, he was appointed as the organist of Clairmont Cathedral. It was not until 1706 that he arrived in Paris and became an organist of the Jesuits of Mercedes-Leon on the Avenue of Saint Jacques and Xiao Mei, where he published his first volume of harpsichord music. 1709, Mora returned to Dijon and inherited his father's career in Notre Dame de Paris. 17 13 played the organ in jacobin, Lyon in July, 17 15 returned to Claremont cathedral in April, and spent another eight years there. In order to ensure his freedom before the expiration of his contract, he made others unbearable at a banquet: first he refused to play, then he pulled out all the most unpleasant plugs on the organ and added as many dissonance as possible. After the priest allowed him to leave there, he went to Paris at the beginning of 1722 or 1723 and settled there. In Lyon and Clermont, he composed some classic songs and secular oratorios, and finished his first book, Traite del' Harmony, which was published by Ballard in 1722, when Ramo was an organist in Clermont Cathedral.
During his first nine years in Paris, he didn't seem to hold any position. For the Farr Theatre, he and his companion Piron participated in short plays and funny performances. In 1724 and 1728, Mora published his second and third organ collections. In 1726, he married a girl named Maria Luise, who was 19 years old. This girl is a member of a music family in Lyon. Later, with the help of her brother, Remo's music became famous in Palma Palace. 1727, he competed with Grand Quinn (1694- 1772) for the position of organist in St. Paul's Cathedral, but he finally lost. 1732, Mora was already an organist in St. Croix, Braiteau, and became a Jesuit monk in 1736. His "Acoustics of Harmony" and "Novaus System de MusiqueTheorique" (1726), as well as several previous papers and expositions in Mercury, let people see his potential as a great theorist, but his greatest wish is stage creation. In 1727, Mora asked lamotte Khudar to write a play, but it didn't end. Around 1726, Piron introduced him to LeRichedelaPoupliniere, who runs a private orchestra. His wife Marie-ThereseDeshayes is an admirer of Mora. In La Bubiniere's home, Maura met the playwright Father Simon-Joseph Pergren (1633- 1745), who wrote 15 tragic lyrics and ballet, in addition to an opera script. La Ramo's first opera, Hippolyttarik Aric, premiered at La Bubinier's home in July 1733, and at the Opera House in the same year 10/day. He is only 50 years old there, while Pelgrain is 70 years old. Since then, Mora has demonstrated his talent in both composition and theory. He was the conductor of the financier band (La Buplinier) for 22 years. From 1744 to 1753, he lived in La Buplinier's mansion (now located at 59 Li Sailiu Avenue). When Mora left there, he returned to Bangs Enfat, from 1739 to 1744, where he once lived. From then on, he lived there until his death in 1764.