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Zhang Jun paper 1
● Methodological reflection on the study of China's contemporary literary newspapers and periodicals, in Literature and Art Research, No.6, 20 13.

Textual research on historical facts of novels, published in the 5th issue of Literary Review, 20 12, pp. 143- 150.

Review (eight volumes), published in Literature Review, No.2, 20 10, pp. 200-202.

The dispute between popularization and improvement —— On the power dispute between popular literature and elite literature in 1950s, in Literature Review, No.5, 2008, p. 137- 142. The copy of China Modern and Contemporary Literature Research by the National People's Congress is reproduced in full in issue 12, 2008.

Oral Historical Materials in the Study of Contemporary Literature in China, Literary Contention No.6, 20 13.

Calling for "Hidden History" —— Mobilizing narrative research in The Storm, China Modern Literature Research Series No.6, 20 12, pp.10-23; Commentary on Zhou Libo, Changjiang Literature and Art Publishing House, 20 13.

● The Internal Problems of Revolution, Narration and Contemporary Literature and Art-Notes on Novels and Documentary Movies, published in Academic Research No.5, 20 12, p. 126- 133; Copy by NPC, China Modern and Contemporary Literature Research, 20 12, No.9, full text reproduced.

● The internal debate of Lu Xun's disciples about rebuilding Lu Xun, Journal of Sun Yat-sen University, No.2, 20 12, pp. 87-94. Copy by NPC, China Modern and Contemporary Literature Research, 20 12, No.6, full text reproduced.

● "Fighting in the Void: Reading Notes", published in the fifth issue of Literary Contention, 20 1 1, p.10/5.

● Hu Shi's favorite pupil 1949- 1952, published in "Literary Contention"No. 19,No. 129- 134.

● Philosophy of the Weak: Notes on Xu Sanguan's Selling Blood, published in Literary Contention No.3, 20 10, pp. 83-88.

How to "Literature" and "Narration" —— Comment on Modern Volume and Contemporary Volume edited by Ke Xun, published in China Modern Literature Research Series, No.4, 2008, pp. 187- 192.

"Fan's Speech in Literary Publications of1950s", published in the second issue of Literary Debate. 12, 2008, p. 124- 129. The copy of China Renmin University, A Study of Modern and Contemporary Literature in China, was reprinted in the third issue in 2009.

Reading Yoko Peace at Night, in 2 1 Century (Hongkong), April 2008, pp. 147- 150.

● 1950s literature on honeysuckle and butterfly was published in Journal of Sun Yat-sen University, No.4, 2008, page 6 1-68.

● Why Lu Xun didn't attach importance to The True Story of Ah Q: Also on the relationship between critical writing of national character and enlightenment, Journal of Sun Yat-sen University, No.5, 2004, pp.65-69; The full text of Century China was reprinted (May 2006).

Paper 2

Ideology and the Reconstruction of Liberalism, Modern Philosophy, No.2, 2003, p. 122- 128.

Narration in the crevice: on the narrative mechanism of literature in the 1950s and 1960s, a special issue for young and middle-aged scholars in Literary Review 200 1. [This article won the first prize of 200 1 Sun Yat-sen University Science and Technology Festival Paper]

● Dialectical Dialectics: A Study of Character Skills, Journal of Nanjing Normal University, No.5, 20 12, pp. 139- 146.

Rogue Phenomenon in China's Contemporary Literary Criticism, No.5 Nanjing Social Sciences, 20 10, p.23-129.

Writers of Mandarin Duck and Butterfly School in Seventeen Years, Guangdong Social Sciences,No. 1 issue, No.20 10/issue,No. 153- 159.

The paradox of bottom, grass roots and expression, published in Fiction Review, No.6, 2009, page 4 1-46.

Shi Tiesheng and the Writing of Contemporary Literary History, Journal of Nanjing Normal University College,No. 1, 2009, pp. 64-7 1. Reprinted the full text of China Renmin University's copy material "China Modern and Contemporary Literature Research", No.7, 2009.

Writing leading to China (interview with Bi Feiyu), published in Novel Review, No.2, 2006, pp. 43-47. In addition, Dialogue with Famous Writers, Henan Literature and Art Publishing House, 2009.

"Where shall we go after' modernity'?" Novel Review, No.2, 2006, pp. 50-56. In addition, Dialogue with Famous Writers, Henan Literature and Art Publishing House, 2009.

● Beyond the limit: On Li Rui's criticism of neo-liberal literature, published in Contemporary Literature,No. 1 2006, pp. 59-63.

Work makes me calm (interview with Zhang Wei), published in the third issue of Novel Review in 2005, page 14- 17; Archives of Novelists, Zhengzhou University Press, 2005, pp. 226-23 1.

Zhang Wei and China's modern hate aesthetics, in Novel Review, No.3, 2005, pp.24-30; Archives of Novelists, Zhengzhou University Press, 2005, pp. 240-232.

● How do we enter history? On the modernity of China literature in the 20th century, Southeast Academic, No.3, 2006, pp.40-45; In addition, "Modernity and China Literature Trend of Thought in the 20th Century" was published by Guangxi Normal University Press in 2005. The full text of Academic China was reprinted (April 2007).

On the Origin of Modern Literature in China: On China's Perspective in Modern Literature Research, Jianghan Forum, No.6, 2004, p. 106- 109.

Challenging language with language (interview with Han Shaogong), published in Novel Review, No.6, 2004, p. 16-2 1; China Renmin University's Study of Modern and Contemporary Literature in China was reprinted in the second issue in 2005. Archives of Novelists, Zhengzhou University Press, 2005, pp. 56-63.

"There are people looking up at the starry sky: Han Shaogong's 1992-2002", published in Fiction Review, No.6, 2004, pp.22-28; China Renmin University's Study of Modern and Contemporary Literature in China was reprinted in the second issue in 2005. Novelist Archives, Zhengzhou University Press, 2005, pp. 64-73; The full text of Academic China is reproduced (June 5438+ 10).

● "Sinking and Redemption: Rootless Generation (Rereading Mo Yan and Liu Zhenyun)", published in Novel ReviewNo. 1997, pp. 55-62; Copy of China Renmin University, Research on Modern and Contemporary Literature in China, 1997, No.8, reproduced in full.

On Miao Changshui's novels and his old liberated areas, published in Contemporary Writers' Review No.5, 1995, pp. 106- 1 1. [This article won the Excellent Thesis Award for Postgraduates of Wuhan University]

● Is it possible for socialist literature to be a "heritage" (Zhang), Journal of Hainan Normal University, No.2, 20 13.

● Report from the Rural Areas of China: Also on the creative obstacles encountered by Mo Yan's novels, New Literature Review,No. 1, 20 13.

"Today's University System and the Survival of Intellectuals", Tianya No.2, 20 12, pp.44-49. Works (Selected) 20 12 No.5 is reproduced in full.

● "Han Han and the Problems of Today's Intellectuals" (Sharon's Record), published in Guangdong Maritime CustomsNo. 1, 2065438, p.1-14.

● The temptation and adventure present: reading Mr. Xunzi, in Changjiang Academic 20 12, No.2, p. 150- 153.

● Readers' Problems in Literature from 1950s to 1970s, Journal of Hainan Normal University, No.3, 20 1 1, pp. 29-35.

Criticism and self-criticism in literature from 1950s to 1970s, published in Changjiang Review, No.6, 20 10, pp. 19-24.

The evolution of the concept of "reader" in left-wing literature, published in the 3rd issue of Changjiang Academic, 20 10, pp.1-9; Xinhua DigestNo. 1, 20 1 reprinted, China Modern and Contemporary Literature Research No.3, 201reprinted in full.

Re-examination of the "Wu Shu issue", published in Guangdong Sea Breeze, No.5, 20 1 1, p. 12- 16.

"People's Survival under the Unit System", published in Guangdong Sea Breeze, No.2, 20 10, pp.3-8.

Memories of the Blue Sky Building (written by Shu Wu and compiled by Zhang Jun) was published in Vientiane 20 10, No.7, p.11-121page. Copy by NPC, Studies on Modern and Contemporary Literature in China, 20 10,No. 10, reproduced in full.

Private publishing houses and their literature publishing in 1950s, Journal of Hainan Normal University, No.2, 2008, pp. 39-43. Genealogy of Modernity and Its Criticism, published in Changjiang Academic, No.2, 2008, p. 1-7.

The formation of the remuneration system and its role as a literary field, in the second series of Literature Communication and Acceptance, Zhonghua Book Company, 2007, pp. 43-57.

● Publishing system and the inclination of contemporary literary field, in Literature Communication and Acceptance Series 2, Zhonghua Book Company, 2007, pp. 28-42.

● "Why can't Modern come? -On the Literature of the Late Qing Dynasty1895-191year, seventh series of Zhongshan Humanities and Academic Studies, Macau Press, 2006, pp. 497-507.

● "Who is starting a business-from the differences in the acceptance of Liang Shengbao's image in the History of Entrepreneurship", in Literature Communication and Acceptance Series 1, Zhonghua Book Company, 2006, pp. 340-354.

● Body Awakening, Narration of Desire: Narration and Spirit of China Literature in the 20th Century, Guangxi Normal University Press, 2005, pp. 25-52.

The Construction of Universal History: An Introduction to the History of Western Philosophy, Journal of Guangdong University of Foreign Studies,No. 1,No. 68-7 1, 2005.

"Traitor Narration in Revolutionary Literature and Art: Rereading", published in the sixth series of Changjiang Academic in 2004, page 3 1-37; Academic China Network

The full text is reproduced (65438+February 2006).

On Zhang Ailing, published in the second issue of Popular Literature Review, 1997. Copywriting of China Renmin University, Studies on Modern and Contemporary Literature in China, 1997, No.3, reproduced in full.