1964 was born in Shanghai. He is an independent curator, critic, columnist and expert of China. He often lives in Beijing, China. 1987 graduated from the history department of Fudan University in China. His main work experience includes being the chief curator of Shanghai Duolun Modern Art Museum from 2003 to 2006, the artistic director of China Contemporary Art Award (CCAA) in 2004, the executive curator of Shanghai Zhu Qizhan Art Museum in 2006, and the editor-in-chief of Visual Production magazine. Has planned exhibitions including 200 1 the first Chengdu biennale; Phantom of Suzhou Art Museum in 2002; Contemporary Art Exhibition of "Second-hand Reality" in Beijing Today Art Museum in 2003; In 2004, the National Museum of Contemporary Art in Oslo, Norway "Shanghai Problem"; 2005 "Shanghai Cool" International Art Exhibition of Shanghai Duolun Modern Art Museum; China Pavilion, an independent project of the 2006 Liverpool Biennale; The first Poznan Biennale in Poland in 2008; 20 1 1 The 2nd French Biennale of Reunion; 20 12 FAW-Volkswagen Audi Art Exhibition "Heart of Shanghai"; 20 12 "Ren Woxing" new media art exhibition. He is one of the most curators in China-15 has planned nearly 50 international and domestic contemporary art exhibitions in China; Participated in the establishment of China's first professional modern art museum with the nature of government platform and serving contemporary art-Shanghai Duolun Art Museum; He founded Visual Production, the first bilingual magazine of contemporary art in China. He is Gu Zhenqing, an independent curator known as one of the "faithful promoters of contemporary art in China".

In recent years, China's contemporary works of art have shined brilliantly in the international market, and some contemporary artists have become artistic stars pursued by the media. If an artist is a star, then an independent curator should be a director. It is these curators who provide artists with opportunities to make appearances again and again, and also clarify their artistic direction academically. However, when everyone is talking about the artist's sky-high records, few people know about these curators hiding behind the scenes. Gu Zhenqing is such a very prestigious curator in the art world. As early as the early 1990s, he was active in the contemporary art circle in China as an independent curator, paving the way for countless artists who were obsessed with early contemporary art creation. In the most difficult and lack of funds, he tried to find resources and funds to provide conditions for artists to do exhibitions. For more than ten years, from the "First Chengdu Biennale" to the overseas "Back to the Future" series of exhibitions, he can plan at most seven or eight large-scale exhibitions a year, and each exhibition is very weighty. In the contemporary art world, the most famous curator is Li Xianting, who introduced Fang Lijun and Yue Minjun. Now, Lao Li is opening up and guarding the "New Art District" in Songzhuang County. Young curators are obviously becoming more and more active. They curated and criticized in art galleries, art centers or alternative spaces in Beijing, Shanghai and Guangzhou, and even made their mark on the stage of international contemporary art. Since 1999, many accomplished artists in China contemporary art circle have participated in Gu Zhenqing's exhibition, and many young artists have been discovered by him, making progress step by step since the exhibition he planned.

1964 was born in Shanghai, China.

1987 graduated from the history department of Fudan University in China.

In 2003, he was the general art planner of Shanghai Duolun Modern Art Museum, and in 2004, he was the artistic director of China Contemporary Art Award (CCAA).

In 2005, he served as the chief art planner and deputy curator of Shanghai Duolun Modern Art Museum, and concurrently served as a visiting assistant professor in the Fine Arts Department of Donghai University in Taiwan Province Province.

In 2006, he served as the executive curator and general planner of Zhu Qizhan Art Museum.

In 2007, he was the chief planner of Zhu Qizhan Art Museum, the editor-in-chief of Visual Production magazine and the judge of the 5th Taixin Art Award.

In 2008, he was the editor-in-chief of Visual Production magazine, the initiator of the editor-in-chief meeting of China Asian Art Magazine, the artistic director of Beijing Li Space Culture and Art Exchange Center, the final judge of the 2008 China Contemporary Art Award (), and a visiting professor of Tianjin Academy of Fine Arts.

Beijing Li Space Culture and Art Exchange Center was established in 2008.

In 2009, he served as artistic director of Beijing White Box Art Museum and visiting professor of Xi Academy of Fine Arts.

I often live in China, Beijing and Shanghai.