Rebecca, female, senior arts and crafts artist in Jiangxi Province,1was born in a ceramic family in Jingdezhen, Jiangxi Province in June 1973. Her great-grandfather Wang Yeting is one of the Eight Friends of Zhushan in Jingdezhen, a senior ceramic artist. Now I work in Jingdezhen ceramic vocational secondary school, a middle school teacher. Influenced by the traditional family painting atmosphere since childhood, I loved painting and studied China ancient and modern literature systematically, which laid a solid foundation for the creation of traditional landscape painting. After studying with my aunt and uncle Wang (my son), I gradually deepened my understanding of the landscape of Wang School and made great progress in painting skills. Graduated from the Ceramic Design Department of Jingdezhen Ceramic Institute (undergraduate), studied various painting techniques, and strengthened and improved theoretical knowledge. There is a new understanding and innovation in inheriting the traditional landscape painting techniques, and the painting style is gradually mature. In painting, I like to hook the rock with a bald pen and wipe it with a colored pen, showing the concave-convex yin and yang of the rock and full of three-dimensional sense. The contents of the picture are mostly mountains, flowing clouds and waterfalls, green hills and red leaves, flowing water on green banks, wild bridges and wild villages looming, and wooden sticks looking for seclusion. In the meantime, pay attention to the distinct layers of the picture, so as to get a feeling of far-reaching artistic conception and broad space. The scenery gradually makes people feel relaxed and sacred, as if they were outside the downtown area. The pen is concise and moderate, concise and refined, and the color is beautiful and elegant, so that the picture is quiet and distant. The style is elegant and beautiful, and the elegance does not lose the exquisiteness of women. Quiet and dexterous always reveals everyone's demeanor. The composition is eclectic, and the painting techniques and artistic effects of the works have been recognized and praised by the predecessors in the ceramic art world, and are also loved by many ceramic collectors.