The most powerful of the new generation should be Gong Shuang, and Gong Shuang is the model template of academic school. As early as when he was a student, he won the champion of China Red Song Club, and won numerous awards afterwards. But I don't like her very much. I always think her singing is too textbook. Singing small folk songs lacks Jia Lei's refreshing spirit, and singing big songs is not as magnificent as Wang Lida's. In short, she is like a good student who takes the exam. Although the results are too good to say, there are still some shortcomings.
Yi is one of my favorite singers. After listening to several songs that she sang in duet with Cao Yiheng, I feel that she has the demeanor of Jia Lei and can sing and play. "The sun hits the sand pestle" is very atmospheric, but it doesn't feel deliberate. Picking the Red Dragon is also the exquisite charm of a water girl. Although her singing skills are not perfect, her pronunciation is sometimes tight and her high notes are slightly depressed, she is still young and there is still much room for improvement in the future. Will she be another Jia Lei in ten years?
Qu Dan, a solo performer of the Air Administration Art Troupe, has also participated in some large-scale performances in the past two years. Her voice is in good condition, crisp and sweet, crystal clear, like melting water on a snowy mountain. Some of her masterpieces, such as "Butterfly Love in Spring" and "New tea things", are all very good, which is in line with her strengths. Her flaws are also obvious. It is difficult to sing big songs. Of course it doesn't matter, because it's not bad to be a trumpet player. However, her singing skills need to be improved. She sang the song "Folk Songs with the Moon", which is obviously not as smooth, smooth and elastic as the teacher of Qubiao, so the new folk songs are not the product of idols.
Xu Jingjing is not a pure folk song line, and his singing method is slightly lyrical, which is suitable for singing art songs. Her representative works "Flowers on the Spring River", "Autumn" and "Autumn Moon in the Han Palace" are all classical lyric songs, which still sound good. However, her on-site level needs to be improved. The sound of the live version of Love is not very stable, and the unity of the sound area is also slightly lacking. The singer's real strength is to fight the scene, and the stability of the scene shows that the basic skills are solid.
Wei Jiani, like Qu Dan, is also a clear little folk song. After listening to her "Xin Kangding Love Song", I feel that my basic skills are ok, but after listening to her traditional folk song "February Comes", I feel that her deductive ability is still much worse. "February Comes" is a ballad, which not only has a good voice, but also has a solid basic skill and needs the ability of "telling stories". Teacher Zhang Ye sang this song in the concert commemorating the 70th anniversary of the victory of anti-fascism on 20 15. It was really ups and downs, with content and skill. Nowadays, lyricism prevails and there are few narrative singers, which is a defect.
Wan Li is not as famous as above. She is a local singer and a young teacher in the Music Department of Huazhong Normal University. Because she is in Hubei, the songs she sings are mainly Hubei folk songs. She is also a pure folk voice, but her voice is sharp and thin, and her singing is sticky. She can't sing Hubei folk songs, nor is she like Yi Wenhui, a native of Hubei.